“Stop trying! You’re never going to succeed. Stay and work in the house. You’re just a woman.” In society currently, omen would ignore a comment like this made by a man, but in the early and middle 1900s, they heard this or a similar phrases constantly. Women were expected to take care of the household and let the man be the head of it. They were supposed to have dinner ready, the kids clothed and the house clean when the husband returned home from work. Since women spent most of their time completing these laborious tasks, they did not have time to object to them. One woman that did, however, was Georgia Douglas Johnson. She decided to become a poet as well as complete her responsibilities in her home, and she loved it. But she wanted others …show more content…
She accomplishes this through her use of imagery and allusion. Johnson describes the abilities of women by illustrating the life of a free bird. A woman is “a lone bird, soft winging, so restlessly on,/ Afar o’er life’s turrets and vales does it roam/ In the wake of those echoes the heart calls home.” (“The Heart of a Woman” 2-4). This imagery allows the reader to visualize a bird flying over mountains and valleys, and living its life freely. This bird is able to do what it wishes without being told what to do. The poem then ends with the haunting image of the bird being locked up in “sheltered bars” (“The Heart of a Woman 8). By contrasting the actions which women partake, Johnson attempts to inform women of their “unrealized ambitions and the pain that can emerge from domesticity” ( Brown). There are many opportunities for women to live life freely rather than existing as a housemaid. Johnson hopes to warn women to not allow their life become limited, because she lived with a husband who implored her to become the stereotypical housewife. She did not listen to his desires and wrote. Johnson wishes to encourage other women to have the courage to grasp their own lives as well. Johnson also encourages women by alluding to Paul Laurence Dunbar’s poem “Sympathy.” As depicting the heart of a woman as “tr[ying] to forget it has dreamed of the stars/ While it breaks, breaks, breaks on the sheltering bars.” (“The Heart of a Woman” 7-8), Johnson references the caged bird in Dunbar’s poem. His poem is about a captive bird that beats its wings against the bars of its cage (Brown), because it wants to be free and live its life. If the reader picks up on this allusion, they realize the connection between the poems and the severity of Johnson’s warning. Johnson portrays domesticity as being caged while freedom is just beyond one’s grasp.
I enjoyed reading Disciplined Hearts by Theresa O'Nell because i find that many people today do not know a lot about the Native American culture and what they have been through. Their cultures history is not talked about as much the African American or Hispanic's are. Most Americans know about the hardships that the African American and Hispanics had to overcome to assimilate to the level that they are today. I think O'Nell is trying to talk about the history of the Native American culture because, she believes that the reason that their culture is not well-known because of the fact that they have chosen to keep living like their ancestors and not assimilate to the American culture.
In Judith Ortiz Cofer’s “The Story of My Body” Ortiz Cofer represents herself narrative story when she were young. Her autobiography has four headlines these parts are skin, color, size, and looks. Every headline has it is own stories underneath it. Ortiz Cofer’s is expressing her life story about her physical and psychological struggle with her body. Heilbrun’s narrative, “Writing a Woman’s Life” shows that, a woman’s does not have to be an ideal to write a self-autobiography to tell the world something about herself and her life. Ortiz Cofer’s facing a body struggle that is not made by herself, but by people around her. Therefore, every woman is able to write can write an autobiography with no exception.
The Woman Warrior by Maxine Hong Kingston portrays the complicated relationship between her and her mother, while growing up as a Chinese female in an American environment. She was surrounded by expectations and ideals about the inferior role that her culture imposed on women. In an ongoing battle with herself and her heritage, Kingston struggles to escape limitations on women that Chinese culture set. However, she eventually learns to accept both cultures as part of who she is. I was able to related to her as a Chinese female born and raised in America. I have faced the stereotypes and expectations that she had encountered my whole life and I too, have learned to accept both my Chinese and American culture.
Dunbar finishes off the poem with powerful lines: “But a prayer that he sends from his heart’s deep core, But a plea that upward heaven he flings— I know why the caged bird sings!” The caged bird is depicted as battered, bruised, and beaten from his violent rebellion— praying as his last chance of freedom. The bird’s belief in its virtuous rebellion justifies the revolt, as we see the bird’s constant persistency, even as the mutiny is demoted to
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
Women in America have been described as “domestic household slaves” referring to their status in society. Do the documents support this assertion? If so what is the evidence?
BIOGRAPHY: According to the entry « Eudora Welty » found on Wikipedia, Eudora Alice Welty was an American author and photographer, well-known for working on the South American theme. She began higher education at the University of Wisconsin, then went to New York, where she studied at Columbia University until 1931. Unable to find a job on the East Coast because of unemployment due to the Great Depression, she went back to her her native city Jackson, Mississippi. She started to publish short stories in magazines from 1936 and rapidly acquired notoriety as a short story writer, managing to carefully describe the culture and the racial issues of the South. Each publication of her short stories collections was considered as a literary event. In 1956, her novel The Pounder Heart, adapted by Joseph A. Fields and Jerome Chodorov, achieved great success on Broadway. In 1975, her enchanting novel The Robber Bridegroom became a musical. In 1973, Eudora Welty received the Pulitzer Prize for her novel The Optimist’s Daughter. Three years earlier, she published a collection of photographs that she had taken herself in the years 1930 and 1940, One Time, one Place: Mississippi in the Depression: a work intending to depict the harsh living conditions in Mississippi during the Great Depression. In 1984, at the request of Harvard University Press, she put on paper a lecture that she gave the year before to the students: the work became a bestseller. She died of pneumonia in 2001.
and make fun of black elders. And would talk to them any kind of way.
In the short story “A Kind of Courage” by Ruth Sterling, the protagonist, Davy, is trying to win Ginny’s heart.
The poem “The Old Maid”, by Sara Teasdale, takes place on a sidewalk on Broadway. The speaker in the poem is a woman walking with who you can infer to be her fiancée and she is describing a brief encounter she had with another woman in the car driving by her. The speaker describes the woman as “The woman I might grow to be,” She then notices how her hair color “…was as mine” and how “Her eyes were strangely like my eyes”. However, despite all these similarities the woman’s hair compared to the speaker’s was “…dull and drew no light”. Her eyes also did not shine like the speaker’s. The speaker assumed that the reason for the woman’s frail appearance was because she had never had the opportunity to know what it was like to be in love. In the last stanza, the speaker no longer looks upon the old maid but to her lover and knows that even though they may look similar she will never be like her.
Throughout the novel, A Thousand Splendid Suns by Khaled Hosseini, Mariam and Laila are constantly having their inner strength challenged from birth to death. They both had different lives growing up, but they both lived in the same society, meaning that they both dealt with the disrespect from the Afghani culture.
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
In the poem there are two birds, one is caged and is forced to watch the other free bird. “But a bird that stalks down his narrow cage can seldom see through his bars of rage his wings are clipped and his feet are tied so he opens his throat to sing.” The caged bird in Maya Angelou’s poem is forced to watch the free bird from his cage. This caged bird can’t beat his wings, fly, or move, he can only sing a song that is a cry for help. The caged bird can’t do much about his situation, he is trapped and disabled. “ But a caged bird stands on the grave of dreams his shadow shouts on a nightmare scream his wings are clipped and his feet are tied so he opens his throat to sing.” the caged bird cannot fly anymore because his wings are clipped. Even though he can’t fly the bird still opens his throat to sing. The caged bird in “ Caged Bird” is not as free as the bird in “Sympathy” because if this bid is free he can fly and do whatever he wants. But the bird in Maya’s poem cannot, he isn’t truly free, there is more hope for the other
In her essay, Woman in the Nineteenth Century, Margaret Fuller discusses the state of marriage in America during the 1800‘s. She is a victim of her own knowledge, and is literally considered ugly because of her wisdom. She feels that if certain stereotypes can be broken down, women can have the respect of men intellectually, physically, and emotionally. She explains why some of the inequalities exist in marriages around her. Fuller feels that once women are accepted as equals, men and women will be able achieve a true love not yet known to the people of the world.
I chose these three poems because the subject matter appealed to me and I believe that the poems convey their meaning very effectively. Upon researching the poems, I discovered that Caged Bird was in fact inspired by Sympathy, which accounts for the similarities in language and imagery, as outlined below. All three poems deal with the subject of freedom using the imagery of birds; On Liberty and Slavery is narrated as a human plea for freedom, and makes reference to birds in that context, whereas Caged Bird and Sympathy both use the imagery of caged birds to explore the theme of loss of freedom. The symbolism of birds is used to depict freedom, as birds are essentially without constraints; in comparison to the limitations of humans, they have limitless possibilities. When a bird is caged, however, it loses that potential and is restricted not by its own limitations, but the limits set by another.