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Analytical essay of the novel dracula
Analysis of draculas character
Gender equality in gender literature
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Bram Stoker’s Dracula was written during the Victorian era in which females and males had different roles in society. The females in society were supposed to encompass a passive role, displaying qualities that were subservient, submissive, and innocent. Males in the Victorian era were seen as the strong and hard-working head of the family and had the freedom to do what they pleased. The men and women in Dracula display some of these conventional characteristics, yet both genders depart from them in significant ways. There are two types of women portrayed in this novel; one is Lucy, who is considered to be the ideal Victorian woman. The second type is the vampire women, who represent the “New” or modern woman. The “New Woman” is physically, …show more content…
The men treat Mina as if she is inferior to them by eliminating her free will and neglecting her in conversations when trying to defeat Dracula, even though she made it possible to find him in the first place. The men tend to think that they know what is best for Mina without giving her the option to contemplate situations for herself. Van Helsing, encouraging the rest of the men to leave Mina out, states “we men are determined…but it is no part for a woman…And, besides, she is young woman and not so long married; there may be other things to think of some time, if not now” (207). Van Helsing justifies his actions because Mina is a woman and overlooks her contributions that have led them closer to Dracula. Howes suggests that the men treat Mina this way because they are anxious that her involvement will lead to demolishing their superior role in society (114). They push Mina to return to her passive role and are unwilling to accept feminine equality in their community. Shortly after, the men decide that they should no longer keep secrets from Mina. Yet, once she is involved and accomplishes things that the men are unable to do, the men determine once again that it is best that she remains in the dark. This clearly indicates that the men value their superior status in society over gender equality. Mina never disobeys the men for excluding her because she has always been submissive to male authority. Instead, she sees this as the men’s eagerness to protect her. This is ironic because, while the men leave Mina alone to find Dracula, it is easier for him to start the process of transitioning her into a vampire. Their hostile treatment to Mina is a result of maintaining their superiority and their inability to adapt to modern
There is a classic "good versus evil" plot to this novel. The evil of course being Count Dracula and the Good being represented by the Harkers, Dr. Seward and Lucy, Arthur, Quincy and the Professor. It is the continuing battle between Dracula and the forces of good. Good in this case is the Christian God. The battle is foretold by the landlady where she says, "It is the eve of St Georges Day. Do you no know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?" and she hands Harker a crucifix (p 12).
Bram Stoker’s “Dracula,” came to print in 1897, at the height of Nineteenth century Victorian life in Europe, a progressively modern era that saw much medical and technological advancement. This era brought with it the contentious idea of an empowered woman, the “New Woman,” a woman who aspires to be educated as well as sexually and economically independent. Stoker gives a contrasting view of this notion in “Dracula.” While the main characters, Lucy and Mina, are clearly opposite in personality, they are both portrayed as unequal, defenseless objects that are to be protected and desired. However, one woman’s fate is determined by her weakness, while the other is determined by her strength.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
In Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
A ‘new woman’ was both determined and independent; it was the start of the breakaway from unequal gender norms and values that we have almost fully established today. Mina was seen as a ‘new woman’ by the other male characters in the novel which was evident in the way she was described. “Ah, that wonderful Madam Mina! She has man’s brain-a brain that a man should have were he much gifted-and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good a combination” (Stoker, 201). Even though this is essentially a sexist comment by today’s standards, this was a compliment of the highest regard given to a woman in the Victorian era. Mina was used by Stoker to represent the changing standards for women. Mina had the job of a school teacher so she had already broken traditional gender roles as other women like her would have been stay-at-home parents and caregivers. She was fully involved in the plans to defeat Count Dracula and her opinion was held in high regard by the male characters in the novel. These qualities were what made her a ‘new woman’. However, she was also representative of the traditional Victorian woman in the things she said and her values on marriage; it was representative of the changing views on male
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Dracula accentuates the lust for sexuality through the main characters by contrasting it with the fears of the feminine sexuality during the Victorian period. In Victorian society, according to Dr.William Acton, a doctor during the Victorian period argued that a woman was either labelled as innocent and pure, or a wife and mother. If a woman was unable to fit in these precincts, consequently as a result she would be disdained and unfit for society and be classified as a whore (Acton, 180). The categorizing of woman is projected through the “uses the characters of Lucy and Mina as examples of the Victorian ideal of a proper woman, and the “weird sisters” as an example of women who are as bold as to ignore cultural boundaries of sexuality and societal constraints” according to Andrew Crockett from the UC Santa Barbara department of English (Andrew Cro...
Similar to almost every piece of literature ever created, Dracula by Bram Stoker has been interpreted many different ways, being torn at from every angle possible. Just as one might find interest in interpreting novels differently, he or she might also find interest in the plot, prose, or theme, all of which ultimately lead to the novels overall tone. Throughout the novel, it becomes blatant that the novel contains an underlying theme of female incompetence and inferiority. Through a true feminist’s eyes, this analysis can clearly be understood by highlighting the actions of Mina and Lucy, the obvious inferior females in the book. Through Stoker’s complete and utter manipulation of Mina and Lucy, he practically forces the reader to analyze the co-existence of dominant males and inferior females in society and to simultaneously accept the fact that the actual text of Dracula is reinforcing the typical female stereotypes that have developed throughout the ages.
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
The first type of woman portrayed is the asexual victim (Senf 67). This is Lucy, before her transformation. As Lucy transforms into a vampire she becomes more sexualized. “Come to me, Arthur. Leave these others and come to me. My arms are hungry for you. Come, and we can rest together. Come, my husband, come (Stoker 181). This quote shows the sexualization of Lucy after the transformation, and shows how sexually aggressive she is being. The second type of women being portrayed is the women at Dracula’s castle, and Lucy, after her transformation, which play the part of the sensual vampire-brides (Senf 67). This type of women being portrayed is the opposite of the asexual type. These types of women are portrayed as over-sexual. The third type of women portrayed in Dracula, “are fully developed human beings” (Senf 67). The woman that this closely resembles is Mina. Even though Mina is not nearly as well developed in Coppola’s film version, as she is in Stoker’s novel, she still possesses some of the similar
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
Bram Stoker's novel Dracula, published in 1897, explores various sexual erotic possibilities in the vampire's embrace, as discussed by Leonard Wolf. The novel confronts Victorian fears of homosexuality; that were current at the time due to the trial of playwright Oscar Wilde. The vampire's embrace could also be interpreted as an illustration of Victorian fears of the changing role of women. Therefore it is important to consider: the historical context of the novel; the Victorian notion of the `New Woman' specifically the character of Lucy Westenra; the inversion of gender roles; notions of sexuality; and the emasculation of men, by lessening their power over women; in the novel Dracula. In doing this I will be able to explore the effects of the vampire's embrace in depth, and achieve a wider understanding of the variety of erotic undercurrents Stoker incorporated into the novel.
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
There are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).