In Betty Friedan’s novel The Feminine Mystique, she addresses a problem deeply buried within women up until the beginning of the twenty-first century. A problem with no name, that makes women feel desolate and purposeless, forcing them to ask themselves “is this all?” Norma Jean toils with this very same question in Shiloh, a realistic fiction short story by Bobbie Ann Mason. The marriage of Norma Jean and her devoted, yet inactive husband Leroy falls to shambles when he gets injured from work, forcing him to remain home. They wander aimlessly around each other, much like ghosts, withholding their need to confide in one another, which inevitably leads to the end of their marriage. As Norma Jean redefines gender roles in her household, she …show more content…
As she reverses gender roles, so strongly built by history, she is confused of her duty in the household. In an article by journalist Harriet Pollack, it blames Norma’s confusion on her generations lack of established roles. Unlike the generation before her, Norma has new hopes and dreams, but compared to the role that her controlling, patriarchal mother tries to oppress her with, she seems crazy and absurd. Tina Bucher in Changing Roles and Finding Stability refers to Norma Jean as a “downhome feminist,” a women who just wants “a little bit more breathing space from her husband.” While Norma’s redefining of gender roles are subpar compared to societies large change of women roles occuring during this time, such as the right for birth-control during second wave feminism, it still shows her need for a new story in her narrative. She uses this new sought after freedom to invest her time in new activities such as working out and college classes. Mason also, as commented in the article, uses Norma’s strength while bodybuilding as a conservative symbolism for masculinity, but uses it to embark the new independence Norma has found. Also subtle instances of Norma breaking gender roles can be found in the empty cereal bowl she leaves on the counter as she leaves for work, driving to Shiloh as Leroy rides, and becoming the “bread-winner” of the family as Leroy is injured and stuck at home. Although these are substantially insignificant it shows her much needed yearn for change and
about marriage that our society assumes to be true today. These include ideas about single
Bobbie Ann Mason’s “Shiloh” follows Leroy and Norma Jean Moffitt, a husband and wife, and their struggling marriage. In the beginning they had a typical marriage, and then as bother her and her husband evolve, Norma Jean questions her marriage and who her husband is. Norma Jean finds herself struggling to make sense of her marriage, and Leroy struggles to move beyond his accident. Through plot structure and third person dramatic point of view, Mason explores the issues of evolving and changing gender roles within a marriage.
In the short story "Shiloh" written by Bobbie Ann Mason, she expresses a theme stating that taking life for granted causes individuals to lose sight of what is important and how people become blinded by everyone and everything around them. Emotions take a big toll on the way a person handles a situation and people do not necessarily compartmentalize in order to make the right decision with ease. There are various characters represented throughout the story ranging from dynamic to round characters. Norma Jean and Leroy Moffitt are the antagonist and protagonist, both of them are at war with each other. Situational irony occurs when Leroy arrives home and continues to stay home after being involved in a truck accident at work. Norma Jean is not used to her husband being home now and would rather have him on the road again. He is excited to settle down with his wife but she wants him gone. She was comfortable with staying at home alone and now that he is there all the time, her freedom is disturbed. The tone the author entails is complicated, harsh, selfish, and straightforward simply for the matter that their marriage lacks communication which makes any relationship complicated. Straightforward is another tone being described because at the end Norma Jean bluntly tells Leroy that she is leaving him. It is very crucial to his ears and harsh coming from her after sixteen years of marriage. The story takes place in the couple's home, super plaza, and the battleground of Shiloh. In the story the reader is able to foreshadow the outcome as a result of Norma Jean's behavior. Symbolism induces the battleground, Star Trek pillow, Wonder Woman, craft kits, and color of the ruffle. The narrator tells the story from a third person limited om...
...aking classes, she is able to slowly but surely find her independence again. Norma Jean finally tells her husband that she wants to leave him because she does not want to "...feel eighteen again" (500). By leaving Leroy and starting a new life, Norma Jean is able to forget the pain and embarassment she felt many years ago. The power she possesses enables her to succeed in her wish to move on.
In society, there has always been a gap between men and women. Women are generally expected to be homebodies, and seen as inferior to their husbands. The man is always correct, as he is more educated, and a woman must respect the man as they provide for the woman’s life. During the Victorian Era, women were very accommodating to fit the “house wife” stereotype. Women were to be a representation of love, purity and family; abandoning this stereotype would be seen as churlish living and a depredation of family status. Charlotte Perkins Gilman’s short story "The Yellow Wallpaper" and Henry Isben’s play A Doll's House depict women in the Victorian Era who were very much menial to their husbands. Nora Helmer, the protagonist in A Doll’s House and the narrator in “The Yellow Wallpaper” both prove that living in complete inferiority to others is unhealthy as one must live for them self. However, attempts to obtain such desired freedom during the Victorian Era only end in complications.
Leroy Moffit is a truck driver, and over the years as his wife Norma Jean is adapting to the changing community his adaptation to things consist of pretty much the way he drives his truck. During this time Norma Jean is left at home to fend for herself and learn the workings of nearly being a single woman. Norma Jean started to play the organ again, practice weight lifting, and take night classes. When Leroy came home after years of being saturated in his work he expected things to be like they were in the beginning of their marriage. As time goes on at home, Leroy takes notice to Norma Jean’s keen, and independent understanding of what goes on around her. He observes and is afraid to admit that she has had to be her own husband. Over the years Norma Jean developed a structured routine that does not include him. As Leroy sits around and plays with a model log cabin set Norma is constantly working to advance and adapt herself with ...
The “Feminine Mystique” is a highly influential book in the early second wave feminism movement. It is said that it helped shaped the demands of the second wave by insisting for the right to work outside the home, and to be paid equally; the right for reproductive freedom; the demand that women should not be expected to have children and be mothers if they do not want to. Betty Friedan addresses “the problem that has no name” which is the women who are highly educated, suburban housewives that are bored and want something “more” in their life. This is the point where women knew we needed a second wave. Women’s role had gone backwards and they were beginning to realize that they were all experiencing the same “problem that has no name”. “The
...ver the period of his absence, Norma Jean develops into a stronger person from being on her own. Having Leroy home makes her realize she needs to move on and employs her assertiveness to get out of the situation. Although they remain loyal to their duties through all of the drudgery, the Native American women are strong because they lead a very important role in the family. Norma Jean also proves herself to be strong as she leaves her husband to move on to achieve more in her life. The women share different experiences, but they all exhibit strength in being the way they want to be.
Betty Friedan’s book, The Feminine Mystique, explains the mind set of society in the 1960s. She writes that the women of the ‘60s were identified only as creatures looking for “sex, babies, and home” (Friedan 36). She goes on to say “The only passion, the only pursuit, the only goal a woman [was] permitted [was] the pursuit of a man” (Friedan 36). This mind set, this “feminine mystique,” is clearly shown throughout the show Mad Men. The side effect of the feminine mystique hurt all the women of this time. Matthew Weiner shows how this conception of the “ideal woman” hurt all of his lead women. The consequences are shown in the two women who bought into the idea, Betty and Joan, and the one who re...
The struggle to battle with the persistent grief of self-blame and lack of identity is a constant reminder to the barriers in relationships. Leroy grieves over the fact that he has lost his identity as a father and husband. Although he often thinks of Randy, the memories of him have faded. As a result, he latches on to Norma Jean but she doesn’t respond back. This causes him to feel like a failure of a husband. Norma Jean is grieving over the emptiness in her life. It was not the life she thought she would have. Her deceased son symbolizes her emptiness because of his death. She also feels emptiness towards her husband. For example, she feels very uncomfortable around him and always tries to find something for him to do. When Leroy arrives back home from his accident Mason implies, “he thinks she’s seems a little disappointed” (Mason 220), displaying Norma Jean frustrated with his lying around doing nothing but watching television and smoking pot. In addition, Norma Jean feels emptiness towards her mother, which is presented in the way her mother criticizes her. When tragedies occur in a family and self-confidence fades it can take over your life a...
The role of a woman remains the same throughout human history. Many women prepare for the role of wife and mother from an early age. If one is not married at a certain age then they are labeled as a spinster, a prude. Hedda Gabler and Emma Bovary fearful of being dubbed as a spinster, marry men whom they both despised. During the mid 1800’s, Emma Bovary’s period: women considered inferior to their male counterparts, they could not divorce their husbands, and their husbands essentially own them. Alas during Hedda Gabler’s setting, nothing changes. Because of their society, they are alienated individuals thwarted due to their social status, gender, and misguided intentions.
During post-war-era America women were feeling something very similar to what men are feeling now. As quoted in Kanwal’s article Betty Friedan defined women's unhappiness as ''the problem that has no name." She wrote, "... many American women were unhappy and did not know why". In her book Fraterrigo talks about how men q...
“Women’s roles were constantly changing and have not stopped still to this day.” In the early 1900s many people expected women to be stay at home moms and let the husbands support them. But this all changes in the 1920s, women got the right to vote and began working from the result of work they have done in the war. Altogether in the 1920s women's roles have changed drastically.
Many women in modern society make life altering decisions on a daily basis. Women today have prestigious and powerful careers unlike in earlier eras. It is more common for women to be full time employees than homemakers. In 1879, when Henrik Ibsen wrote A Doll's House, there was great controversy over the out come of the play. Nora’s walking out on her husband and children was appalling to many audiences centuries ago. Divorce was unspoken, and a very uncommon occurrence. As years go by, society’s opinions on family situations change. No longer do women have a “housewife” reputation to live by and there are all types of family situations. After many years of emotional neglect, and overwhelming control, Nora finds herself leaving her family. Today, it could be said that Nora’s decision is very rational and well overdue.
Social factors have always encouraged the idea that men embody masculinity and women embody femininity and, thus, certain gender-norms are expected accordingly. In the past, such expectations were traditional and to go against them was frowned upon by the general public. Contemporarily speaking, there is more freedom to avail oneself of today than there was once upon a time. Jeanne-Marie LePrince de Beaumont’s fairytale adaptation of ‘Beauty and The Beast’ was published in 1740. During this time, men and women were compelled by the social conventions associated with their gender. When analyzing the literary work, the reader can grasp what gender roles are eminent in the characters identity and motives. By exploring the choice of language being