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Imani T. Brown
ENG 1202
5/6/18
A Woman’s Place
Life cannot be without a measure of darkness, trials and tribulations, for success would lose its meaning if it were not balanced by sadness. A women’s place in society has been a constant bumpy road when it has come to adding equality into women’s roles in society. Sophocles exposes the unequal power relevance between men and women in 441 B.C. as Thebes has a conflict between Antigone and Creon unfolds in his play Antigone.
The initial conflict in Antigone is that of the society in which she lives. King Creon and sister Ismene’s actions represent the personality of the society as a whole; full of fear and unequal gender biases. First representation can be identified in Ismene’s statement to Antigone, “You must realize we are only women, not meant in nature to fight against men,”(70-71) This statement points out the taught inferior mindset that women have in the Ancient Theban society, as well as gender specific stereotypes and assumptions that cause civil obedience. Ismene follows this statement by saying “And that we are ruled, by those who are stronger, to obedience in those beneath the earth, to give me their forgiveness, since force constrains me that I shall yield in this to the authorities. Extravagant action is not sensible. (72-78)” implying that male-only rulers are
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Evidence is seen in Creon’s statement “Do not, my son, banish your good sense, Through pleasure in a women, since you know, That the embrace grows cold When an evil women shares your bed at home” (699-702) Creon is trying to turn Haimon against Antigone which initially seemed to be a success until Haimon switches back to thinking in her favor. Creon ops to continually reiterate throughout the play that his authority would not be overlooked without consequences to whoever broke his spoken law. As a man Creon’s focus was mainly on making a name for himself. “So we must stand on the side of what is
In the play Antigone by Sophocles, Ismene and the Chorus can be seen as the well meaning but silent people who don't take action in the story. Ismene is initially afraid of the punishment she could face if she is caught and she claims that she cannot disobey King Creon because “Women? Defying Creon? It’s not a womans place. We are weak where they are strong (10).” In this conversation Ismene states that women don’t have the right or power to defy the law or men, and women “must do what we [they] are told (10)” which is why she refuses to help Antigone. Ismene does not stand against authority to do what is morally right, which leads Antigone to bury her brother alone and doesn’t allow Ismene to take part in the punishment since Ismene wasn’t brave enough and doesn’t deserve the same fate as Antigone. Like Ismene, the Chorus is fearful of King Creon’s punishment and they do not speak against him because they respect him. The Chorus also sees Antigone as rash and disrespectful towards the king which is why they mostly side with the king. However, it can be seen that the Chorus sides with Antigone in part of the play because they see King Creon’s punish...
“Remember we are women, we’re not born to contend with men” (Sophocles, 18). The popular literary works, Antigone and A Doll’s House, written by Sophocles and Ibsen, are two famous tragedies that have been performed and read throughout the decades. Although countless audiences have been entertained by these well written plays, few would care to guess that many lessons and several unfortunate truths can be found with a less than tedious inspection of the characters and the reactions they give to their circumstances. The two main characters in these stories, Antigone and Nora, face adversities and problems that are amplified by their society’s views on the rights and abilities of women. The two main male characters in these plays, Creon and Helmer, cause the greater part of the struggle that the female protagonists face. The difficulties that Helmer and Creon create during the plot of these stories are the cause of three major characteristics of what one would consider typical to a headstrong man in a leadership position. The three features of Creon and Helmer that lead to the eventual downfall of Antigone and Nora, are pride, arrogance, and ignorance.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
The texts Antigone and Wicked challenge conventional ideas about gender. Both Elphaba and Antigone demonstrate strong will and are figures of rebellion as they challenge the status quo in their patriarchal societies. The main characters in these books reject feminine constructs of leadership, challenge democracy, and deconstruct ideologies of maternity and male dependency through embracing the label as “the other” courageously.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Nearly every society, Nora and Antigone's are no exception, dictates a specific place or purpose for women, and while Nora and Antigone's respective societies possess some similarities regarding women's place and purpose, they contain several important differences. In Antigone, for example, the relative worth and status of women in Thebian society seems clear; women are to submit to the rule of man. Ismene suggests this submissive attribute of women in Thebian society when she begs Antigone not to defy Creon's commands, "Remind ourselves that we are women and as such are not made to fight with men." (193) Evidently the Thebian society controlled by men has kept a lid on women's individuality so much so that even a member of the royal family, Ismene, speaks of the futility in attempting to clash with the rule of man. Furthermore, Creon asks Antigone if she is "ashamed to differ from such men [the Chorus]?" (212) This suggests that in Thebian society w...
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
These two examples alone give us the impression, which degrades women and the power they had. On the contrary, Antigone goes against society view and a norm to do what she considers is morally proper. Ismene, Antigone’s sister and foil of the story, is compared with her throughout the story since Ismene believes that adhering to the law is more important over family loyalty. Ismene says: “I shall obey those who are in authority, for deeds that are excessive make no sense at all” (Antigone, Page 22, Line 67-68).
Throughout history, women have always stood in the shadows of men. In many cultures, the role of women has always been to be seen and not heard. As one of the first feminists in world literature, the character Antigone, of Sophocles’ Oedipus Cycle, displays fine characteristics of a great female leader in order to stand up against male dominance for her religious, political, and personal beliefs. When the king denies her brother, Polynices, proper burial, Antigone goes against state law by burying him herself in order to protect heavenly decree and maintain justice. In doing this, she steps out of her place as a woman in a male dominated society.
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Another role this conflict plays in tragedy is one that creates tension in the oikos, as Creon is Antigone’s uncle he is the ruler of the household so he has control over Antigone. Antigone is a very extreme believer of her oikos which was a role given to women in the Athenian age as she gives loyalty to her family and nothing else. She will do anything for her family, which makes her ignore laws of state, values of the city; she is not simply rebellious to Thebes but she is also a member of the family. “These laws-i was not about to break them, not out of fear of some man’s wounded pride, and face the retribution of gods. Die I must, I’ve known it all my life-…But if I had allowed my own mother’s son to rot, an unburied corpse-that would have
Despite the male dominant society of Ancient Greece, the women in Sophocles’ play Antigone all express capabilities of powerful influence and each individually possess unique characteristics, showing both similarities and contrasts. The women in the play are a pivotal aspect that keeps the plot moving and ultimately leads to the catharsis of this tragedy. Beginning from the argument between Antigone and Ismene to Eurydice’s suicide, a male takes his own life and another loses everything he had all as a result of the acts these women part take in. The women all put their own family members above all else, but the way they go about showing that cherishment separates them amongst many other things.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.