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portrayal of women in greek mythology
portrayal of women in greek mythology
portrayal of women in greek mythology

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Throughout Greek and Roman mythology there are many themes, motifs, and symbols that are consistent amongst the different myths. Some of the more common ones include the abuse of mortals from the gods, the relationship between men and women, and the way in which lust operates in society. All of these are apparent in the writing style of Euripides in his text the Bacchae. This myth explores the battle between Dionysus, who has just returned dressed as a stranger, and Pentheus, who is the current ruler of the state, over the city of Thebes. As one reads this myth they will clearly identify some of the important subjects, however one detail that may not be noticed is the portrayal of Pentheus holding gender identity issues. There are many examples …show more content…
Pentheus has an over the top obsession with masculinity and sex and Euripides makes it obvious from the very beginning of this play. While these are two characteristics that one would tend to think would refute someone being transgender, however the over exaggeration of masculinity may be used as a cover up. An example of this is apparent in Pentheus’ opening lines of the play when he is describing the appearance of Dionysus. He repeatedly observes and makes note of Dionysus attractive appearance saying things like, “his long locks and golden curls all sweet-smelling” and “his eyes full of Aphrodite’s charms. Day and night he surrounds himself with young girls” (214). However immediately following these observations he attempts to try and reassert his masculinity by saying if he captures Dionysus he “will cut his head right off his body”(214). Throughout the play Pentheus consistently makes remarks that may come off as homosexual and immediately follows up with a comment in an attempt to reassert, and often over exaggerate, his masculinity. Another example of this can be seen during Pentheus’ first interaction, and in particular first sentence, with Dionysus. Pentheus states, “Well, stranger, your body is indeed quite shapely, at least for enticing the women” (222). Pentheus’ initial comments are all in awe of Dionysus …show more content…
As a ruler of the state one must be viewed as masculine and in control, however there are many examples in Euripides writing that leads one to believe deep inside he is not who he claims to be. One way in which this is evident during the play is that Pentheus is constantly negating his own viewpoints on masculinity and his outlook of women outwardly. However there are many actions he might not openly say that may lead one to believe he is confused about his gender identity. In the beginning of the play Pentheus criticizes the feminine appearance of Cadmus and Dionysus, however he finds himself dressed as a women and enjoyed it. Pentheus initially has a deep hatred for the women who abandoned their homes for the mountains to commit what he thinks are vile sex acts. Yet as the play progresses he becomes extremely curious about what the women on the mountainside are doing under Dionysus’ order and when the opportunity presents itself to spy on the women he is ecstatic. Pentheus makes it seem as if he needs to witness these women, not for the sake of the state, but for his personal voyeurism. His obsession with the women’s hidden behavior may reflect not sexual interest, but a desire to know more comprehensively a group with which he identifies himself as, but the social norms in society have restricted him from expressing. Between his
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
Yet isn’t a need for feeling accomplished found in both genders? Why are the two sexes divided? What is Euripides achieving through this division? Yet, “Wait are we the only men in Thebes to follow Bacchus?” (196). Cadmus and Tiresias question why they are the only male representatives in the Bacchantes. What opens the pathway for these two men to pursue a, by standard, feminine outlet.
Examination of Dionysus's challenges should begin with The Bacchae's most obvious perversion of custom, the question of gender. As Dionysus indicates early in the play, the enraptured band of Bacchant followers is comprised only of females: "Every woman in Thebes-but the women only- / I drove from home" (35-36). Though Cadmus further illuminates the matter by raising the question, "Are we the only men / who will dance for Bacchus?" (195-196), the text offers no definitive explanation for why Dionysus calls solely upon the women. A superficial reading might suggest that Euripides attempted to portray the stereotypical "weaker sex" as the one "more susceptible to invasive passions than men, especially eros and daemonic possession," but more is probably at stake.
Indeed, Phaedras? representation of male homoerotics aligns quite easily with that of the lyric poets. Theognis speaks often...
Euripdies' The Bacchae is known for its celebration of women's rebellion and patriarchial overthrow, claims which hold truth if not supremely. The Thebans, along with other women, pursue the rituals and culture of Dionysus’s cult which enacts their rebellion against men and the laws of their community. However, this motion to go aginst feminine norms is short lived as they lose power. When Agave comes to her epiphany, Dionysus is the one who is triumphant over Pentheus's death, not Agave or her sisters These women must be punished for their rebellion against both men and community. This female power is weakened and the rebellion muted in order to bring back social order and also to provide the story with a close. Female rebellion actually becomes oppressed through The Bacchae due to its conseqences and leading events of the play. This alludes to the message that women who do not follow traditional roles of femininity are subject to the destruction of an established society.
For as long as humans have roamed the Earth, misogyny has been an everyday part of life. Some countries have handled it better than others, but misogyny faces every community. In Euripides tragedy Medea, the main character Medea struggles with the misogynistic views constantly facing the society in which she resides. Euripides uses Medea to convey misogyny.
In the book the Oresteia by Aeschylus gender plays an important role throughout the story as the themes of vengeance, and family ties are brought to light. Aeschylus’s portrayal of Clytemnestra and Electra shows the roles women upheld in Greek society as well as their wide variety of feelings when compared to men. These two women are at opposite ends of the spectrum showing the reader how one woman may run the house and everything in it, while one suffers silently.
The next scene brings Pentheus and Dionysus face to face. Pentheus starts the conversation thinking he has the upper hand because he has more power over the situation. 'Untie his hands. Now I have him in my net, no amount of agile tricks can help him slip away' (25). However, it is clear to the audience that Dionysus is in control. He is provoking Pentheus by responding with quick, saucy remarks. 'Those who look for filth, can find at the height of noon' (28). Pentheus becomes frustrated. He needs to feel in control so he begins to hurl threats at Dionysus, 'I'll throw you in my dungeon.' Throughout this scene, Dionysus drops numerous hints that he is indeed the son of Zeus, 'He (Dionysus) is here now. He sees what is being done to me' (29). He for...
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Many different interpretations can be derived from themes in Euripides's The Bacchae, most of which assume that, in order to punish the women of Thebes for their impudence, the god Dionysus drove them mad. However, there is evidence to believe that another factor played into this confrontation. Because of the trend of male dominance in Greek society, women suffered in oppression and bore a social stigma which led to their own vulnerability in becoming Dionysus's target. In essence, the Thebian women practically fostered Dionysian insanity through their longing to rebel against social norms. Their debilitating conditions as women prompted them to search for a way to transfigure themselves with male qualities in order to abandon their social subordination.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
Of all the things Yiannopoulos is known for, it is his burning hate for feminism and women’s rights. Yiannopoulos frequently appears on news networks to debate feminists and say that women do belong in the workplace. In a talk on a college campus, Yiannopoulos explained that “The only bit of feminism left is that which is more interested in hurting men than empowering women” (Thornberry and Nguyen, "Milo Yiannopoulos Talks on Campus, Targets Feminism, Rape Culture and Muslims"). Yiannopoulos displays his pronounced fear of women. Identically, Pentheus sees women as threatening as the go out to the mountains to perform bacchic rituals. During Pentheus’ dialogue with Tiresias and Cadmus mentions, “but I hear about disgusting things going on / here in the city—women leaving home / to go to silly Bacchic rituals.” Pentheus sees the Bacchic rituals as a rebellion against men. When the women leave for the mountain, they are doing acts that would be prohibited when men are around. Pentheus immediately tries to quell the Bacchic rituals.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
In the story of Medea, the author, Euripides, addresses the topics of foreignism and female roles in the ancient Greek society. In the play, Medea, a foreign born woman, marries Jason, a Greek man, and moves to Greece to be with him after leaving her homeland with death and devastation. Then, when their marriage fails, Medea lashes out against Jason, causing her own exile and murdering her children, to which she has no love connection, and Jason’s new wife in the process. The main character, Medea, confirms many of the alleged Greek prejudices against foreigners and creates some prejudices of her own in return. Medea’s foreign roots and misconceptions, as well as her familial and societal atrocities,