Function of Death in The Road Through his characters in The Road, Cormac McCarthy suggests that death’s main function is to give survivors strength and knowledge. The act of death usually brings about the feelings of pain and sadness, these feelings only help characters in the road grow. Cromac shows that even with tragedy surrounding this family they will make it through not only alive but stronger. Three main examples pulled from the text are the mother and father both dying in very different ways and the death of society. All of these examples include great sadness, but The Road characters push through and become more knowledgeable survivors. The main plot of the book itself is prime example of Cormac’s function of death. The world coming …show more content…
Mama is not in the book present walking along the road with the boy and papa, but only in the tellings of her by papa. Papa shares that the new world became too much for mama to handle, and she did not want to face one more day of it. Mama killed herself, she was not cable of being strong enough to survive like the boy and Papa. Though her death was not be taken lightly, the boy and Papa found hope in her death to carry them through. The two boys knew that she was now at peace, and they had to keep carrying the fire for her. “The one thing I can tell you is that you won’t survive for yourself. I know because I would never have come this far.”(57 ) Through the death of mama papa and the boy both have a reason to keep going, to keep living, to survive for …show more content…
It was the hardest to understand because throughout the journey the two boys find strength and comfort in each other. They could withstand any tragedy and come out stronger, so how was the boy going to carry on without papa. Then it became clear papa had already gave the boy the strength and knowledge he needed to be a survivor. Papa had taught him so much during their journey that the boy would be fine without him. The knowledge he left with the boy would give him everything he would need to survivor including skills, love, and comfort. The journey was not over just because of papa’s death, the boy survived and would continue to carry the fire a stronger person. “And you can’t give up. I won’t let you.”
He always wants to help someone else in need before himself, whereas the father is only concerned about their own personal wellbeings. He “is the one” who worries about their ethical choices and wants to help a stranger in any way he can (259). McCarthy proves the importance of the boy’s spirit of love for other people when his dad dies and he must take the leap of faith to continue along the road with a new family. Despite all the corrupted people they encountered beforehand, the boy meets someone who is “carrying the fire” (129). This mantra by the father and son, symbolizes hope and humanity. The qualities Steinbeck labels for a writer to create in his writings can be summed up in “carrying the fire” since the two never did give up. It is the greatness of the heart and spirit Steinbeck notes that is “inside [them]. [And] [i]t [is] always there” (279). It is noteworthy that even in the midst of death and ashes, the two are able to hold onto their relationship and sanity. The “good guys” can continue to carry meaning and structure in their lives, even in a time where society turned into a battle to survive on the remnants of
Readers develop a compassionate emotion toward the characters, although the characters are detached and impersonal, due to the tone of The Road. The characters are unidentified, generalizing the experience and making it relatable – meaning similar instances can happen to anyone, not just the characters in the novel. McCarthy combined the brutality of the post-apocalyptic world with tender love between father and son through tone.
The imagery of fire continues in the story; the building of their fires, how the man molds the fires, and how they stoke the fire. When the boy gets sick the father is referred to many times of how he builds and rekindles the fire. This actual fire is a symbol for the fire that the man and the boy discuss carrying within in them. The man fights to save his son and the fire within the boy
Spending time with each other, having strong morals and giving a lot of love are a few of the things that give families hope and happiness. In the novel A Death in the Family (1938) by James Agee, a family has to use these advantages in order to make it through a very difficult time. During the middle of one night in 1915, the husband, Jay, and his wife, Mary, receive a phone call saying that Jay's father is dying. Ralph, the person who called, is Jay's brother, and he happens to be drunk. Jay doesn't know if he can trust Ralph in saying that their father is dying, but he doesn't want to take the chance of never seeing his father again, so he decides to go see his father. He kisses his wife goodbye and tells her he might be back for dinner the next day, but not to wait up for him. Dinner comes and goes, but he never arrives. That night, Mary gets awakened by a caller saying that Jay has been in a serious auto accident. She later finds out that he died. The rest of the novel is about Mary and her family's reactions to the death. This experience for Mary and her family is something that changes their lives forever, but it doesn't ruin them. If someone has a close person to them decease, he or she feel as if they cannot go on, but because of the close family ties that Mary, Jay, and their children shared, they know that they will be able to continue on after Jays death.
Many find reverence and respect for something through death. For some, respect is found for something once feared. In a passage from The Crossing by Cormac McCarthy, a man cares for a wolf that has died. The prominent religious motif and the paradox contrasting beauty and terror create a sense of awe that is felt by the narrator as he cares for the wolf.
... loss of loved ones like Junior in The Absolutely True Diary of a Part-Time Indian and Andi in Revolution or faced your own inevitable passing like Hazel Grace in The Fault in Our Stars, you are not alone. In confronting and facing death, these characters learn that death is merely a small part of living. It is an element of the human experience. To return to the wise words of the late Steve Jobs, “Almost everything – all external expectations, all pride, all fear of embarrassment or failure- these things just fall away in the face of death, leaving only what is truly important…There is no reason not to follow your heart.” Living is the adventure. In facing their fears and sadness, these characters learn how to be courageous, how to hope, how to love, and how to live. Join them on their journeys by checking out one of the spotlighted books at your local library.
In both these works, the mothers play the most important role in the development of the plot. They represent the pillars of strength and they are the ones that hold the family together and the hope alive. In Lorraine Hansberry's work, Mama is a widow, mother of two children and the head of the household: "There are some ideas we ain't going to have in this house. Not long as I am at the head of this family." (Hansberry 51) Mama is aware of the high position she is awarded in the family, since her husband is dead and she is left in care of the family. Qualities like independence and strength surround her and give her and air of authority. She takes charge when others hesitate and she gives courage to the insecure. "You just got strong willed children and it takes a strong woman like you to keep'em in hand, (Hansberry 52) her daughter-in-law tells her at one point. This symbolizes the love and respect she carries for her, but also the power that Mama radiates over the whole family.
Losing a phone compared to being raped, starved, killed, and eaten in pieces makes everyday life seem not so excruciating. Cormac McCarthy was born July 20, 1933 and is one of the most influencing writers of this era. McCarthy was once so poor he could not even afford toothpaste. Of course this was before he became famous. His lifestyle was hotel to hotel. One time he got thrown out of a $40 dollar a month hotel and even became homeless. This is a man who from experience knows what should be appreciated. McCarthy published a novel that would give readers just that message called The Road. Placed in a world of poverty the story is about a man and his son. They travel to a warmer place in hopes of finding something more than the scattered decomposing bodies and ashes. The father and son face hunger, death, and distrust on their long journey. 15 year old Lawrence King was shot for being gay. Known as a common hate crime, the murderer obviously thought he was more superior to keep his life and to take someone’s life. Believing ideas in a possible accepting world with no conditions is dangerous thought to that person’s immunity to the facts of reality.
Death and illness play a part of the movie because they effect many major and minor characters throughout the film. Family and parenthood are involved in the plot because many different families are showed throughout the movie affected by illness, marital issues, and divorce. Parenthood plays a part because the majority of the characters are parents, or are aiming to become a parent in the future. The overall theme of it all is that love is stronger than death, or any other emotion. Love is what can show the light of
When she was younger, she dreamed of being able to live in a decent sized house where she could even have her own small garden. However, the more privileged black neighborhoods were too expensive for her and her family at the time so she could never get the best of what Chicago had to offer. That factor didn’t hinder her from providing for her family and getting what she needed in life though. Mama’s environment formed her into a woman who hopes for the best, but even if that doesn’t happen, she will still make do with what she has. She also is very religious, this enables her to have strength and guidance during troubling times, and find a way when there is none.
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
Mama is a very quiet character in the beginning of the story. The book starts off when papa throws a missal at Jaja for not attending the Communion. The missal papa throws causes Mama’s favorite figurines to fall and break. Mama quietly observes the scene and she cleans it up. Out of respect for Eugene, she has nothing to say even though the figurines were something she favors and cares about. Adichie writes, “She stared at the figurin...
With the son’s fear amongst the possibility of death being near McCarthy focuses deeply in the father’s frustration as well. “If only my heart were stone” are words McCarthy uses this as a way illustrate the emotional worries the characters had. ( McCarthy pg.11). Overall, the journey of isolation affected the boy just as the man both outward and innerly. The boys’ journey through the road made him weak and without a chance of any hope. McCarthy states, “Ever is a long time. But the boy knew what he knew. That ever is no time at all” (McCarthy pg. 28). The years of journey had got the best of both, where they no longer had much expectation for
At first the relationship between a father and his son can be perceived as a simple companionship. However, this bond can potentially evolve into more of a dynamic fitting relationship. In The Road The Man and his son have to depend on one another because they each hold a piece of each other. The Man holds his sons sense of adulthood while the son posses his father’s innocence. This reliance between the father and son create a relationship where they need each other in order to stay alive. “The boy was all that stood between him and death.” (McCarthy 29) It is evident that without a reason to live, in this case his son, The Man has no motivation to continue living his life. It essentially proves how the boy needs his father to love and protect him, while the father needs the boy to fuel ...
The Road is Soyinka’s writing on the nation’s wall. He draws a society that is on the road to death and dissolution, a society for which there seems no hope. Perhaps, like Professor, who speaks of death as the moment of our rehabilitation, this society will have to die before it learns the truth. (Roscoe, p. 281). The Road is Soyinka’s most mature work. He displays in this play his usual ability to create living characters, which unlike the rest are more diverse and more deeply explored. In this play songs present life’s progress towards death that reduces everything into nothing. It is a skillfully handled play with fine use of songs. The very first song reveals the quest of man for the essence of death, which alone will explain the meaning of life. It also brings out the truth that loss of belief and conviction has produced a society in a state of transition.