The Freedom Tower John McEntee developed two very significant buildings that brought life to Miami, the two buildings being The Freedom Tower and The Biltmore Hotel. Both of these structures were made in Spanish Colonial Revival style to match the tropical theme that Miami had to offer, and that is why they are both very much alike. The Freedom Tower and the Biltmore Hotel are both influential buildings that were built in the same decade. At first, The Freedom Tower was actually known as the Miami Daily News and a printing facility. The Biltmore, on the other hand, was completely diverse; it was a beautiful hotel, which attracted many celebrities and held many events. The Spanish Colonial Revival style was mainly used in the United States during the early Twentieth Century. Architect Bertram Goodhue, “was a self taught architect who made a name for himself in a twenty year collaboration with Ralph Adams Cram” (Anderson). Goodhue and …show more content…
On the other hand, The Freedom Tower is seventeen stories high, which made it the tallest building in Miami at that time, containing over 82,000 square feet of space, that contain details such as “oak main doors, wrought iron balconies, Corinthian capitals on the columns and groined ceilings” (National Park Service) representing the Spanish Colonial style. The architects did a good job in showing Moorish embellishments to give the buildings a distinctive look for Miami. They are so alike in numerous of ways because of their same Spanish Colonial Revival style. An example of this style is: Corinthian columns, barrel vaulted ceilings, hand painted fresco, travertine floors, and many more. These buildings have the ability to make a person feel tiny and microscopic and can sometimes be overwhelming because of the incredible altitude of the
In his opinionated book, From Bauhaus to Our House, Tom Wolfe describes his views on the way architecture has framed our modern world. He frames his book long essay with an excerpt from America the Beautiful, "O Beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today? . . . Every child goes to school in a building that looks like a duplicating-machine replacement-parts wholesale distribution warehouse . . . Every new $900,000 summer house in the north woods of Michigan or on the shore of Long Island has so many pipe railings, ramps, hob-tread metal spiral stairways, sheets of industrial plate glass, banks of tungsten-halogen lamps, and white cylindrical shapes, it looks like an insecticide refinery." (Wolfe 1) This quote, in short, is the premise of his critique. He does not like the way modern architecture
One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.
When studying an ancient culture, it is important for one to comprehend the many unique elements that make up that culture. The study of architecture enables historians to deepen their understanding of a culture and identify the modern influences of that society. Architecture is an essential aspect of ancient Greek culture and its long lasting influence is evident in most cities today. The Greek Revival style dominated American architecture during the nineteenth century. Many prosperous citizens believed that the ancient Greece architecture embodied the spirit of democracy. When analyzing the architecture of New York City, one will find many examples of Greek Revival architecture, the most notable examples being the Old Custom House on 28 Wall Street, the first National City Bank building on 55 Wall Street, and Saint Peter’s Church at 22 Barclay Street.
...struction. I really love the architecture of these buildings and wish that we had more resources to be able to preserve this piece of American history.
This battle took place in Manhattan and was commanded by Colonel Robert Mcgaw. The fort had 8,000 soldiers and held as much as 34 guns, 43 cannons, and important resources. On November 16, three British ships holding 3,000 men all together sailed up the Hudson and shot open fire at the fort. Finally, on November 18, the British successfully captured 3,000 of American soldiers and took all of the supplies/artillery. This was a very important battle for the British who gained tons of artillery and resources while holding a strong position in New York.
Dell Upton is a historian and renowned professor of architecture and Urbanism at the University of California. He has published several books on architecture; one of them is “Architecture in the United States”, published in 1998. In this book, Upton analyzes the architecture of the United States in different aspects, such as nature, money and art, thus depicting the great variety in architectural forms, and how throughout the decades, different interests have lead communities to different ways of building, different purposes and materials, thus reflecting their way of thinking and their relationship with the environment. By exploring so many different architectural styles, Upton reveals the great diversity and richness that has always, and continues to characterize American architecture.
Hunt, William Dudley Jr. “Beaux Arts, Ecole Des.” Hunt Encyclopedia of American Architecture, 1980 ed.
Smith, C. Ray. Interior Design in 20th-century America: A History. New York: Harper & Row, 1987. Web. 26 Mar. 2014. .
Havana is one of the most architecturally diverse cities. In the beginning of the 20th century, Havana was an international influential powerhouse, enriched with art nouveau, art deco and eclectic design. This boom period was the turn in Cuba’s economical continuous changes throughout the times of change.
Architecture, as a profession, did not exist in colonial America. Only the wealthy men of the South were to have some knowledge of architectural styles. Finally gentlemen farmers and merchants were able to create plans and pictures of their dream houses by combining their skills. They were then able to become what was known as amateur architects.
Architecture, the practice of building design and its resulting products, customary usage refers only to those designs and structures that are culturally significant. Today the architecture must satisfy its intended uses, must be technically sound, and must convey beautiful meaning. But the best buildings are often so well constructed that they outlast their original use. They then survive not only as beautiful objects, but as documents of history of cultures, achievements in architecture that testify to the nature of the society that produced them. These achievements are never wholly the work of individuals. Architecture is a social art, yet Frank Lloyd Wright single handily changed the history of architecture. How did Frank Lloyd Wright change architecture?
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Built in 1889 to commemorate the hundred year anniversary of the French Revolution, the Eiffel Tower has been a topic of discussion for numerous years. Designed by Gustave Eiffel and Morris Koechlin, the Tower was built originally as a temporary structure. The pieces of this eye-catching building were to be disassembled and melted down after twenty years. This did not happen, however. The Eiffel Tower has become a colossal icon throughout the world; the Tower has brought in enormous revenue and has a scientific impact on French and all of Europe’s society.
Miami’s infamous art district with painted murals and contemporary sculptures is also a major part of Miami’s culture (Farago). Since Miami is a huge compilation of many cultures, and the people are mostly recently immigrants, new art styles are constantly arising and many cultural artworks as well. This mixture of culture and creativity is being utilized as tools to further enhance Miami’s social and economic development (Clery).
The early 20th century saw a great deal of influence in terms of classical design. A classical revival had brought a return of emphasis on Palladian architectural motifs, which could be seen in large cities throughout the world, but especially in New York and Boston. In terms of interior design, Edith Wharton and Ogden Codman advocated a similar classical revival, which gave a sense of classical order to ornate interiors. (Severens, 85) Interior design at the turn of the century was very much concerned with aesthetics over simplicity, yet managed to maintain a sense of order and balance. Designers created interiors with a heavy reliance on French and Italian forms of furniture, floors, and panelling. This style, which was hugely successful, could be found in the work of interior designers over the next fifty years, and is the basis for much that is known as "traditional decorating" today. (Severens,88)