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Recommended: Fictional story short
“I wish I could tell you it was safe. We’re not of the jungle yet,” Jayme stated. As much as it would make her feel better and make her daughter feel better, Jayme never sugar coated life for her daughter. She wanted her daughter to be able to face whatever came her way with open eyes not rose colored glasses. Her daughter peered up at her with worried hazel eyes. “It’s not gone?” “No, it just fell down the stairs,” Jayme said, directing her daughter back to the bedroom. “A friend distracted it in such a way I could come get you. Let’s go.” “What are we going to do?” Shelly asked. “Is there a plan?” “No,” Jayme started. She spoke thoughtfully, while trying to lighten the mood. “We perceive that it can be hurt, though don’t know what actually …show more content…
Slowly she made her way to the kitchen sink. Setting the prod down on the counter she bent down opening up one of the cabinets searching for a big bowl. She pulled of one the Tupperware bowls that they used for salads and stood up with it and took over to the sink. She filled it up with water and then carried the bowl over to the creature, throwing the water all over its shaggy hair. It shook like a wet dog getting out from a bath. And still Jayme seized another bowl full of water and poured over the creature. Grabbing a dry dish cloth Jayme wrapped it around the handle of the prod. Snapping the prod on, she stabbed it into the dripping wet hair of the creature. She felt a bit of the electricity coming through the rag. It ached, but she grit and bore it. The creature jerked up into a manlike position, standing on its hind legs, its front legs jerking to it sides. She kept the prod in place watching the creature jerk around until the battery on the prod began to smoke. She dropped the prod and inched around it back towards the …show more content…
We should probably do what you suggested, now.” Jayme shrugged. She knelt down by Marco grabbing one of his arms, pulling it over her shoulder. “Put down the chimes. Help me with him.” Shelly placed the chimes on the bottom step of the stair, then knelt down grabbing the other arm of the man and put it over her should. Both women stood, and then turned around facing the kitchen one more time. Jayme scoped the scene, noticed the creature still convulsed and then told her daughter. “Go.” The teeanged girl headed to her left going to the back door. First, she unlocked the back inner door and then the security door on the side of it. However, before the two women and the unconscious man stepped outside, there came another noise behind. She heard a loud piercing whine, like a tea kettle. Jayme turned her head and looked behind them. The creature stopped convulsing or maybe it vibrated faster than it vibrated before since a light glow emerged from its body indicating a higher level of heat. Then it stopped, the creatures arms dropped, the light dimmed, and the creature’s body began disappearing bit by bit from top to bottom in little puffs of smoke. Finally the creature completely
Merriam Webster’s Encyclopedia of Literature highlights Frankenstein as the work of Mary Wollstonecraft Shelley, published in 1818, and it brought into the Western world one of its best known monsters. Elements of gothic romance and science fiction help in telling the story of young Swiss scientist Victor Frankenstein, as he creates a horrible monster by putting together limbs and veins, leading to destruction and his later regret. The creature is left alone in the world, even by his own creator, for his hideous appearance, and through watching humans he learns their ways of living. Haunting Victor due to his loneliness, he forcefully makes Victor agree to make him a female companion, but Victor’s regret and misery enables him to tear up his
There was another knock, and another. The old woman with a sudden wrench broke free and ran from the room. Her husband followed to the landing, and called after her appealingly as she hurried downstairs. He heard the chain rattle back and the bottom bolt drawn slowly and stiffly from the socket. Then the old woman's voice, strained and panting.
Victor Frankenstein may be the leading character in Mary Shelley's Frankenstein, but a hero he is not. He is self-centered and loveless, and there is nothing heroic about him. There is a scene in Chapter twenty-four where Captain Walton is confronted by his crew to turn southwards and return home should the ice break apart and allow them the way. Frankenstein rouses himself and finds the strength to argue to the Captain that they should continue northwards, or suffer returning home "with the stigma of disgrace marked on your brows." He quite obviously has alterior motives and if he were not the eloquent, manipulative creature he so egotistically accuses his creature of being, he might not have moved the Captain and the men so much that they are blind to the true source of his passion. Unfortunately for Frankenstein, the crew, (however "moved") stand firm in their position. Yet the things he says in his motivational speech are prime examples of the extent to which Frankenstein is blind to his own faults and yet will jump at the chance to harangue others. He is so self-centered that his lack of interaction and love for others after his experiment has been completed, would barely qualify him as a person, if the difference between being human and being a person lies in the ability to have relationships with others.
Frankenstein defied human boundaries when he created the monster and because of this not only his life, but the lives of others have also shifted, this has caused their lives to spiral into an unjustified conclusion. Curiosity was the main cause of him learning how to create such a thing, his lack of caring for the thing that he created led to his undoing. His motivation for creating life, comes from the fact that he lost someone dear to him. Although Victor was young when his mother died, it had serious effects on the way he viewed life and maybe even himself. Once you take on the father role you have to stick to it, otherwise creating life
creature is not to blame - it is the creator. For this reason, we feel
The narrator then led the three men all around the house. No evidence of foul play were found. Later, the narrator chatted with the three men. Furthermore, the narrator believed that he heard the old man’s heart beating beneath the floor boards where he hid him after the crime. He felt that the old man’s heart beat grew louder and louder. He asked “why would they not be gone?” He thought he sound proofed the floor well. After questioning the heart beat sound, while still trying to have a conversation with the men, he swung his chair and opened the floor board where the old man’s body laid, but then the sound grew even louder. After praising God, he finally admitted to the crime scene and the shriek that the neighbor
terror but I couldn’t understand why my creator was horrified at my sight I was devastated all I remember was charging at him My farther was running for his life when my farther thought I was dead he left town without me keeping his secret in his attic.
She stood up walked to the door, turned and looked back at the waiter and started to speak, but she stopped herself and she walked out the door.
Frankenstein, speaking of himself as a young man in his father’s home, points out that he is unlike Elizabeth, who would rather follow “the aerial creations of the poets”. Instead he pursues knowledge of the “world” though investigation. As the novel progresses, it becomes clear that the meaning of the word “world” is for Frankenstein, very much biased or limited. He thirsts for knowledge of the tangible world and if he perceives an idea to be as yet unrealised in the material world, he then attempts to work on the idea in order to give it, as it were, a worldly existence. Hence, he creates the creature that he rejects because its worldly form did not reflect the glory and magnificence of his original idea. Thrown, unaided and ignorant, into the world, the creature begins his own journey into the discovery of the strange and hidden meanings encoded in human language and society. In this essay, I will discuss how the creature can be regarded as a foil to Frankenstein through an examination of the schooling, formal and informal, that both of them go through. In some ways, the creature’s gain in knowledge can be seen to parallel Frankenstein’s, such as, when the creature begins to learn from books. Yet, in other ways, their experiences differ greatly, and one of the factors that contribute to these differences is a structured and systematic method of learning, based on philosophical tenets, that is available to Frankenstein but not to the creature.
Victor Frankenstein: The Real Monster. & nbsp; Science is a broad field that covers many aspects of everyday life and existence. Some areas of science include the study of the universe, the environment, dinosaurs, animals, and insects. Another popular science is the study of people and how they function. In Frankenstein by Mary Shelley, Dr. Victor Frankenstein is an inspiring scientist who studies the dead. He wants to be the first person to give life to a dead human being. He spends all of his Frankenstein is to blame for the tragedy, not the monster he has created, because he is the mastermind behind the whole operation, and he is supposed to have everything under control, working properly as a good scientist should. & nbsp; Although some critics say that the monster Victor has created is to blame for the destruction and violence that followed the experiment, it is Victor who is the responsible party. First, Victor, being the scientist, should have known how to do research on the subject a lot more than he had done. He obviously has not thought of the consequences that may result from it such as the monster going crazy, how the monster reacts to people and things, and especially the time it will take him to turn the monster into the perfect normal human being.  something that would take a really long time and a lot of patience which Victor lacks. All Victor really wants is to be the first to bring life to a dead person and therefore be famous. The greed got to his head and that is all he could think about, while isolating himself from his friends and family. In the play of Frankenstein, when Victor comes home and sets up his lab in the house, he is very paranoid about people coming in there and & nbsp; I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. (156) & nbsp; Victor is saying that he has isolated himself for two years and in the end, he is not at all happy because of the bad outcome. He also adds, "Winter, spring and summer passed.so deeply was I engrossed in my occupation" (156). By spending most of his time inside on his experiment, never going out, but mostly worrying about his success, he has got himself crazier. This has made him lose sight of his surroundings and judgment & nbsp; Moreover, the monster should not be held responsible for killing Victor's family members and friends as shown in the book and movie, because it is Victor who has brought a dead creature back to life. He expects the monster to know everything when he wakes up cool, calm, and collected. But when the monster is awakened, he does not know anything. He sees a world different from what he is used to, which makes him get nervous and scared, so he&nb has removed him from dead. With the dawning of life, the monster has to learn about his new environment. In the play of Frankenstein, the monster starts to gradually get used to things. The problems he encounters are with Victor's assistant, Peter Krempe, Victor's friend, Henry, and other family members, including Elizabeth, and these are reactions to how these people treat him. These reactions are clearly shown in the movie of Young Frankenstein, where Victor tries to teach the monster how to live like to show off the monster to an audience in a dance routine of sorts. But then people start to scream, panic and throw things at the monster, so he reacts by attacking them to defend himself. In this case, it is clear that Victor tries to push the monster too hard because he wants to be famous.
Before I get started, just stop and think. In majority of the books and movies that have been made, the hero always defeats the villain and everyone celebrates. With this in mind, have you ever stopped and thought about how the villain feels, what their backstory was, why they became evil? Did anyone ever show sympathy for the villain and not just the hero in a book, or a movie. In the next few paragraphs, I will be talking to you about why the reader might feel sympathetic for Dracula, who is the blood sucking villain in Bram Stoker’s Dracula, and Frankenstein, who is the horrid, murderer of many, in Mary Shelley’s Frankenstein.
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
Before she opened the door, she asked, “Who is it?” But no one answered. A few seconds later there was another knock. Janine flung open the door, “What the...”
The earth is silent. So silent I can hear my pulsing heartbeat. The clouds are still, as if they’re waiting for me to move. The trees are frozen, with dead leaves fluttering towards the ground. The wind softly sweeps my hair across my shoulders and hits my neck, leaving goosebumps between my shoulder blades. I am suddenly grabbed. A pain ripples through my arm as the claws dig their way through my skin. I look up to the monster. Its horrifying face freezes me. How can something be so frightening? It growls and tosses me over its shoulder, running into the darkness. My head hits a passing tree and I am thrown into an unconscious state.
Down into the basement he went, the lighting here contrasted with the deep shadows that were cast by the various furniture in the basement. He reached the bottom of the steps, on his left he was greeted by a several viewing ports into what could be another room. He called it the birdcage, except it did not keep birds, but oh did its captives sing for him whether they willed it or not. Already he could see her through the one way mirrors as he unlocked the door leading into the room before it locked behind him. A biometric scanner with a passcode failsafe. "I'm back." He announced. There were three main rooms here, the living room and kitchen area, the bedroom, and a bathroom for all his captive's needs. Obviously, the room was fireproof should the girl get any ideas. Another common place they would look would be in the kitchen for weapons, knives especially, but he was sufficiently trained in self-defense to be confident in approaching them just like