Frank Darabont’s ‘The Shawshank Redemption’ portrays the experiences of a formerly successful banker, Andrew Dufresne, imprisoned in the jailhouse of Shawshank after being found guilty of a crime he claims he did not commit, the murder of his wife and her lover. The film, set in the 1940’s, illustrates how Dufresne adapts to the unpleasant lifestyle transformation he is confronted with and becomes the most unconventional prisoner. Throughout ‘The Shawshank Redemption’, the themes of corruption and power are explored through a group of scenes which coherently display the ways in which authority is abused within the institutional system. Darabont has utilised a variety of film techniques to amplify the strength of these scenes, thus creating …show more content…
Throughout this scene, background noises are used effectively in order to create an uncomfortable environment, allowing the audience’s emotions to mimic those of all new inmates, frightened and unsettled. As the guard enters the scene, his voice acts as an indication of his power and authority, overpowering all other noise and using a strong, forceful tone. When his tone is compared to ‘Fat Ass’s’ high pitched whine, each character’s standpoint becomes evident, hence, his impending beating becomes inevitable. With every hit ‘Fat Ass’ takes, only thumping noises can be heard, followed by cries of agonizing pain, all other noises are so subtle, they become irrelevant, allowing ‘Fat Ass’s’ beating to become the focal event. Camera shots and angles are also used to highlight emotion and emphasize one’s standpoint in the scene. Close up shots are primarily used to display emotion, in particular, the fear and distress on ‘Fat Ass’s’ face as he is victimised and intimidated by his fellow inmates. However, over-the-shoulder shots are used to characterise one’s standpoint in the situation, this …show more content…
Once again, Darabont has used an assortment of effective sound and camera techniques to primarily highlight the themes of corruption and power, however, in doing so, they also create a much more powerful scene. This scene consists predominantly of close range shots, able to portray emotion extensively well, however, above all, these shots act as a clear indication of each character’s power within the situation as all are taken from a particular angle. Specifically, those of Dufresne are taken from a high angle looking downward while those of the Warden are taken from a low angle looking upward, implying the Warden holds the greater power. Their appearance is also an indication of the present theme of corruption, the Warden is well groomed and dressed, where as Dufresne is beaten and unclean, serving as a consequence of his mistreatment and the clear breach of authority on the Warden’s behalf, as Dufresne has behaved in no such manner as to deserve this. The predominant strength of this scene comes from the content of the dialogue, however, the Warden’s passive aggressive tone is a contributing factor, when compared to Dufresne’s weak and dry vocals, paired with the eerie background music, the severity of this emotional attack against Dufresne becomes apparent. Although no major events
Society can be very cruel; hopes and dreams can become reality or vanish away into the shivering winds. It is important to maintain hope when life is crumbling around you and freedom is what humans strive for in order to execute what they please during their existence on earth. Rita Hayworth and Shawshank Redemption by Stephen King, is a clear example of freedom combined with hope, illustrated by the characters of Andy Dufresne and Red. Andy, like Red, never loses hope of leaving prison; furthermore they gain a sense of freedom when departing from Shawshank. Having beliefs, in addition to fighting for what you believe is right are virtues that help you to strive for success which ultimately, lets you reach for freedom and hope.
The Shawshank Redemption is an inspiring story about Andy Dufreine and his efforts to maintain hope in horrible situations. The directors used many effective methods that displayed signs of hope in such a horrible place. Andy maintained hope by distracting his mind and always staying occupied. Andy was also inspired to survive by helping others find hope in life.
In 1947, Andy Dufresne, a banker in Maine, is sentenced for killing his wife and her lover. He is given two lifelong incarcerations and sent to the famously brutal Shawshank Prison. Andy always claimed that he was innocent, but his personality led a lot of people to doubt him.
"The Shawshank Redemption" is a compelling film about two imprisoned convicted murderers. Andy Dufresne (Tim Robbins), is innocent, however. Convicted of killing his wife and her lover (a crime for which he clearly had a strong motive), he really "didn't do". Of course, as his jailbird friend "Red" (Morgan Freeman) puts it, "Everybody in here is innocent." Well, Red is "the only guilty man" in Shawshank Prison. As their friendship develops, Andy learns the ropes of prison. Meanwhile, the warden (Bob Gunton) decides that Andy, a well- educated former banker could carry out something more useful than laundry. So, he places Andy as the prison librarian, and later, as his an accountant (he does taxes for all the jail's employees). Andy also assists the warden in money scams (as he tells Red, "I was always an honest man - I had to come to jail to become a crook!")
In the movie, “Saving Private Ryan,” by Steven Spielburg, it begins with a veteran of WWII returning to Normandy to visit the burial ground for those Allied servicemen who were killed on D-Day. He is looking for a particular grave, and when he finds it, he takes a knee and starts sobbing. Captain John H. Miller has a flashback to June 6, 1944 in Omaha Beach, Normandy, France.
The Assassination of Jesse James by the Coward Robert Ford is a western film. The film has both positive and negative components that make it an uneasy viewing, due to immoral behaviours and sense of unhinged characteristics. The director Andrew Dominik has great control in creating beautiful pictures throughout the film. Dominik gives the best understanding of Jesse James possible so that we, as viewers, are able to become better acquainted (more familiar) with Jesse’s character.
While being taunted he takes his role as prisoner and breaks down from that with the taunting. His role as the prisoner continues as his cries and taunts from the other inmates bring the attention of the guards for being noisy. He is then reprimanded by the guards for causing noise with his crying. The prisoner is being disciplined by the guard, it is the case where the both the inmate and guard are assuming their roles in
“Keep hope alive!” “Yes! We can.” All of these are slogans of inspiration that define the human spirit. Without hope life would be dull with nothing to work toward in a positive fashion. In the movie The Shawshank Redemption (1994), the director, Frank Darabot, uses time and space to slowly unfold author, Stephen King’s, short story entitled, Rita Hayworth and the Shawshank Redemption. Time serves as a dual reference of torture as well as the locale for the slow, eventual achievement of Andy’s escape, his seemingly impossible goal for nearly twenty-eight years. Shawshank redefines the lapse of time for the inmates, especially for the “lifers” like Andy and Red, who can only look forward to death. The implementation of hours can seem like an eternity, and every day seems fuzzy from the next, adding to the seclusion and affliction of imprisonment. Ironically, however, time also verifies the means of Andy’s escape and redemption and gives him optimism throughout his quarter-century in Shawshank.
The movie Shawshank Redemption depicts the story of Andy Dufresne, who is an innocent man that is sentenced to life in prison. At Shawshank, both Andy and the viewers, witness typical prison subculture.
Writing 2 Aidyn Ogilvy: Writing Portfolio I am going to write about a scene from the movie The Shawshank Redemption. I will be using figurative language to put the audience in the shoes of the main lead character Andy Dufrense. My audience will be people who like Stephen King. The scene will be when he escapes the prison. The lights have been turned out.
Life is an ongoing process of learning and growing through challenges and experiences. It is mentioned by Ralph Waldo Emerson, an American poet, that “unless you try to do something beyond what you have already mastered, you will never grow.” Emerson contributes to the idea that change is inevitable and it is key to one’s personal development (Lipovetsky, 2012). Well, such is an essence in the film “The Blind Side” when the protagonist, Michael Oher, changes and grow through adversities, which eventually shaped him into the man he is today. Oher, also known as Big Mike, is a 16 year old African American teenage boy. Oher was one of the twelve children living in a broken extremely impoverished home in the ghettos of Memphis surrounded by drugs.
When Arthur Miller published “The Crucible” in 1953, the play’s audience was a nation of Americans seized in the grip of McCarthyism. The Communist “witch hunt” has long since ended, but the public’s fascination with this shameful piece of American history has not. The original play unfolded over the course of 4 acts that mainly consisted of dialogue. As a result, the creators of the 1996 movie adaptation had an ample degree of creative latitude to update the narrative for a modern audience. Director Nicholas Hytner utilized a host of cinematic techniques that enabled the moving images to tug the heartstrings of the audience just as effectively as the book had done before. Given the temporal limitations of a film, several scenes were rewritten in order to facilitate an easier delineation of the plot line. The director also used different camera techniques to control the pace of the movie, making it easier to tell which parts were important. Overall, Hytner’s scene modifications and unique camera shots resulted in an emotionally compelling film.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
them as unattractive and menacing and everything about this scene is threatening and ugly and makes the audience feel uncomfortable impact. in the audience of the. The music is like funeral music, loud and sad. The... ... middle of paper ... ...bloodshed and murder that follow.
addresses the process of adaptation used when converting a literary hypotext to the film medium; The Shawshank Redemption (Darabont, Frank) is the film adaptation of Rita Hayworth and the Shawshank Redemption (King, Stephen). The story follows characters Red and Andy who serve life sentences in Shawshank Prison. Over many years a strong bond develops, and Andy, wrongly convicted, inspires many at the prison. After Andy escapes, Red decides to follow him upon being granted parole. The story privileges themes of hope, freedom, institutionalisation, friendship, time, and brutality. The film is similar to the novella, however, some aspects differ from the hypotext. Within the novella, Brooks is a minor character, Tommy Williams doesn’t die, and Warden Norton merely retires. Through altering the story, the film modifies the essence of Rita Hayworth and the Shawshank Redemption for film audiences and utilises film language to convey meaning. By adding certain scenes, the text takes on stronger themes of hope, institutionalisation and brutality. This draws attention to the themes within the hypotext and thus enhances the parallels between texts.