Frances Burney’s Evelina suggests that the innocence of a young girl is often her most prized possession, but in this text, innocence does not have a single definition. The two definitions of innocence presented in the text, as defined by the Oxford English Dictionary (OED) are, “freedom from sin, guilt, or moral wrong in general; the state of being untainted with, or unacquainted with, evil; moral purity” and “freedom from specific guilt; the fact of not being guilty of that with which one is charged; guiltlessness” (“Innocence”). Evelina’s progression throughout the text challenges and explores the boundaries of her innocence. Furthermore, the boundaries of her innocence are defined by the line of Eve, which is a phrase that describes her …show more content…
Villars continues in his letter to Lady Howard about Caroline Evelyn, “I need not speak to your Ladyship of the virtues of that excellent young creature” (Burney 16). Mr. Villars clearly held Caroline in high esteem, thus his reliability regarding the story of her fall from innocence comes into question. He states that he regretted not accompanying her to Madam Duval for if he had, “the misery and disgrace which awaited her, might, perhaps, have been avoided” (Burney 16). It is this lingering regret that suggests his role as a moral guardian to Evelina is, in part, a kind of compensation for his previous failures. Furthermore, his failure is explicitly related to Caroline’s specific type of innocence. Because “every body believed her innocent from the guiltless tenor of her unspotted youth,” we immediately understand that the OED’s secondary definition of innocence describes her (Burney 17). Caroline Evelyn dies in childbirth without any proof of her marriage to Sir John Belmont, essentially bastardizing her child, Evelina. Her innocence falls under the umbrella of the latter definition given by the OED because she is guiltless in the sense that she was a victim of her circumstances. Although she did not have a child out of wedlock, the actions of Belmont transformed her innocence, thus Caroline Evelyn contrasts the innocence of Evelina who is “as innocent as an angel” and solidifies the line of Eve’s deviation from the OED’s first definition of innocence as a signal of failure for Mr. Villars (Burney
Analyzing innocence has always been a difficult task, not only due to it’s rapid reevaluation in the face of changing societal values, but also due to the highly private and personal nature of the concept. The differences between how people prioritize different types of innocence - childhood desires, intellectual naivety, sexual purity, criminal guilt, etc. - continually obscures the definition of innocence. This can make it difficult for people to sympathize with others’ loss of purity, simply because their definition of that loss will always be dissimilar to the originally expressed idea. Innocence can never truly be adequately described, simply because another will never be able to precisely decipher the other’s words. It is this challenge, the challenge of verbally depicting the isolationism of the corruption of innocence, that Tim O’Brien attempts to endeavour in his fictionalized memoir, The
Eliza's assaults against True Womanhood are violations of the virtues submissiveness and purity. When Eliza refuses to ignore the gallantry of Major Sanford in favor of the proposals of Reverend Boyer despite the warnings of her friends and mother, she disregards submissiveness in favor of her own fanc...
A child is known for having innocence, and bad experiences strip kids of it. In Sarah’s
the author's view of a split of innocence and corruption in man, and the thought
She ‘possessed a mind of uncommon mould’ which was also ‘soft and benevolent’; she is compared to a ‘fair exotic’ flower which is sheltered by Alphonse; she drew ‘inexhaustible stores of affection from a very mine of love to bestow’ on Victor, and her ‘tender caresses’ are some of his ‘first recollections’. She is the idealised mother, a figure that Shelley viewed wistfully, as her own mother died when she was ten days old to be replaced by a disinterested stepmother. Caroline’s parenting provides the care that Frankenstein might well have lacked, had he been left to his father alone – his father dismisses Agrippa’s work without explanation, thereby setting Victor on his course towards ‘destruction’. This is the first introduction of a theme that continues throughout the book, that of the necessity for female figures in parenting and in society. Without a mother figure and left only with Frankenstein who subsumes both parental roles, the creature’s life is blighted by his imperfection and lack of companionship. However, Caroline is also the trigger to Alfonse’s chivalry, thus presenting him in an improved light and allowing his character to develop at the expense of her own weakness. This is a feminist comment from Shelley, whose mother Mary Wollenstonecraft was a notorious feminist and an important influence.
Innocence is defined as the state of being not guilty of a crime or other wrong act. The definition does not have any exceptions depending on race, age, gender or other physical characteristics. Yet in the south, the innocence of a guilty white man, is more important than the innocence of an innocent black man. In the novel, To Kill a Mockingbird by Harper Lee, is about a young girl named Scout who lives in Maycomb County, Alabama. The novel is separated into two parts, the first part is about the adventures of Boo Radley.
"All things truly wicked start from an innocence,” states Ernest Hemingway on his view of innocence. Innocence, what every youth possesses, is more accurately described as a state of unknowing but not ignorance- which connotation suggests a blissfully positive view of the world. Most youth are protected from the harsh realities of the adult world. Therefore they are able to maintain their state of innocence. While innocence normally wanes over time, sometimes innocence can be abruptly taken away. Some of the characters in Truman Capotes In Cold Blood lost their innocence due to the traumatic events they experienced in childhood and adulthood while some had none to begin with.
Loss of innocence is a time-worn theme in the literature of every culture. It traditionally takes the form of some type of epiphany visited upon an unsophisticated character as she grows up and encounters the larger world. The focus of this theme is normally personal, in the point of view of an individual, or the omnipotent third person account of the reaction of an individual. While this aspect can be found in the novel, it additionally explores the loss of innocence of a family, people or race, called estirpe in the original edition.
Innocence is open minded and filled with wonder and curiosity.... ... middle of paper ... ... Works Cited Eliot, T. S. & Co.
In her final letter to her mother, Eliza admits her wrong doings. She tells her mother she ignored all the things she was told. All their advice fell on her deaf ears. She explains that she had fallen victim to her own indiscretion. She had become the latest conquest of “a designing libertine,” (Foster 894). She knew about Sanford’s reputation, she knew his intentions, and she knew that he was married, yet she still started a relationship with him. And her blatant disregard for facts and common sense caused her unwed pregnancy and premature demise. Eliza Wharton had nobody to blame for her situation but herself. She ignored warnings, advice, common sense, and other options available to her. She chose her ill fated path and had to suffer the consequences.
In Kleist’s novella The Marquise of O, the narrative depicts the account of the Marquise of O’s, a young Italian window and a “lady of unblemished reputation”(Kleist 68), sudden impregnation and her subsequent attempts to solve the question of the paternity of her child. Through the contrasting interactions between the characters from the Marquise’s estrangement with her family to her eventual reconciliation, Kleist utilizes the search for her unborn child’s father to provide a social commentary on how tensions of uncertainty complicate the search for truth and identity within established gender relationships and traditional social constructs.
Innocence is usually associated with youth and ignorance. The loss of one’s innocence is associated with the evils of the world. However, the term “innocence” can be interpreted in a variety of ways. Similarly, the loss of one’s innocence can be interpreted in more than one way, and, depending on the interpretation, it may happen numerous times. The loss of innocence is culture specific and involves something that society holds sacrosanct. It is also bounded by different religious beliefs. Still, no matter which culture or religion is at hand, there is always more than one way to lose one’s innocence, and every member of that particular culture or religion experiences a loss of innocence at least once in their lives. In addition, the individual’s loss of innocence will impair him or her emotionally and/or physically.
There is an important time, though, during someone’s life where this innocence is stolen and leaves as different person. This event is the main function in “My Father’s Noose”, “Dothead”, and The Glass Castle. Each character has their own certain tick that their innocence blinds them from. Jeannette Walls’s ignorance blinds her from the abuse of her family and peers, while Totoy’s blinds him from his mother’s abuse. The speaker in “Dothead” is blind to the abuse of his peers. After going through each ordeal, the characters lose their innocence by gaining knowledge of the way people work. Discovering that not all people are good pressures the characters to take a deep look at the way they act and their code of
There is much to be said about innocence. If one is with innocence than one can do no wrong. But that is not all to be said. Innocence is not always a good thing. It could make one naive or blind to certain evils. Like in the case of Billy Budd. Billy was innocent from evil and therefore could not see the evil of John Claggart approaching him, out to destroy him.
Innocence is something always expected to be lost sooner or later in life, an inevitable event that comes of growing up and realizing the world for what it truly is. Alice Walker’s “The Flowers” portrays an event in which a ten year old girl’s loss of innocence after unveiling a relatively shocking towards the end of the story. Set in post-Civil War America, the literary piece holds very particular fragments of imagery and symbolism that describe the ultimate maturing of Myop, the young female protagonist of the story. In “The Flowers” by Alice Walker, the literary elements of imagery, symbolism, and setting “The Flowers” help to set up a reasonably surprising unveiling of the gruesome ending, as well as to convey the theme of how innocence disappears as a result of facing the harsh reality of this world.