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Critical analysis of west african dance
Critical analysis of west african dance
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Almost every civilization or culture all at least has their own forms of traditional art, doesn’t matter if the art was influenced, taken, or created. Art includes almost everything to anything, from physical things to things you can only hear or even feel, for example: painting, music, sculptures, dance, architecture, literature, movies, plays, and much more. Art is also very important because it contains meaning and expression behind it. This all includes the Igbo culture, a civilization found in Nigeria, Africa. The Igbo culture reflects many types of traditional arts such as dances for various occasions, masks and maiden masks, various musical instruments, and architecture. Igbo Dance …show more content…
Just like dance, they are used in many occasions, like festivals, there are also hundreds to thousands types of Igbo masks. Their masks, as specified in zyama “incarnate unspecified spirits of the dead, forming a vast community of souls” (Tribal African 3). This means that the Igbo people believe in things like spirits and the afterlife, so they worshipped them by making masks. A majority of the Igbo masks have the color white on them to represent the look of a spirit, also the Igbo people would perform with costumes that completely covered their bodies (tribal African 3). Igbo people really wanted to look like and represent their worshipped spirits in a complete disguise, because they were very important to them. Also, just like dances they were shown at festivals, rituals, burials, and social
“Art can use the power of visual image to challenge and even change popular opinions about important and universal issues. Art can be a very influential way to give a strong, direct comments and criticisms on things that have happened in society and culture.” (Rehab-Mol J, 1998, p6) Indigenous art is mostly about connecting to their land and their religious belief; however, art has different forms, especially the Indigenous contemporary art as it uses ‘modern materials in a mixed cultural context’. (Aboriginal Art Online, 2000)
The display of Benin art in museum and galleries reflect the attitudes and perceptions of Europeans towards non-western artefacts, especially African. Thus as European attitudes change towards non-western art since the discovery of Benin art in 1897, Benin art has been revaluated and re-categorised.
Many African cultures see life as a cycle we are born, we grow and mature, enter adulthood, and one day we will eventually die but the cycle continues long after death. In Africa art is used as a way to express many things in their society, in this paper I will focus on different ways traditional African art are used to describe the cycle of one’s life. Since Africa is such a large continent it is important to keep in mind that every country and tribe has different rituals and views when it comes to the cycle of life. It is estimated to be well over a thousand different ethnic groups and cultures in Africa today. Thousands of cultures in Africa see the stages of life bound together in a continuous cycle; a cycle of birth, growth, maturity,
Western attitudes to African people and culture have always affected how their art was appreciated and this has also coloured the response to the art from Benin.
In the article of “Exhibiting Intention: Some Preconditions of the Visual Display of Culturally Purposeful Objects”, the author, Michael Baxandall mainly discussed interrelationship within the group of three agents upon their influence and reflect of the artifacts in the museum, and the understanding of culture elements behind the display. In the first part of this paper, I will identify the points of view of the author. In the second part, I will analyze the layout of the gallery, “Imagining the Underground” in Earth Matters in Fowler Museum in UCLA. Several discussion related to the settings of the museum and the article will be discussed interactively. In general, this paper tries to show the robustness and the weakness of Baxandall’s model, which will specified.
When we hear the word “Art” certain images come to mind. We think of great masterpieces of epic battles, and cathedral walls depicting angels and demons. This however, is a very small part of the art of the world. One form of artwork has been seen in every civilization, on every continent; Folk art. Folk art at its root is art including paintings, textiles, furniture, and carvings done by a country's indigenous people. These pieces are often functional, and serve a purpose on top of being aesthetically pleasing.The techniques used by these people are often passed down generation to generation, and originate in the community itself. This means most of the artisans do not have any formal training in their craft. Many took apprenticeships, or learned from watching village elders.
?Any work of art owes its existence to the people and culture from which it has emerged. It has a functional and historical relationship with that culture.? Michael W. Conner, PhD#
While reading the novel Things Fall Apart by Chinua Achebe, there were big differences within the roles of men and women in the Igbo culture, but now there are even bigger differences between them and how they used to be. Both women and men are important in the Igbo culture, mainly because each gender has a specific value. Women in their culture have always been seen as caregivers and nurturing to children. They are expected to cook and clean, and they are expected to plan parties and feasts because their husband asks them to. Men, however, primarily have to farm, hunt, fight as warriors, and run the household with a strong hand; the Igbo culture even allows men to beat their wives if they
Brief History From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern: the suffering they all endured. Music, songs, and dances as well as traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art of the cuisine so treasured and carefully transmitted to their daughters has become part of the great culinary classics of these lands. But seldom are the African blacks given that recognition.
A common aspect of African culture is our mediating of deities, ancestors, and spirits, by performing rituals and contacting ancestors or historical ideals. This spiritual combination creates a non-Western idea of movement in art. I enjoy this part of our culture, where we create a less static environment. We become other beings, through our usage of art, dance, and costume with mask and headwear. Our artistic creators are forgotten. Our original artwork are eventually forgotten. The work goes back to the Earth, for the only true matter is how the spirits are manifested in the objects at the current time; eventually even this wears out. At the time of the spiritual manifestation in the objects, they are some of the most powerful aspects in our society.
The attitudes towards the display of Benin Art, adopted by European museums and galleries have dramatically changed over the 112 year period since their initial acquisition. This has been for a number of reasons including the societal transition from accepting colonialism to acknowledging cultural diversity, the gradual integration and cross-fertilisation across the academic fields of anthropology, ethnography and art history and the ongoing debate regarding provenance and repatriation.
During post colonial times men and women in the Igbo society had several different roles in the household, the tribe, and in the fields. The male and female roles in the Igbo tribe are determined by many different things throughout the tribe. Genders help determine what that person will be doing. Men and women both have very important roles in the household, tribe, and fields. The women in the Igbo tribe are more in charge of the children, the cooking and the cleaning and the males are in charge of the fields and taking care of the family. The males are the more incharge gender within the tribe and the women must obey everything that the male wants.
Nigerian culture is as multi-ethnic as the people in Nigeria. The people of Nigeria still cherish their traditional languages, music, dance and literature. Nigeria comprises of three large ethnic groups, which are Yoruba, Hausa-Fulani and Igbo.
the tradition of primitive tribes. “In many cases the painting was only used to decorate
Most art has some sort of reason or purpose behind it. It might be religious, symbolic, literal, traditional, customary, or just a preference by the artist. Most African art has a symbolic reason. Masks, pottery, figures, portraits, jewelry, baskets and clothing reflect the religious belief of the different tribes. Africans believed that everything in nature is alive. For example: rocks, grass, plants, trees, rivers and mountains. African art was not popular and was looked down upon until recently. In Nigeria, people were tattooed as a test of courage. The figure- “Portrait Head of a King (Oni)” reflects this. The King has this tattooing on his entire face. The King has big slanted eyes, a prominent nose, and big full lips. All these things represented something to the Nigerian people; the King...