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The history of the film industry
The history of the film industry
Critical analysis of fight club
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Fight Club is a psychological drama directed by David Fincher. The movie was distributed in 1999 by 20th Century Fox and stars Ed Norton, Brad Pitt, and Helena Bonham Carter (IMDB). The film itself is like a roller coaster ride, it provokes the eye to pay attention to what is on screen. Not only is the plot innovative but the use camera techniques, editing and color schematics pushed boundaries for its era. I think the film delves into the historical influences of Film Noir due to its classic dark visual elements and subject matter(Wk7Ftv5107) and Germanic Expressionism The film was produced by three different
Fight Club. Dir. David Fincher. Perf. Edward Norton, Brad Pitt, and Helena Bonham Carter. Digital Video Disc. Twentieth Century Fox Home Entertainment, 2000.
“You’re not your job. You’re not how much money you have in the bank. You’re not the car you drive. You’re not the contents of your wallet. You’re not your fucking khakis. You are the all-singing, all-dancing crap of the world.” This is the underlying message in Fincher’s Fight Club (1999), which satirically analyzes and critiques consumerism. The films characters vividly depict society’s immersion in materialism and presents viewers with the harsh reality regarding the irrelevance of material possessions.
The Cabinet of Doctor Caligari. Dir. Robert Wiene. Perf. Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover, Hans Twardowski. Goldwyn Distributing Company, 1994. DVD.
In the film Fight Club, the political message being relayed through the scenes if of the government keeping its citizens under control. Susan Bordo explains,
This classic move focuses on a single night in the early Sixties, the hopeful future of the main characters is followed by the events which occur. Steve (Ron Howard), and Curt (Richard Dreyfuss) will be leaving for college the very next day, the build up of years of hard work. Finally they'll be able to leave their small hometown and "spread their wings", experiencing life in ways they never have. Curt is unattached to anyone, but Steve will be leaving behind his longtime girlfriend Laurie (Cindy Williams), who happens to be Curt's sister. Also remaining at home are Terry (Charles Martin Smith), a fumbling nerd, and John (Paul Le Mat), an older kid with "the fastest car in the valley". The two main things that kid's focused on in 1962, it was cars and music. Everyone who's anyone cruises the strip in their shiny automobiles and while they're doing that they're listening to Wolfman Jack on the radio. Music is an integral part of this group, defining its moods, fears, desires and feeding from the same emotions.
Black smoke stained the sky and scarlet blood darkened the earth, as global war, once again, ravaged twentieth-century society. The repercussions of the Second World War rippled across the Atlantic and spread like an infectious disease. As the morality of humankind appeared to dissipate with each exploding bomb, anxiety, frustration, and hopelessness riddled the American public and began to spill into the art of New York City’s avant-garde (Paul par. 4). By the mid-1940s, artists reeling from the unparalleled violence, brutality, and destruction of war found a shared “vision and purpose” in a new artistic movement: Abstract Expressionism (Chave 3). Critics considered the most prominent artists of the movement to comprise the New York School
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
Fight Club. Novel by Chuck Palahniuk. Screenplay by Jim Uhls. Dir. David Fincher. 1999. 20th Century Fox, 2002. DVD.
Similar to the effects of Se7en, Fight Club is described as "unsettling," "caustic," "twisted," and "bleakly funny" and is known for its satirical and offbeat humor, which could disturb any audience. Like
Many would argue that there possibly couldn’t be a hero without a villain or vice versa. But, some author’s like chuck Palahniuk author of the film Fight club go against the gain combining both hero and villain. Films that introduce characters having extraordinary depth and dimensions, always have more compelling characters, fight club is no different. Tyler Durden plays the role of the anti-hero in fight club, he is intelligent, confident, attractive, and he does whatever the hell he feels like doing all of the time. Fight club is a story told from the mind of the narrator, who creates Tyler in his imagination and gives him the ability to be both a criminal and hero. Tyler and our narrator form an underground fight club and a cult like organization
Philosophy can be found everywhere. Like math, it is used to solve problems, or at least used to begin to understand those problems. Most individuals expect to heighten their philosophical knowledge through readings or by reading a professors notes. One may even consult their own mind to help them grasp a concept of a philosophy. Attainting philosophical guidance by the sources above is common yet it is also quite common to see philosophical themes in movies and novels. A movie with a philosophical message is “Fight Club”. The movie “Fight Club” examines an idealistic question known as “What is Real?” though the main character. The movie examines three idealistic statements: One cannot trust appearances to determine what is real, one sees and feels only what their subconscious mind allows them to see and feel, and finally, ones mind determines what is personally real.
Art has been always seen as a form to express self emotions and ideas; an artist creates an idea and shapes it by culturally known objects and forms to send encrypted message. Through the times both, ideas and materials used, separates art in to different periods and movements. In late 40’s and late 50’s two art and culture movements emerged, one from another. The first one, Lettrism, was under the aspiration to rewrite all human knowledge. From it another movement, Situationism, appeared. It was an anti-art movement which sought for Cultural Revolution. Both of these movements belong to wide and difficulty defined movement of experiment, a movement whose field is endless. Many different people create experimental films because of the variety of reasons. Some wishes to express their viewpoints which are unconventional. But most of them have an enthusiasm for medium itself. They yearn to explore what prospects the medium has and wishes to open new opportunities to create and to explore, as well as to educate. Experimental filmmaker, differently from mainstream filmmakers, wishes to step out from the orthodox notions. The overall appreciation is not the aim that the experimental filmmakers would seek for. Experimenters usually work on the film alone or with a small group, without the big budget. They intend to challenge the traditional ideas. And with intention to do so Lettrism tries to narrow the distance between the poetry and people’s lives, while Situationism tries to transform world into one that would exist in constant state of newness. Both of these avant-garde movements root from similar sources and have similar foundations. Nonetheless, they have different intentions for the art and culture world and these movements...
Between the nineteenth and twentieth century came a time of self-expression and reflection. This time became known as the Expressionism movement and focused on boldly creating a personal and emotional experience through art. Conventional artistic stylings were cast aside as each artist discovered their own creative voice. Artists of all mediums emphasized state of mind and the essence of the human condition through bold representations of their own psyche. Edvard Munch’s painting, “The Scream” and Fritz Lang’s film, “Metropolis,” both convey aggressive emotional characteristic of the Expressionist movement through exaggerated compositional elements, distorted stylistic choices and evocative technique.
The movie Fight Club has one main character, who is split into two different actors: Edward Norton and Brad Pitt. Norton plays the lead: the neutral, model-yuppie narrator who is unnamed except for the self referencial title of "Jack". Pitt plays Jack's dangerously controlling alter-ego, Tyler Durden. Tyler is a man without scruples, ethics, or decency. Tyler is Jack's darker side. He's the type of kid your mother warned you to stay away from, always up to mischief and mayhem. In fact, he spends most of his time plotting the downfall of society.
Psychological disorders are widely represented in films, as well as in other media texts such as novels, television shows, etc. One film that portrays more than one example of a psychological disorder is Fight Club, a Twentieth Century Fox movie released with an R rating in 1999. Directed by David Fincher; and produced by Art Linson, Cean Chaffin, and Ross Grayson Bell, the movie mainly introduces Dissociative Identity Disorders (also known as Multiple Personality Disorders), but also hints at insomnia and depression. The movie is adapted from the book Fight Club written by Chuck Palahniuk. Fox marketed the movie using a “myriad of merchandise, including posters, the soundtrack, and even email addresses (yourname@fightclub.com)” (CNN). The movie’s production budget was set at $63,000,000 with the movie grossing $37,030,102 (Daily Box Office). The characters of the movie refer to themselves as the “middle children of history” with the feelings of having no purpose or place in life. They convey that they have no history-making events or real set goals and/or destiny to look forward to. They were brought up by society to believe that one-day they would be rich, famous and loved just as those depicted on television. This is symbolic of society during the surrounding time of the movie’s release. It is prevalent in modern society to strive to become someone/something that one sees in the media. The movie is directed towards Generation-X, but the “…hope was that the film would demonstrate the themes of the story to a larger audience. It would offer more people the idea that they could create their own lives outside the existing blueprint for happiness offered by society” (Palahniuk). This message was one that demanded that its viewers put all that drives them aside, and rethink what they had been taught from childhood. After the film’s release, instead of delivering the message that was intended, it was met with criticism and misunderstanding. This was due partly to the fact that it was scheduled for release shortly after the Columbine shootings. The movie became an easy target for those upset by the blatant violence which surrounded the Columbine incident. Although Fight Club is a film full of violence it is in reality one that promotes anti-violence, and points out to the audience the human impulses that cause violent behavior. Ironically, despite all of the med...