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Frankenstein : the relationship between the victor and the monster
Victor's downfall in frankenstein
Victor frankenstein character analysis
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A look through the eyes of a Feminist: Frankenstein Feminist theory is one of the most present-day sociological theories where by the status of woman and men are analyzes is society, where the main purpose is to use the acquired knowledge to improve lives for woman. Not only does the feminist theory revolves solely around woman but also include race, class, ethnicity, sexuality, nationality and age with respects to gender. The use of the feminist lens allows us to examine Victor’s several unethical decisions to a higher degree by developing a deeper understanding of gender equality. Victor becomes an exceedingly guilty hearted man from the aspiring student he was growing up as a result of the unethical decisions he makes growing up. He wrongs …show more content…
Victor knew she was innocent and his monster was the true murderer and still allowed her to die. He even tries to comfort her during the trial, and Justine regards him as being a true friend (or a relationship of that nature). Like the female monster, Justine is described passively in the novel and does not argue against her accusations that much. The court may have thought even less of Justine simply because she was a woman. In fact she surrenders herself, when says “I commit my cause to the justice of my judges, yet I see no room for hope…I must be condemned” (Shelley 75). Justine’s defeated tone at her trial and loss of faith in the justice system, indicates the fact that as a woman, she knew her statement would be considered less worthy than that of the male witnesses and jury. Knowing that the odds were stacked against her, Victor still chooses to remain quiet because “such a declaration would have been considered the ravings of a mad man” (Shelley 73). Thus Victor’s decision not to confess is a result of how society view him, and thus he may have taken advantage of society's inferior view of women in order to gain his own success. By doing so and letting Justine die, he guarantees that Justine will stay a passive character and not interfere with a man's success. social norms at the time would make women appear to be very
...t the monster, so there is no one who can back up his story. At the trial, Justine is found guilty and she is sentenced to death. Since Victor does not speak up at Justine’s trial, her death is the result of his silence.
For centauries, women have been forced to live life in the outskirts of a male dominated society. During the 1800’s, the opportunities for women were extremely limited and Mary Shelly does an excellent job in portraying this in her gothic novel, Frankenstein. Furthermore, in this novel, Mary Shelly shows how society considers women to be possessions rather than independent human beings. In addition, the female characters rely heavily on men for support and survival, thus proving their inability to do it on their own. Lastly, the female characters in this novel are in many ways victimized by the male characters. In conclusion, in Mary Shelly’s novel Frankenstein, the female characters always fulfill the limited and archetypical roles that are set for them by society.
Justine, too, is an ‘idealised figure’, described during the trial as having a countenance which, ‘always engaging, was rendered, by the solemnity of her feelings, exquisitely beautiful.’ She is the archetypal innocent, being beautiful, weak and entirely accepting of her fate to the point of martyrdom.
The idea for the novel of Mary Shelley’s Frankenstein came to her one night when she was staying in the company of what has been called ‘her male coterie’, including Lord Byron and her husband, Percy Shelley. Mary Shelley’s whole life seems to have been heavily influenced by men. She idolised her father, William Godwyn, and appears to have spent a good part of her life trying very hard to impress both him and her husband. There seems to have been a distinct lack of female influence, her mother, Mary Wollstonecraft, having died weeks after her birth, being replaced by a neglectful step-mother. These aspects of her life are perhaps evident in her novel. The characters and plot of Frankenstein were perhaps influenced by Shelley’s conflicting feelings about the predominately masculine circle which surrounded her, and perhaps the many masculine traits that we see in novel were based upon those of the male figures in Shelley’s own life. In this essay I will attempt to show some of these traits.
Mary Shelley’s novel entitled Frankenstein demonstrates women of the Romantic Era as powerless citizens of society. Throughout the novel, the women are secondary characters and are portrayed through the men’s perspective. Therefore, many would think that these female characters are passive and dependant as they are often described as companions and nurturers. Despite the unequal rights of women, Shelley, one of the earliest feminist, has developed female characters who show agency. This trait of taking charge of one 's course of life is reflected through Justine Moritz as she is willing to die for her beliefs, in Safie who defies her father’s and religious wishes and when Victor Frankenstein decides to abort
Justine Moritz is a charitable woman, she is someone who put the need of others before hers. Leaving her mother at the age of twelve to work for the Frankenstein family. Functioning graciously Justine was performing with care and respect for her obligations. Caring for the mother of Victor’s mother for the duration of her life. Continuing to work Justine manages to work while still grieving for the lost of the Frankenstein family. Justine is a strong-willed character while justifying to the readers the possibility of overcoming obstacles with the willpower anyone can obtain.
Justine was killed because Victor Frankenstein’s younger brother, William, was murdered. An item that William was wearing during the night of the murder was found on Justine leading everyone to believe that Justine is the murderer. When Victor arrives back to Geneva and hears that Justine has been accused of the murder his reaction was, “Justine Mortiz! Poor, poor girl, is she accused? But it is wrongfully; everyone knows that; no one believes it, surely…”. Victor knew the Monster killed William and probably framed Justine. He knew Justine was innocent, but no one believed him. Justine was also forced to give a false confession, and was hanged. People dislike being insecure, like having a murderer loose among them, so they punish a scapegoat, like Justine, to ease their minds.
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
In gothic novels tragic figures are symbols of pain to the characters. Victor Frankenstein brings misfortune to his loved ones, which concludes to his overall tragedy. Ironically the monster in this novel is Frankenstein the creator not the creature. He has seven victims including himself and his fall is due to his ambition to be superior.
From the beginning of time in history, women have always been portrayed as and seen as the submissive sex. Women especially during the time period of the 1800s were characterized as passive, disposable, and serving an utilitarian function. Mary Shelley’s Frankenstein is a prime example displaying the depiction of women. The women in Frankenstein represent the treatment of women in the early 1800’s. Shelley’s incorporation of suffering and death of her female characters portrays that in the 1800’s it was acceptable. The women in the novel are treated as property and have minimal rights in comparison to the male characters. The feminist critic would find that in Frankenstein the women characters are treated like second class citizens. The three brutal murders of the innocent women are gothic elements which illustrates that women are inferior in the novel. Mary Shelley, through her novel Frankenstein, was able to give the reader a good sense of women’s role as the submissive sex, through the characters experiences of horrific events including but not limited to brutal murder and degradation, which is illuminated by her personal life experiences and time period of romanticism.
When reading Frankenstein by Mary Shelley, one cannot help but notice that the women characters seem to have little substance compared to the male characters. This may have been caused by the time period in which she wrote: one in which females were considered inferior to males. This difference between the sexes can be looked at using a variety of different perspectives. Johanna M. Smith, a professor at the University of Texas at Arlington, discusses this issue using feminist eyes in her essay entitled "'Cooped up': Feminine Domesticity in Frankenstein." The main points in Professor Smith's essay are that the female characters are there only to reflect the male characters, and that the Frankenstein family has a weird style of living, which she describes as a "bookkeeping mentality" (Smith 279).
Mary Shelley discusses many important themes in her famous novel Frankenstein. She presents these themes through the characters and their actions, and many of them represent occurrences from her own life. Many of the themes present debateable issues, and Shelley's thoughts on them. Three of the most important themes in the novel are birth and creation; alienation; and the family and the domestic affections.
In “Frankenstein” penned by Mary Shelley, one cannot help but notice the role of women in the novel compared to men. Even though Mary Shelley is the daughter of Mary Wollstonecraft, a mother advocating for women’s rights in society, she displays the roles of Caroline, Elizabeth, and Justine as passive women. This may be the time period when women were considered inferior to men. Caroline, Elizabeth, and Justine are depicted as possessions by men, admired for their superficial beauty, and do not take action without the permission of men. On the other hand, Shelley illustrates Safie as a woman who speaks up for her own rights when her father forbids her to find Felix. The three points that contribute greatly to the passive role of women are the lower of rank women in society compared to men, women being seen as possessions for men to protect, and women admired for their superficial beauty.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).