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The symbolism in the yellow wallpaper
The symbolism in the yellow wallpaper
Critical essay on the yellow wallpaper by charlotte perkins gilman
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The Feminist View of the Yellow Wallpaper
The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in the room, which her and john sleep. She watches this woman and in the end tries to free her by tearing down all the nasty looking wallpaper.
I think that a theme behind this story is the feminist views of the time. This woman is pretty much held captive by John, his sister and the housekeeper. This is shown when she says, "He is very careful loving, and hardly lets me stir without special direction" (p. 12). She tries to make light of the situation by explaining how much John loves and cares about her but every time she tries to say something nice, it comes out making the situation seem worse. "It is so hard to talk with John about my case, because he is so wise, and because he loves me so." (p 23). "One expects that in marriage" (p. 9). This highlights the point that one should not be suffering in marriage because marriage is supposed to be symbolic of the love between two people allowing them to morally bear children. The woman remains nameless to show that there is no specific name,...
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...ecause john stifles her writing and creativity, the narrator begins trying to make some sense of the wallpaper. She begins creeping, as the woman appears to be doing. She replaces her feeling of being watched and studies it coming to the conclusion that the woman is trapped. She levels with the woman because she is trapped behind bars(on her windows), while the figure is trapped behind the wretched designs. At the end of the story when she completes her removing of the wallpaper it seems as if she believes she has freed herself from John saying, "I've got out at last in spite of you and Jane (p. 36). It is not known who Jane is but it could be her name. This would mean she has driven herself to the point where she is so mad that she now believes she is the woman from the wallpaper. She could also be referring to the housekeeper, or someone not mentioned.
The narrator is trying to get better from her illness but her husband “He laughs at me so about this wallpaper” (515). He puts her down and her insecurities do not make it any better. She is treated like a child. John says to his wife “What is it little girl” (518)? Since he is taking care of her she must obey him “There comes John, and I must put this away, he hates to have me write a word”. The narrator thinks John is the reason why she cannot get better because he wants her to stay in a room instead of communicating with the world and working outside the house.
The Yellow Wallpaper is a story, by Charlotte Perkins Gilman. Although the work is short, it is one of the most interesting works in existence. Gilman uses literary techniques very well. The symbolism of The Yellow Wallpaper, can be seen and employed after some thought and make sense immediately. The views and ideals of society are often found in literary works. Whether the author is trying to show the ills of society of merely telling a story, culture is woven onto the words. The relationship between the narrator and her husband would be disagreeable to a modern woman's relationship. Today, most women crave equality with their partner. The reader never learns the name of the narrator, perhaps to give the illusion that she could be any woman. On the very fist page of The Yellow Wall-Paper, Gilman illustrates the male dominated society and relationship. It was customary for men to assume that their gender knew what, when, how, and why to do things. John, the narrator's husband, is a prominent doctor and both his and his wife's words and actions reflect the aforementioned stereotype: "John laughs at me, of course, but one expects that in marriage," (9). This statement illustrates the blatant sexism of society at the time. John does not believe that his wife is sick, while she is really suffering from post-partum depression. He neglects to listen to his wife in regard to her thoughts, feelings, and health through this thought pattern. According to him, there is not anything wrong with his wife except for temporary nerve issues, which should not be serious.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
All sense of individuality and self worth is taken way from the narrator when her name is never revealed to the audience. Furthermore, John continues to belittle his wife by giving her the command to not walk around at night. Although the John thinks in his mind that he is looking out for the best interest of his wife, in actuality, he is taking away his wife’s abilities to make choices for herself. There is a possibility that John’s controlling personality is one of the factors that led to his wife’s psychosis. Such a controlling life style more than likely limited the narrator’s ability to live any life outside of the home.
The first mention of inferiority within the story is the overall idea that John is supposedly taking care of her, but not in the right way. The protagonist allowed herself to be inferior to her husband, while he isolated her away from reality. Stetson presents the woman in the wallpaper as being a symbol of isolation. Being the same way, the narrator is imprisoned in a nursery. As the narrator is in a controlled state of mind, John begins to patronize her.
The Yellow Wallpaper, written by Charlotte Perkins Gilman was an enigmatic read. The story is about a woman, the narrator, who is suffering with depression. John, the husband of the main character, will be the focus of this paper. Gilman wrote John’s character in such a way as to leave interpretation open to the reader. Some may perceive John as a caring, loving husband; treating his wife as men did during the era in which the story was written. John decides that his wife needs to be isolated; free of all responsibilities and stimulation. John’s wife disagrees with the decisions he has forced upon her. She feels “…that congenial work, with excitement and change…” would help her through her depressive state (Gilman 376). The narrator is told what would be best for her, what to
“The Yellow Wallpaper” tells the story of a woman who is trapped in a room covered in yellow wallpaper. The story is one that is perplexing in that the narrator is arguably both the protagonist as well as the antagonist. In the story, the woman, who is the main character, struggles with herself indirectly which results in her descent into madness. The main conflicts transpires between the narrator and her husband John who uses his power as a highly recognize male physician to control his wife by placing limitations on her, forcing her to behave as a sick woman. Hence he forced himself as the superior in their marriage and relationship being the sole decision make. Therefore it can be said what occurred externally resulted in the central conflict of” “The Yellow Wallpaper being internal. The narrator uses the wallpaper as a symbol of authenticy. Hence she internalizes her frustrations rather then openly discussing them.
In “the Yellow Wallpaper,” Gilman used that the first feminist wave, which was the period that she raised up, for the background. Especially, she used the men’s power in the book when she started to telling the story:
Like the darkness that quickly consumes, the imprisoning loneliness of oppression swallows its victim down into the abyss of insanity. & nbsp;
When comparing the works of Charlotte Perkins Gilman, Betty Friedan, and Bell Hooks, I assert that both Gilman and Friedan stress that college educated, white upper- and middle-class women should have the incentive to fight against and alter the rigid boundaries of marriage; however, Hooks in her piece From Margin to Center argues that Friedan and other feminist writers during the second wave had written or spoke shortsightedly, failing to regard women of other races and classes who face the most sexist oppression.
A woman driven crazy by post partum depression and a dangerous treatment summarizes the short story of “The Yellow Wallpaper”. The story was influenced by the 19th century women’s depression and their vision of life. Through phantasmagoric symbolism in “The Yellow Wallpaper” Gilman is able to speak volumes on the destruction and autonomy of feminist self-expression, the restrictions of gender roles, and the patriarchal paradigm.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, tells the story of a woman's descent into madness as a result of the "rest and ignore the problem cure" that is frequently prescribed to cure hysteria and nervous conditions in women. More importantly, the story is about control and attacks the role of women in society. The narrator of the story is symbolic for all women in the late 1800s, a prisoner of a confining society. Women are expected to bear children, keep house and do only as they are told. Since men are privileged enough to have education, they hold jobs and make all the decisions. Thus, women are cast into the prison of acquiescence because they live in a world dominated by men. Since men suppress women, John, the narrator's husband, is presumed to have control over the protagonist. Gilman, however, suggests otherwise. She implies that it is a combination of society's control as well as the woman's personal weakness that contribute to the suppression of women. These two factors result in the woman's inability to make her own decisions and voice opposition to men.
Gender roles seem to be as old as time and have undergone constant, but sometime subtle, revisions throughout generations. Gender roles can be defined as the expectations for the behaviors, duties and attitudes of male and female members of a society, by that society. The story, “The Yellow Wallpaper,” is a great example of this. There are clear divisions between genders. The story takes place in the late nineteenth century where a rigid distinction between the domestic role of women and the active working role of men exists (“Sparknotes”). The protagonist and female antagonists of the story exemplify the women of their time; trapped in a submissive, controlled, and isolated domestic sphere, where they are treated as fragile and unstable children while the men dominate the public working sphere.
John, the narrator’s husband, is a “very careful and loving” (2) who shows love for his wife by hiding her away in an attic because she is unwell and sick. Regardless that the narrator claims, John denies her freedom and access to society because he is “a doctor dear, and knows”(9) best. John also asserts his power over his wife whenever he threatens that if his wife “does not pick up faster, he shall send me to Weird Mitchell in the fall”(6) even though she does not want to go. For example, when the narrator struggles to stay calm, she believes that “put fireworks in [her] pillowcase”(4) if she attempted to socialize. John is the ideal
As Virginia Wolfe once stated, “For most of history, Anonymous was a woman” ( ). The word female has had countless meanings throughout its lifespan. Females can be seen as lowly and cheap, regal and sophisticated, or weak and underutilized. It has only been in the last 70 years that women have gained a foothold in society, to gain the rights they deserve. In the late 1800’s a new writer Charlotte Perkins Gilman questioned society’s views on the idea of being female and tried to make them understand that females are a force to be reckoned with and not a doormat for men to step on. She would not stand to be labeled anonymous.