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Symbolism in gothic literature
Pop culture of the goths
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Throughout modern history there have been certain characters that personify the very essence of Goth, for instance Theda Bara 1885-1995, Italian heiress Marchesa Luisa Casati 1881-1957, Carolyn Jones 1930-1983 who played Mortica Addams in the 1960s TV series The Addams Family, to more recent iconic Goths like Helena Bonham Carter and maverick dresser Daphne Guinness, who have helped inspire the movement, to create their own persona and sense of the gothic style. Punks and Goths have coexisted for decades and continue to be, distinct social movements built upon different music, films and fashion characteristics. The Goth subculture has survived much longer than others from the same era, for instance Mods, Skinheads, Hippies and Rockers. Dick …show more content…
In 1987 The Daily Mail claimed Dracula as the classic of horror fiction " in seeking a parallel to this weird, powerful and ... story, our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein and The Fall of the House of Usher - but Dracula is even more appalling in its gloomy fascination than any more of these"(Roberts, Livingstone and Baxter-Wright, 2014:p.73). The common film characteristics include vampires, ghosts, werewolves, bats, cobwebs, monsters, old dark houses, sublime castles, dungeons, graveyards and secret passages. The vampire embodies both life and death taking the life of others to sustain itself and in so doing living immortally, has been adopted by part of the Goth subculture as a cultural icon the Goth subculture is, metaphorically, if not actually, drawing power from others, with self-sustenance being the ultimate goal. Vampires in general have finessed their way from hideous ghouls however, such as Dracula and Nosferatu the Vampyre from 1979 however, in the 21st century there can become sensuous heartthrobs for example the Cullen's from the saga Twilight. …show more content…
(2016). The World According to Goth - Christian Research Institute. [online] Available at: http://www.equip.org/article/the-world-according-to-goth/ [Accessed 17 Apr. 2016].
Whatisgoth.com. (2016). Goth Music. [online] Available at: http://www.whatisgoth.com/pages/Goth-Music.html [Accessed 17 Apr. 2016].
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman, p.130.
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman, p.133.
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman, p.149.
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman, pp.179-180.
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman, p.160.
Roberts, C., Livingstone, H. and Baxter-Wright, E. 2014. The Evolution of a dark subculture Gothic . 1st ed. London: Goodman,
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
Gothic literature, such as The Night Circus, “The Devil and Tom Walker”, “Dr. Heidegger’s Experiment”, and “Masque of the Red Death”, are known for incorporating gothic elements such as the supernatural, death, and fascination with the past.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Morgan, J. The biology of horror: gothic literature and film. Carbondale, IL: Southern Illinois University Press, 2002.
Tibbetts, John C. The Gothic Imagination: Conversations on Fantasy, Horror, and Science Fiction in the Media. Basingstoke: Palgrave Macmillan, 2011. Print.
Ringe, Donald A. American Gothic: Imagination and Reason in Nineteenth-Century Fiction. Lexington KY: The University Press of Kentucky, 1982.
The definition of the Horror genre differs completely to the Gothic genre. This idea of how the Gothic novel transformed from various architectures based around impending castles and morality tales, to the idea of monsters, fear, and repugnance. Therefore, it is interesting to notice the change from how the genre has developed from arguably the 17th century to the 20th century, where vampires, werewolf’s, and other monsters are very popular with teen audiences especially.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Camille, Michael. Gothic Art: Glorious Visions. Upper Saddle River (NJ): Prentice Hall, 1996. 12. Print.
The The word ‘Goth’ is originally from a German tribe and has come to mean. ‘barbarian’ and later known as ‘Gothic’. In Gothic Literature certain features are expected to be added. These are supernatural events, have villains. and hero characters, strange weather, horror, mystery and death.
Gothic Literature highlights the contrast of power and it is always
Word by word, gothic literature is bound to be an immaculate read. Examining this genre for what it is could be essential to understanding it. “Gothic” is relating to the extinct East Germanic language, people of which known as the Goths. “Literature” is defined as a written work, usually with lasting “artistic merit.” Together, gothic literature combines the use of horror, death, and sometimes romance. Edgar Allan Poe, often honored with being called the king of horror and gothic poetry, published “The Fall of House Usher” in September of 1839. This story, along with many other works produced by Poe, is a classic in gothic literature. In paragraph nine in this story, one of our main characters by the name of Roderick Usher,
3 p.. Ebook http://en.wikipedia.org/wiki/Southern_Gothic. Image and Ideology in Modern/Postmodern Discourse - Google Books." Google Books.
Michael Gamer, Romanticism and the Gothic: Genre, Reception, and Canon Formation (Cambridge, England: Cambridge University Press, 2000) 15, Questia, Web, 29 May 2010.