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Social construction gender roles
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Gendered Fragrances; Feminine Perfume
Kimmel’s theory of The Social Construction of Gender Relations (chapter 5) identifies that gender identity is socially constructed.
“It’s the task of the sociological perspective to specify the ways in which our own experiences, our interactions with others, and the institutions combine to shape our sense of who we are. Biology provides the raw materials, while society and history provide the context, the instruction manual, that we follow to construct our identities”.
This institution between differentiating each gender with objects, such as fragrances. Stimulates much of the ideas of “how women should smell” with certain perfumes, or “how men should smell” with some colognes. Which means, not only
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Where the shape of the bottle is gently crafted as a small square or rectangle. The noticeable soft colors of the perfume’s eau (liquid) depending on how diluted you want the perfume to be. The colors can range from a light pink, to an orange or a green.
Fashion brands also seem to advertise their perfumes projecting the idea that sex sells. In many of the cases for Miss Dior, they advertise the infamous Natalie Portman whether her sensual pose can be seen as submissive and is wearing black silk lingerie, or standing sideways topless covering her breast with her arms crossed over wearing only a bow headband or seductively looking at the camera while biting a rose.
Another perfume from Dior is Dior Addict where the ad depicts a woman in her undergarments that are falling off, drenched in sweat. Controversially displaying the woman to symbolize a drug addict and a drug. Maybe it is implying that men are addicted to her sexuality as she is addicted otherwise. These ads do a good job in showing women how to be “sexy” and as well as it implies to females that when buying their fragrances in essence, they will become sexy from using it. The fact that the ads are using beauty as confidence to sell their fragrances and sell the image of how a woman should feel, smell, and even resemble to. Ads depicting women as a sex symbol sell because she believes the product will enhance her appearance. By portraying a woman as simply a sex symbol she is devalued because she is now degraded to simply an object rather then an
It’s clear that those advertisements try to make an impact on our buying decisions. We can even say they manipulate viewers by targeting specific group of people or categorizing them so they could have a feeling this product is intended for them or what he or she represents. For instance, they use gender stereotypes. Advertises make use of men and woman appearance or behavior for the sake of making the message memorable. Therefore, most effective and common method is to represent a woman as a sexual object. They are linked with home environment where being a housewife or a mother is a perfect job for the. In other hand men are used more as work done representations. They are associated with power, leadership and efficiency. Those stereotypes make the consumer categorize themselves and reveals the mainstream idea of social status each gender needs to be to fit in and what products they are necessary to have to be part of that
The Sex of Things concludes with selected bibliography by Ellen Furlough, highlighting gender and consumption in historical perspective. The bibliography includes histories of consumption and consumer culture as well as theoretical contributions and contains a number of categories rooted in feminist research on consumption. These categories include: sites of consumption, marketing and design , spectatorship and reception, production of representations, domesticity, sexuality, appearance, and politics and ideologies of consumption. Each section ranges historically from the Middle Ages to the present. Unfortunately, the bibliography is dominated by Western perspectives; only a few of the sources are non-Western in orientation.
Prada aw 10 - In a nod to Alberti’s De Re Aedificatoria, Prada and her collaborator, Rem Koolhaas, envisaged a set that was “an abstraction of a city,” made up of spaces such as a surreal beauty parlour, a music hall made from pink foam, and a “street” strewn with meaningless data. Into this strange world walked an equally strange figure: the Prada woman. Recalling the demureness of Catherine Deneuve in Belle de Jour, this season she was in the guise of a conservative, sixties housewife, with her immaculate beehive, knee-length dresses, and patent loafers. Yet, nothing here was as it seemed. Looking closely, those dresses, with their frilly bustiers and outdated prints, became repellently prim—as did knitted stockings and
The advert is a monolog consisting of a male model who is physically built and toned. This symbolizes a successful man who is keen on taking care of his body. It also signifies a strong man who is appealing to the ladies. The first question he asks is if women want their men to have the sort of body he has. This statement portrays confidence and a high self-esteem. The ad passes on the message that men who use this fragrance need to be confident in how their look.
Advertisers use whatever they can to attract the reader. From a sexual appealing look to a word. One of the most helpful approaches is sex of course which can capture anyone's attention. The ad for Opium perfume depicts a young brunet that has nicely shaped body and wears nothing but golden slippers, necklace and bracelet. Model is laying down seeming like she is enjoying herself and maybe experiencing orgasm. Again in Dolce & Gabbana ad, we see man and woman having passionate foreplay; with one hand he is pulling her bra strap down while with other touching her breast and she is taking her panties off. In this ad, the naked female body and idea of sex is used to get the image of their product into the reader's memory. "Newsweek wrote: The strategy is that, while the consumer studies the picture, the designer's name melts into the brain. And a big part of the message that was melting in was sexual." (Streitmatter, pp. 123) Anyhow, both ads use sexual attention to grab reader's attention. This is exactly what Calvin Klein had intended he wanted to "make sure, first and foremost, that anyone who was thumbing through the pages of a magazine would stop and look at the ads.
The world we are living is a fast paced ruled by the media. We are surrounded by images of, perfect bodies, beautiful hair, flawless skin, and ageless faces that flash at us every day. These images are constantly in our minds throughout our lives. Advertisements select audience openly and target them with their product. The advertisement is implied in order to be like the people in the advertisements you must use their product. This approach is not new to this generation, but widely used today. The advertisements grab people attention and persuade them with the appearance of beauty and happy women that looks sophisticated to people eyes.
In the novel Perfume by Patrick Sϋskind, the protagonist Grenouille was a mysterious child, he was questioned by multiple people on account of him being without a scent. Ironically, Grenouille possessed a supernatural sense of smell. In the novel, Grenouille goes on to kill 25 young adult females. The scent these girls emit is what motivates him to carry out these murders. These murders are not out of cold blood. Grenouille uses the scent of these girls to create a mastermind perfume. Patrick Suskind uses such descriptive words that sensory imagery is inevitable.
When I asked people around me how they felt about these commercials, I was very surprised by the answers I received. The most popular answer for why this was an acceptable form of promoting anything was “Well that 's just how they do it.” or “Sex sells.”, but I still could not fathom what the media was making women out to be. I seemed to be the only one who found these ads to be abnormal, and that was just it. Everyone I had asked about these ads had never questioned why they might be wrong, and looked at them positively because they fit the demographic that these ads are made for: the average, straight, cisgendered, male. And this is exactly the problem. As soon as men accept the objectification of women as their reality, it becomes completely normal. Overtime this furthers the regression of women 's rights, and promotes rape culture. Because of the fact that these ads show women as merely objects of desire made for men 's pleasure, this highlights the second idea in rape culture, that says women are treated as objects of masculinity among other
There are many companies that use sex appeal in their ads today. For instance Victoria Secrets is one of the top sellers in lingerie. They show skin in every one of their ads. All of their models put on the sex appeal for all commercials and magazines. That is what helps them sell. Women look at those ads and see those girls floating on clouds like angels and feel they could feel the same if they wore that purple bra or red underwear. By showing these girls constantly looking sexy in their ads make women feel sexy just wearing them. That is the whole point of using sex in your ads. It?s amazing what a little skin can do. "In advertising, sex sells. But only if you're selling sex (Richards).
Pheromone Cologne for Men from the manufacturer’s description should arouse women around us sexually and emotionally. Pheromone Cologne for Men effect is explicit and somewhat believable, but a clearer detail of the manufacturer’s profile and evidence for proof of product evidence should make the formula more credible. On the other hand, there are limited details about the Pheromone Cologne for Men. Therefore, a more detailed description of the product is necessary.
However the 24 girls whom he extracts scents to create his perfume are described to be “virginal” alluding to their chastity, which also suggests their purity. The women have a distinguishable physical beauty that Grenouille accounts to their equally beautiful scent. The notion of the girls scent as pure also draws connection with the concept of the soul. The essence of these women who are innocent and uncorrupted is in contrast with society which stinks from their vial venality. Ultimately Suskind suggests that the qualities of a scent possess the possibility of spiritual transcendence into a physical manifestation of the
This also could signify that she is weak or is nothing without the perfume. Being full of laughter and looking innocent signifies that this is stereotypical. feminine in terms of gender. Another example is how the woman is represented standing sideways, wearing a white dress and is not. standing straight in the air.
Aromas we smell are processed in the limbic system of the brain which is where emotions and memories are stored. So we are literally tapping into a very deep part of the brain when sniffing a fragrance. There is no filter on the sense of smell either, so we drop into those emotions or memories instantly. This can happen out of the blue, when we least expect it. A stranger on the street might wear the same cologne as a first lover, causing us to feel breathless and sentimental. Perhaps the scent of a musty cabinet might smell exactly like grandmother’s attic where we used to play as a child triggering joyful memories. Scent is powerful. In products it might achieve a myriad of results like give us confidence, keep us calm, or make us feel sexy. A well-fragranced product should be a gift and tool for the
The photograph of the young lady supposedly “blowing” a long sandwich with the word “BLOW” written under it is what attracts males. You could even indicate that the only things that males truly wish for in life are sex, food and women. Clearly this advertisement has combined all three elements into one single advertisement. Women are often used as sex objects to attract a man’s attention. This is quite dangerous in today’s society because of the lack of females who actually appreciate themselves for who they are and what they look like. Whenever, women see advertisements portraying them as objects, some women begin to assume that they should use sex to be accepted and feel comfortable. While on the other hand, many women may feel disrespected. It is not just the images or what is being sold that take part in a woman's mindset but the philosophy of what these ads are doing. Men love to lust over very attractive females while somewhat considering what is actually being advertised. Society today has women thinking that being submissive, promiscuous and provocative is the only way for guys to stare at them and want them. Young female viewers are led to think that those types of characteristics are perfectly fine and accepted therefore, leaving them wanting to be considered a “sex
Dior uses different market segmentations to sell their product. First of all, there is a geographic segmentation. Perfumes are luxury products. Thus, they target wealthier areas like North America, Western Europe, Japan, etc. Since Dior is popular worldwide, we can obviously find it everywhere, but their market is based on these areas’ needs. Then, they use demographic segmentation. They target adult women who have quite high incomes. Perfumes are something not everybody can afford. This fragrance can be worn for any occasion, special as well as regular; it is light but demonstrates personality and feminity. They are trying to get a medium to strong loyalty status. As for any perfume, if a woman likes it; she will probably buy it again. It is a very accessible product. Any store like Macy’s, Nordstrom or Sephora in North America or “perfumeries” in Western Europe will sell J’adore. The segment is very large, because many people, even if they do not fall in one category, will buy perfumes for special occasions, like Christmas. This is a gift that always makes a woman happy, and Dior develops its marketing around that. Indeed, during Christmas, they make a lot of offers that combines a lotion with the perfume for example. Also, there are no separate segments between women; all women want to wear perfume.