Nathaniel Hawthorn’s romance The House of the Seven Gables and Edith Wharton’s House of Mirth both seemingly imply that fate is inevitable and predetermined at one’s birth. However, the fact that characters in the stories are given chances to alter their destiny and exercise free will makes it invalid to suggest the direct connection of fate to family genetics, inheritance, and or social class. It is one’s personal action that determines his or her future. In The House of the Seven Gables, fate pervades throughout the story. The narrator instantly informs the reader that the house is cursed at the very beginning of the story and it seems that for every generation of Pyncheon that moves into the house “they were to incur all its responsibilities” and “inherit a great misfortune” (1 p26), whether they are in the wrong or not. The implied existence of fate is further made reasonable with the depiction of similar events that happened over the past 150 years. First, Colonel Pyncheon died mysteriously on the day of his housewarming party after falsely accusing Matthew Maule for “performing witchcraft” and unlawfully taking over Matthew Maule’s land. The second case is the death of Gervayse Pyncheon’s daughter, Alice, after his greedy offer to trade the House of the Seven Gables for the deed to Pyncheon’s lost properties in Maine. The third case happens most recently, which is the sudden death of Judge Pyncheon after trying to grasp for Uncle Jaffrey’s lost inheritance. The transition of the Pyncheons is first made evident when Hepzibah, after “dwelt in strict seclusion for above a quarter of a century” (1 p31), decides to reopen the shop to make her own living. This is not an easy step for her because on one hand she has no social ski... ... middle of paper ... ...this admirable invention of the railroad is destined to do away with those stale ideas of home and fireside, and substitute something better.” (17 p259) Mr. Holgrave is another important character that proves that fate can be overthrown. As the descendent of Matthew Maule, not only does he not hold the family grudges and take revenge, he befriends the Pyncheons family and treats them sincerely, and eventually even falls in love with Phoebe and marries her. As an idealist, he sees the world in an unconventional way, he believes that every family “once in every half-century…should be merged into the great, obscure mass of humanity, and forget all about its ancestors”(12 p183), so that wounded pride about their ancestry would not grow in the new generation. He himself is a follower of this rule, and this breaks the curse his ancestor Matthew cast on the Pyncheons.
In Henry George’s article, What the Railroad Will Bring Us, it discusses the main social, political, and economic transformations that the trans-continental railroad would bring to the state of California. More importantly, he discusses not only the benefits, but also discusses the major drawbacks with the arrival of the railroad. Henry George stated the railroad would be the “greatest work of the age” (297). With a railroad stretching from the Atlantic to the Pacific, multiple benefits would be brought to the state of California. First, the railroad will not only create a new means of transportation across the United States, it additionally would also become “one of the greatest material prosperity” of its time (298). This means more people, more houses,
Throughout “Ethan Frome,” Edith Wharton renders the idea that freedom is just out of reach from the protagonist, Ethan Frome. The presence of a doomed love affair and an unforgiving love triangle forces Ethan to choose between his duty and his personal desire. Wharton’s use of archetypes in the novella emphasizes how Ethan will make choices that will ultimately lead to his downfall. In Edith Wharton’s, “Ethan Frome.” Ethan is wedged between his duty as a husband and his desire for happiness; however, rather than choosing one or the other, Ethan’s indecisiveness makes not only himself, but Mattie and Zeena miserable.
The lives we lead and the type of character we possess are said to be individual decisions. Yet from early stages in our life, our character is shaped by the values, customs and mindsets of those who surround us. The characteristics of this environment affect the way we think and behave ultimately shaping us into a product of the environment we are raised in. Lily Bart, the protagonist in Edith Wharton’s The House of Mirth, is an exceedingly beautiful bachelorette who grows up accustomed to living a life of luxury amongst New York City’s upper-class in the 20th century. When her family goes bankrupt, Lily is left searching for security and stability, both of which, she is taught can be only be attained through a wealthy marriage. Although, Lily is ashamed of her society’s tendencies, she is afraid that the values taught in her upbringing shaped her into “an organism so helpless outside of its narrow range” (Wharton 423). For Lily, it comes down to a choice between two antagonistic forces: the life she desires with a happiness, freedom and love and the life she was cut out to live with wealth, prestige and power. Although, Lily’s upbringing conditioned her to desire wealth and prestige, Lily’s more significant desires happiness, freedom and love ultimately allow her to break free.
The House of the Seven Gables written by Nathaniel Hawthorne is a novel that engages the reader in an intricate love story that blends history and a fanciful ancestry. Hawthorne stays true to the Romantic era’s convections through his detailed development of the plot. Through his writing, the reader can capture the emotions, morality and motives of each character. Although Hawthorne writes in the romantic style, he does not fail to go against the social norms with the plot. He defines the normal roles of women and he emphasizes the role of wealth in society. Furthermore he asserts his opinions on issues that were prevent in that time, such as, racism, slave emancipation and Jim Crow. The story was not created to just provide a creative love
Seavoy, Ronald E. "Railroads." An Economic History of the United States: From 1607 to the Present. New York: Routledge, 2006. 188-200. Print.
Tan, Amy. The Opposite of Fate: a book of musings. New York: Putnam, 2003. Print.
The mood of Hawthorne’s The House of the Seven Gables is dark, and painstakingly creepy and slow. The story centers around the murders of two men, centuries ago, the curse that was placed upon the house as a result of that conflict, and the repercussions to the current generation. The overall story is like that of a nightmare of total and complete oppressive darkness. Not so much the fright that results from images of goblins and monsters, but that feeling of being scared of the dark; not because of what is there, but because of what you don’t know is there.
Edith Wharton’s books are considered, by some, merely popular fiction of her time. But we must be careful not to equate popularity with the value of the fiction; i.e., we must not assume that if her books are popular, they are also primitive. Compared to the works of her contemporary and friend, Henry James, whose books may seem complex and sometimes bewildering; Wharton’s The Age of Innocence appears to be a simplistic, gossipy commentary of New York society during the last decade of the 19th century*. Instead, it is one man’s struggle with the questions of mortality and immortality. Wharton’s characters, settings and the minutiae of social rituals, manners, speech habits, dress and even flowers help her expose the mortal and immortal. But her adroit contrasts and comparisons with mythology elevate her fiction to the heights of sophistication.
"North America Review." Rev. of Uncle Tom's Cabin. North American Review [Boston] Oct. 1853: 467-93. Stephen Railton, 1998. Web. 24 Sept. 2013.
Catherine and Heathcliff reveal their fervent devotion and affection for each other when the former is lying on her deathbed, and in those tender, moribund moments earnest and ardent confessions are made that signify their mutual adoration and are harbingers of Heathcliff’s adumbrative vengeance. Heathcliff suffers to see Catherine in such a ghostly state, and weeps at the idea of being without her, crying, ““Would you (Catherine) like to live with your soul in the grave?”” (151) In saying this he demonstrates not only his own pain at her imminent fate, but also their metaphorically entwined lives. He does so by connecting the departure of her soul to his own, claiming that when she dies, so too will he. Additionally, by mere fact that the normally stoic Heathcliff was found in a state of grievance over the unfortunate circumstances is indicative of the gravity and desperation that with her passing he regards. Nelly points out as much by her matter-of-fact remark, “...it seemed Heathcliff could weep on a great occasion like this.” (151) Therefore, Heathcliff’s anguish befo...
Nathaniel Hawthorne’s 1843 short story entitled “The Birth-Mark” is, at face value, a traditionally formatted Hawthorne story; it is a textbook example of his recurrent theme of the unpardonable sin as committed by the primary character, Aylmer, the repercussions of which result in the untimely death of his wife, Georgiana. However, there seems to be an underlying theme to the story that adds a layer to Hawthorne’s common theme of the unpardonable sin; when Aylmer attempts to reconcile his intellectual prowess with his love for his wife, his efforts turn into an obsession with perfecting his wife’s single physical flaw and her consequent death. This tragedy occurs within the confines of traditional gender
Strong, C. A. "Fate and Free Will." The Journal of Philosophy Psychology and Scientific Methods.Vol. 15, No. 1 (1918): 5-9. JSTOR. Web. 08 May 2014. .
Realistically speaking, the concept of fate tends to be for the optimistic dreamers, those who against all measures believe in the supernatural. However, our imagination for magical existence tends to revive through mesmerizing paranormal films and overall hope. William Shakespeare portrays the idea of fate versus self-will through prophecies and destruction in the tragedy of Macbeth, questioning whether fate is predestined by the witches or self-made. Through Lady Macbeth’s ill intentions, Macbeth’s constant struggles, and ambition Shakespeare reveals this theme of fate versus self-will.
Webster defines fate as a “ a power thought to control all events and impossible to resist” “a persons destiny.” This would imply that fate has an over whelming power over the mind. This thing called fate is able to control a person and that person has no ability to change it.
Are our lives only a set out plan controlled by fate? Do our choices and our actions determine our futures? What is the defining factors that affect the course of our existence on Earth? These are all questions that have afflicted society for centuries. As actor William Shatner once said, “The conundrum of free will and destiny has always kept me dangling.” Previously, this debate has been present mainly in the theological world between different religious denominations. However, recently this examination has moved to the secular universe. I am of the belief that we can live our lives with free will over our actions because of my ideas on humanity, my views on life, my understanding of reason, and my belief that there is a Creator.