Fashions And Fundamentalisms In Fin-De-Siecle Yemen

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Question One Hegemony can be thought of as a process of calculated control or power; where there are a relation of forces working together and circulating in society. Although it may be disguised as something ‘natural’, it most definitely isn’t. A dominant idea, state, practice or even person only become hegemonic or even ‘natural’ after years of reinforcement, until it becomes fixated. In the article, Fashions and Fundamentalisms in Fin-de-Siecle Yemen by Anne Meneley, the author discusses the consequences of the chador and essentially, veiling in modern-day Yemen. In the article, it appears that veiling and modesty have become a form of cultural hegemony; where it’s practice is reinforced by the society and the state, which in this case, …show more content…

Abu-Lughod criticizes the hoax narratives that were published and received wide acceptance, she claims “…and the story is organized by the standard themes of a long history of Western representations of the Muslim woman, implicitly contrasted to the free Western one”. Here, we can see that the progress and value of the east is always judged in terms of, and in comparison to the west, and therefore the east remains as the other, the conquerable and the inferior. Moreover, western representations have glamorized honor crimes, on page 36, Abu-Lughod states “the honor crime seems to function as a comforting phantasm that empowers the West and those who identify with it...”. This becomes problematic because underlying issues are overshadowed and those who are “victims of their own culture” are not benefitting from the attention. Similarly, In Women of Fes, author Rachel Newcomb criticizes intellectual works who have disregarded the French built Villes Nouvells and, only focused on the ancient medina as it complies with the orientalist view in symbolizing the “essence of “the Islamic city” (pg. 15) Newcomb presented the orientalist view through the lack of academic research available on modern life in

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