Explicating The Lover Not Taken Often in life we are faced with two choices, one of which we have to pick. The decision can be life changing, so obviously one wants to choose the right path to go down. In Blanche Farley's The Lover Not Taken we see this same occurrence of a life changing decision. The poem takes Robert Frost's The Road Not Taken and puts a parodistic spin on it, making the poem's narrator choose both objects of her affection, instead of just one. She does, however, still travel the road not usually taken, risking it all for lust. This, along with the poem's many poetic elements, tells the reader to live their life to the fullest now, before it's too late and life has passed you by, leaving a trail of regrets. Both poems share many things in common. The first being the obvious theme of major decision making and choosing the best path, so that life doesn't pass you by. Blanche obviously had Robert Frost's famous poem sitting beside her when she wrote her own rendition of the poem 21 years after Frost's death. Most of the stanzas in each poem match up with one another. Similar words are used as well, such as in the first stanza of each poem "and be one traveler, long I stood"(Frost), and "and mulling it over, long she stood."(Blanche) Both of these lines are undoubtedly similar, and they are both part of a five line stanza that rhymes the ending words of two lines and three lines to each other. Other common poetic elements that are found in The Lover Not Taken, but also shared with Frost's poem are enjambment, irony, and hyperbole. Blanche uses enjambment in almost every other line, keeping the reader on their toes at all times, so as not to miss a line, or pause. Instances of enjambment can be found in the first stanza at the end of lines one, three, five, and carrying over to the second stanza on line seven. Irony is most evident at the end of The Lover Not Taken when the narrator took the fast way home, "and phoned the blond." Her decision is so unexpected because most women would stand by their man and hope to never let lust surpass love. This leaves the reader very surprised when the narrator definitely chooses the road less traveled.
Both poems use repetition of phrases and anaphora to establish a pace for the speaker’s voice. The repeating syllables provide a pseudo-break in
Although both poems are set in the same environment, and that the visual structure of the poems are similar. Once you look deeper and analysis the poems it becomes clear that they have been written in very different styles, and very different but as powerful emotions running through them i.e. grief and resignment. One poet has a future to look forward to; the other knows that death is around the corner. One poet could not have for scene a death, the other is questioning weather the ‘black diamond dust’ was worth it on reflection.
The imagery used in the two poems is very similar at times. Both authors describe to the readers a picturesque view of nature, like plants blooming in the springs. Proof of this is found in “Lone Bather'; : “ is plant with lilies bursting from its heels.'; Similarly, in “The Swimmer'; the first
Comparing the two characters from the novel The Awakening and the play A Streetcar Named Desire, Edna Pontellier and Blanche Dubois, there are clearly inherent differences between the two. Some differences being: Edna is an artist and Blanche is a teacher, Edna has two children and Blanche has none, Edna is married and Blanche is a widow. But, despite the differences the between the two characters there are also many similarities. The three most important similarities between the two characters are: both women are free spirited characters that give life to the novels they star in, they both have best friends that do not really understand them, and they both meet tragic ends at the end of their respective stories caused by men.
In romantic words, the poet expresses how much she thinks of love. She stated it was clear that she would not trade love for peace in times of anguish. Shift: after line 6 of the poem, there is a shift. In the beginning of the poem, the poet outlines the list of things that love cannot provide for the people who are willing to die. The narrator outlines the basic necessities like food, shelter, and health.
This statement also emphasises much of Blanche’s own views on sorrow and explains how it has affected her life since she has made the comment from personal experience. To conclude, Tennessee Williams’ dramatic use of death and dying is an overarching theme in ‘A Streetcar Named Desire,’ from which everything about Blanche’s character has formed from. Without the death of Allan, Blanche would not have resorted to prostitution and the brief affairs with strangers, also the deaths of her family have driven Blanche to Stella’s where she is “not wanted” and “ashamed to be”. Therefore these dramatic deaths have lead to the past which comes back to haunt
..., they are somewhat similar in comparison because they both have an inevitable ending, death. Both of the poems also used rhythm to give the reader a better insight and experience. The use of rhythm helps to set the tone right away. The use of symbolism and tone helped to convey an overall theme with both of the poems.
The poetry by these two poets creates several different images, both overall, each with a different goal, have achieved their purposes. Though from slightly different times, they can both be recognized and appreciated as poets who did not fear the outside, and were willing to put themselves out there to create both truth and beauty.
Everyone is a traveler, carefully choosing which roads to follow on the map of life. There is never a straight path that leaves one with but a single direction in which to head. Robert Frost’s “The Road Not Taken'; can be interpreted in many different ways. The shade of light in which the reader sees the poem depends upon her past, present, and the attitude with which she looks toward her future. In any case however, this poem clearly demonstrates Frost’s belief that it is the road that one chooses that makes him the man he is.
The woman, if only reading stanza one, would think her and the speaker are in total agreement. This idea, however, is fleeting as stanza two acts not only as a refutation for stanza one, but also as evidence for stanza three.... ... middle of paper ... ... The satire exists in the expectation that love has to occur before sex.
Both poems where written in the Anglo-Saxton era in Old English and later translated into English. As well as both poems being written in the same time period, they are both elegiac poems, meaning they are poignant and mournful.
Although the poems share common features of structure, style and a common theme, there is a distinct difference in the imagery and perspectives in the respective poems. The poem “The Lover Not Taken” shares an identical structure with “The Road Not Taken,” with an extra stanza containing two lines where Farley throws in the punch line to make a point. Both the poems develop a unique pattern of rhyming, where the first, third and fourth line rhyme; also, second and the fifth line end with rhyming words. Despite the use of similar words such as “stood” (2) and “sigh” (16), Farley manages to create an unrestrained and dynamic lead character, while Frost portrays a slow pace. Farley, although portraying a similar theme to that of Frost’s poem, intentionally contradicts the ideas in “The Road Not Taken,” only to unexpectedly choose the path “less travelled by” – the path of lust over love (Frost 19).
When considering the structure of the poems, they are similar in that they are both written loosely in iambic pentameter. Also, they both have a notable structured rhyme scheme.
In “The Road Not Taken” Frost emphasizes that every person is a traveler choosing the roads to follow on the map of their continuous journey-life. There is never a straight path that leads a person one sole direction in which to head. Regardless of the original message that Robert Frost had intended to convey, “The Road Not Taken” has left me with many different interpretations. Throughout this poem, it is obvious that decisions are not easy to make and each decision will lead you down a different path.
The main theme of the poem that Frost attempts to convey is how important the decisions that one makes can be, and how they affect one’s future. In lines 2-3, he expresses the emotions of doubt and confusion by saying, “And sorry I could not travel/ And be one traveler, long I stood”, which explains how the speaker contemplated their decision of which road to take. In the closing, line 20 of the poem further reestablishes the theme when it states, “that has made all the difference”, meaning that making the decision of which road to take for themselves is the important key for a successful future. Frost helps to express this theme by using symbolism to portray a road as one’s journey of life. Using symbolism, Frost suggests that the speaker of this poem is taking the harder of the two roads presented before them, because the road the speaker chooses, “leaves no step had trodden black” (12...