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To kill a mockingbird examples of symbolism
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To kill a mockingbird examples of symbolism
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In The Canterbury Tales Chaucer demonstrates many themes such as lust, greed, and poverty. During the Canterbury tales the travelers the author himself is in the tale and he describes every character in detail. Most importantly in The Wife of Bath there is numerous examples of poverty. Thought out the tale Chaucer introduces to us a man who couldn’t control himself because of lust. As a result, he gets punished by the queen.
Chaucer uses characterization by introducing it in an irony way. For example, on The Wife of Bath the theme lust is demonstrated throughout the tale by showing us that the woman got raped by the Knight because he couldn’t control himself. The way she dressed provoked him to his actions. As a result, he was sentenced to
This might seem ironic coming from a man in this period, but it is not so ironic when one looks at the Canterbury Tales and acknowledges it as a fine work of parody. Chaucer attacks other traditions vigorously, a good example of which is his discussion of corruption in the church . His critical look at the standards for women which are especially enforced by the church add humor to the tale of the Wife of Bath while also making a political statement. Chaucer prepares the reader for the tale with his brief description of the wife in the Prologue. She is a skilled cloth-maker and devoted Christian pilgrim trips as well as several other shrines in different countries.
The Wife of Bath, with the energy of her vernacular and the voraciousness of her sexual appetite, is one of the most vividly developed characters of 'The Canterbury Tales'. At 856 lines her prologue, or 'preambulacioun' as the Summoner calls it, is the longest of any of the pilgrims, and matches the General Prologue but for a few lines. Evidently Chaucer is infatuated with Alisoun, as he plays satirically with both gender and class issues through the Wife's robust rhetoric. Scholars and students alike have continued this obsession with her, and as a consequence Chaucer's larger than life widow has been subject to centuries of scrutiny. Indeed, she is in the vast minority amongst the Canterbury bound pilgrims; apart from the in-vogue Prioress she is the only female - though she appears in no way daunted by the apparent inequality in numbers. It seems almost a crime to examine masculinity in her prologue and tale, but as I hope to show, there is much to learn both about the Wife and about Chaucer from this male presence.
The moral compass of mankind has always piqued the interest of authors. The Middle Ages was a time of immoral behavior, corrupt religious officials, and disregard of marital vows. Geoffrey Chaucer used The Canterbury Tales to explore his personal views of this dark time. In particular, he crafted “The Wife of Bath’s Tale,” “The Prioress’s Tale,” and “The Shipman’s Tale” to portray the tainted society, using women in all of them to bring forth his views. In The Canterbury Tales, Chaucer depicts women as immodest and conniving beings to suggest the moral corruption of the Middle Ages.
In The Canterbury Tales, written by Geoffrey Chaucer, the stereotypes and roles in society are reexamined and made new through the characters in the book. Chaucer discusses different stereotypes and separates his characters from the social norm by giving them highly ironic and/or unusual characteristics. Specifically, in the stories of The Wife of Bath and The Miller’s Tale, Chaucer examines stereotypes of women and men and attempts to define their basic wants and needs.
The Canterbury Tales is more than an amusing assortment of stories; it is an illustration of the society in which Geoffrey Chaucer lived. It portrays the culture and class system of the medieval ages in microcosm. Every strata of human life at the time were represented by the many characters whose tales are told. Each character’s basic human nature also plays a role in their stories, and each one has within them the strengths and weaknesses that make up all of humanity. Each character exemplifies their life and reputation through the stories they tell. The Pardoner uses his tale as a ploy to garner money. His tale embodies each deadly sin, and every reader can relate to his story and feel the guilt of his characters. The Wife of Bath’s tale expresses her own ideals in the way her character is given a second chance after committing a crime. The Franklin’s tale, because of its straightforwardness and honesty is a direct representation of the Franklin’s simple and joyful life. Each character tells a tale that is a suitable match to their personality. These characters’ tales represent prevalent themes of the middle ages, including greed, corruption of religious clergymen, violence, revenge, and social status. In Chaucer’s society, the traditional feudal system was losing its importance and the middle class began to emerge. The middle class characters within the Canterbury Tales, with their personal lives and interactions with members of differing social classes, gave an understanding of the growth of society, especially the rising middle class, during medieval times.
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
Chaucer, Geoffrey. “The Canterbury Tales: The Wife of Bath’s Prologue and Tale.” The Norton Anthology English Literature. Ed. M.H. Abrams and Stephen Greenblatt. 7th ed. New York: W.W. Norton & Company, 2001.
The Canterbury Tales by Geoffrey Chaucer is a collection of stories by a group of pilgrims who are heading to Canterbury Cathedral. In this book, the pardoner and the reeve show antipodal characters in many ways. The pardoner is beautiful blonde hair man who is being loved by everyone. However he is very corrupted and smart and sells fake religious stuff to people saying very good compliment. On the other hand, the reeve is very serious and honest business man. He is very smart enough to know what criminals think and do. The pardoner story-tells a great example (or tale?) of seven deadly sins and reeve’s story is mocking of the miller. These very different characteristic men tell story telling that human beings are always punished for being greedy. The crooked pardoner and the honest reeve have different purposes for telling their tales, but their stories have the same major theme; sins deserve punishment.
Social class was the foundation of everyday life during the Middle Ages. Social class played a significant role in the lives of medieval people. The aristocracy class and the immoral lower class were often viewed by society as practically different races. In The Canterbury Tales, Geoffrey Chaucer shows the wide variance among the classes in every aspect of their daily lives. The zeitgeist of the Middle Ages can be seen through his illustration of differences between classes in moral behavior, economic power, the autonomy and education of women during the Middle Ages.
The Canterbury Tales is a great contemplation of stories, that display humorous and ironic examples of medieval life, which imitate moral and ethical problems in history and even those presented today. Chaucer owed a great deal to the authors who produced these works before his time. Chaucer tweaked their materials, gave them new meanings and revealed unscathed truths, thus providing fresh ideas to his readers. Chaucer's main goal for these tales was to create settings in which people can relate, to portray lessons and the irony of human existence.
Many of the religious characters in The Canterbury Tales represent character traits that are different from what is traditionally expected of them. This is because the Catholic Church, which ruled all of England, Ireland and most of Europe in the Fourteenth Century, was extremely wealthy. Extravagant cathedrals were built in every big city while the people suffered from poverty, disease and famine. The contrast between the wealth of the church and misery of the people was overwhelming. As a result, the characters in Chaucer's tales were portrayed as deceitful and greedy. Two examples of this are the Summoner from the "The Friar's Tale" and Death from the "The Pardoner's Tale."
Chaucer used controversies to create character. He wanted his characters to teach the readers something new about life. The Wife of Bath and the Pardoner demonstrate Chaucer’s way of creating characters based on the sexuality of the medieval period.
As Geoffrey Chaucer pioneered English Literature he used many forms of characterization in his works. He notably used characterization in Prologue to the Canterbury Tales. Chaucer used many forms of characterization to provide a great understanding of the characters in each of his works. In his work Prologue to the Canterbury Tales, characters were developed using their own thoughts and actions, Chaucer’s own words, as well as satire. Chaucer’s ability to build a character right before the reader’s eyes acclaimed his works a great deal of fame. His works amassed great fame because they appealed to a diverse base of readers.
In The Canterbury Tales, many characters are not what they seem. Chaucer gives in-depth descriptions in the general prologue of all the characters and how they live their lives, from the knight, to the Wife of Bath, to the host. These people all have back stories and distinctive personality traits that distinguish them from the other characters. The Wife of Bath is a worldly woman and Chaucer describes her as “An estimable woman: she had five husbands, not to mention other company in her youth” (Chaucer 9). The Wife of Bath is a character that knows what she wants and exactly how to get it. The Wife of Bath’s tale matches her personality and Wife of Bath and the old woman in the tale share similar traits.