Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The tragedy of julius caesar by william shakespeare
Julius Caesar by William Shakespeare as a tragedy
The tragedy of julius caesar by william shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The tragedy of julius caesar by william shakespeare
Walking down the urban streets of downtown San Jose, a blind, elderly man sitting on the sidewalk suddenly jumps up with a finger pointed at you and screams “If thou walketh into Subway for a meal, thou shall receive an ill-roasted egg”. Hearing this, there are three actions triggered. One is to scoff at the man, run away, and still go to Subway. The second is to politely acknowledge what the man says, but considers the fact that eggs are not cooked by roasting and order scrambled eggs in your sandwich. The last way is to fully acknowledge what the man said and avoid going to Subway. Similarly, in the play Julius Caesar by William Shakespeare and edited by Barbara A Mowat and Paul Werstine, when presented with an omen, characters in Julius …show more content…
Another case of Caesar’s ignorance is when he sees the soothsayer on the ides of March and brags of how nothing bad has happened to him yet. Wittily, the soothsayer responds with “Ay, Caesar, but not gone.” (3.1.2) Caesar teases the Soothsayer by saying that the Ides of March has come and nothing has happened to him yet. However, the day has not ended, so it is too early to say that nothing bad will happen to him. These quotes both show how Caesar disregards the soothsayer’s warning and even mocks him about the warning. Also, Caesar misses an important hint that would have caused him to reconsider his actions on the ides of March when Artemidorus tries to vey for his attention. “Hail, Caesar. Read this schedule...O Caesar, read mine first, for mine’s a suit that touches Caesar nearer. Read it, great Caesar.” (3.1.3-7) Artemidorus vehemently tries to get Caesar to read a scroll which also warns him of the danger approaching him. If Caesar had taken the time to read the scroll, he may be convinced that he is in danger. In contrast, he looks down upon Artemidorus and carries along with his day, missing a vital hint that would have changed his fate. For these actions, when brought information, Caesar doesn’t acknowledge omens but does the total opposite, ignoring it. Instead of completely acknowledging but not ignoring either, some characters acknowledge omens but misinterpret …show more content…
In addition to that thought, “a beast without a heart” can be interpreted as the conspirators being cowardice. (2.2.45) They plan on killing Caesar because they assume that his ambition will make him take advantage of his power. As a result, the conspirators want to kill Caesar before he takes the crown. Calpurnia goes on to explain her dream to Caesar of how people will be bathing in his blood, and for a moment, is able to convince Caesar to stay home from the Senate meeting. However, Decius enters into Caesar’s home and influences Caesar to attend the meeting. “It was a vision fair and fortunate/…./ Signifies that from you great Rome shall suck/ Reviving blood, and that great men shall press…” (2.2.89, 92-93) Decius completely takes Calpurnia’s dream out of context by saying that Caesar should go to the palace since the dream conveys how he will be crowned king. He purposely did this to convince Caesar to go to the Senate meeting, so the conspirators could murder him. This causes Caesar to drop his wife’s interpretation of her dream and follow what Decius told him. Caesar and Decius misinterpret omens, both purposely and unconsciously, in order to fit a
When the Soothsayer says, “Beware the ides of March.”(I.ii.18). He is setting up the death of Caesar, allowing the reader to realize that the date will be very significant to the play. This dialogue already sets up the stage for the plot to progress rapidly. Although, once Caesar leaves the stage, Brutus and Cassius are shown. Brutus begins to speak of his worries, “[...]I turn the trouble of my countenance/Merely upon myself. Vexed I am.”(I.ii.37-38). Brutus’ next few lines expresses his conflicts, showing his weakness towards Cassius. Cassius is able to easily swoop in and influence Brutus, without having to break a sweat, to follow through with his conspiracy to kill Caesar. The superstition does not actually come true without the actions of Cassius and Brutus. The exhibition of Brutus’ fear and the manipulation of Cassius, both set up the play to continue and also enhances the foreshadowing. The second warning given to Caesar is from Calpurnia. Caesar repeats what is spoken to him, “She dreamt she saw my statue/Which like a fountain with an hundred of spouts/Did it run pure blood[...]”(II.ii.76-78). Caesar is shown to heed this warning and it does describe what will happen on the ides of March. He repeats this to indicate his belief in his wife. Although, Decius manages to convince him to come. He states, “It was a vision fair and fortunate:[...]/great Rome shall
CAESAR: He is a dreamer. Let us leave him. Pass.” (1.2.28-29) Othsayer appears to be the fortuneteller who tries to warn Caesar of an unknown danger in this situation but Caesar quickly dismisses the idea. Caesar demonstrates his control of his own life, that the predictions are merely dreams that can never turn into reality. Under such conditions, it cannot be the fate but rather the free will of Caesar himself to blame for his death for taking risks and facing life in his own way. Another instance of fate is Casca's observations of a dreadful night. He describes the setting as if there are burning slaves, crawling lion, and ghostly women on the street of the Capitol. (1.3.25-32) These omens are usually associated with fate, as that supernatural sights hints the happening of a tragedy soon, but they don't necessarily define the tragedy itself. They can refer to a series of other events and not the assassination of Caesar. Lastly, the night before the assassination, Calphurnia convinces her husband to stay home due to a nightmare, but Caesar responds with as if it is no big matter in "CAESAR: Nor heaven nor earth have been at peace tonight. Thrice hath Calphurnia in her sleep cried out "Help, ho, they murder Caesar!" (2.2.1-3) In her dream, Calpurnia claims to see the death of her husband whose blood flows all over Rome. Her fear toward
Caesar was an arrogant man who thought of himself as the strongest and the most powerful man in Rome. When his wife Calpurnia tried to stop Caesar from going to the Capitol for fear of his life was in danger, Caesar said that he had no need to be afraid for he was even more formidable than danger itself. “Danger knows full well that Caesar is more dangerous than he" (2, 2, 44-45). This showed the great confidence he had in himself and his certitude that no one would dare to harm him. Caesar took immense pride in his conquests and believed that it would be shameful for him to lie to the senators about the reason of his absence from the Capitol on the ides of March. “Have I in conquest stretched mine arm so far to be a feared to tell greybeards the truth?" (2, 2, 66-67) His confidence that a simple “Caesar will not come" would be sufficient enough, for the senators were another sign of the high esteem he held of himself.
Caesar’s lack of somewhat savage Machiavellian traits foreshadows his downfall a multitude of times. From the beginning, the soothsayer warns him to watch out for the Ides of March. There are also bad signs; men in fire walks up and down the streets, and a lioness gives birth on the streets. Likewise, before he heads to the Senate House to receive the crown, Calphurnia tells him that she has had a nightmare, and pleads him to stay home. However, he ignores all the premonitions and moves toward where the Senators are, with no one to protect him when he is in danger. This action of Caesar contradicts the teachings of Machiavelli, “Before all else, be armed” (The Prince). As a result of his carelessness, the conspirators see that he has no chance of circumventing, and assassinates him. Similarly, he is unsuccessful in recognizing the outrage of Cassius and a few others; he isn’t doubtful enough of their secretive deeds and eventually loses the reigns to eliminate the defiance. "The same thing occurs in affairs o...
	Julius Caesar has much pride, a hamartia, which brings him to not be wary of the conspiracy. Caesar is given much warning on the threat of his life, yet due to his pride he thinks himself to be too great of a person to have such a downfall. Julius Caesar is warned by a soothsayer, "Soothsayer. Beware the ides of March."(1,2,18) Julius Caesar rebukes the soothsayer by stating, "Caesar. He is a dreamer. Let us leave him. Pass."(1,2,23) Caesar does not take warning to be wary the middle of the month, the day of his assassination. Later, Caesar’s wife Calpurnia has a nightmare that Caesar is slain at the Capitol. Caesar calls for the priests to do a sacrifi...
Julius Caesar, even though he is considered great, turns out to contain many flaws. He believes himself to be untouchable, and has a confidence that he cannot be harmed, even though that is not the case. He says so when he says, “Caesar shall forth. The things that threatened me ne’er looked but on ...
Calpurnia’s dream predicted Caesar’s death well, after being stabbed by all of his friends and bleeding to death, the men that killed him bathed in his blood happily thinking Rome will be safe. The omen of Caesar’s ghost visiting Brutus represented Brutus’s death. Caesar said “I will see you in Philippi,” meaning he will see Brutus at the place of the battle and watch him die, which he did. The Tragedy of Julius Caesar had the ongoing theme of Fate versus Free Will, but it seemed that fate was mostly shown.
Calphurnia in Shakespeare’s Julius Caesar, based on Plutarch’s account of her having a nightmare where “Caesar was slain, and that she had him in her arms (“Sources” 107),” fears for her husband’s life on account of these superstitious happenings and states “O Caesar, these things are beyond all use, / And I do fear them (2.2.25-26).” Rather than being in support of these superstitions and therefore believing that fate is determined by the Gods, Calphurnia’s fear and several mentions of her physical weakness (1.2.9-11) and foolishness (2.2.110) within the play discredits the validity of such portents and omens. With these signs devalued, Shakespeare argues that it is the decisions of men alone that determines their fate and the faults of these decisions that lead to an imminent
In plays, every hero has a tragic flaw which eventually leads to their demise. The tragic flaw Caesar possesses is the quality of arrogance. For example, “I shall remember. /When Caesar says ‘Do this,’ it is performed” (I.ii.12-13). This quote demonstrates Caesar’s arrogance because he expects his “friends” to put his priorities before any else’s
Caesar is dead, Brutus’ army is marching to certain death, and Antony is ready take over all of Rome with an iron fist. Around 2 months ago, normally completely unacceptable idea was about to become a reality. Cassius convinces Brutus that Julius Caesar, his best friend, needs to be killed for the better of Rome. One decision, strewn by ego and arrogance, led to the total destruction of Rome and the death of so many people. Although, there were many signs that predicted this calamity, but to none was any attention given because of the receiver’s arrogance. Despite many seemingly unmistakable forewarnings of impending disaster, the inconceivable arrogance, displayed by key conspirators, Julius Caesar, and his supporters, hindered their ability to perceive and respond to those signs in Julius Caesar.
How Portents, Omens and Dreams Add to the Dramatic Tension Before Julius Caesar's murder in Julius Caesar
Caesar’s wife, Calpurnia, had a dream, in which she saw her husband’s statue as though it were a fountain pouring blood from a hundred spouts. Around the statue or fountain of blood, Calpurnia
Julius Caesar is shown to have many reprehensible character flaws over the course of the drama. Namely, he is illustrated as having a belligerent sense of arrogance. Initially, the great majority of the Roman public adores and esteems Caesar. However, this adoration inflates his sense of self-pride and arrogance. For example, in the play’s introduction Caesar is given warning about a plot to extirpate him from the throne. A soothsayer warns him to “beware the ides of March” (890). Rather than to obviate the attempt, Caesar blows off the Soothsayer, stating “he is a dreamer, let us leave him” (890). Later in Act II, Caesar has been informed of dead men walking, a lioness giving birth in the street...
Decius uses flattery and persuasion when speaking to Brutus. Decius is an active member of the Conspirators so he is very motivated into getting Caesar to go to the Senate House. The first thing that Decius says when he walks into Caesar's house is "Caesar, all hail! Good morrow, worthy Caesar" (II, ii, 30). Decius also goes on and calls Caesar "most mighty". Decius is already on Caesar's good side. After catching up on Calpurnia's dream, he uses his quick wit to distort Calpurnia's foreshadowing dream by saying it is "misinterpreted". He explains that the dream "Signifies that from (Caesar) Rome shall suck/Reviving blood, and that great men shall press/for tinctures, stains, relics, and cognizance" (II, ii, 31). Caesar seems to be amazed by this version of the interpretation; in fact, he likes this version a lot better mainly because Decius uses so much flattery.
It truly must have shocked the people of that era when Caesar went to the Capitol against all warnings, because “Elizabethans generally believed that prophecies were to be taken seriously, and certainly that no prudent statesman could run the risk of ignoring them” (Ribner 58). The people of the Elizabethan era were very proper, and to see someone, even if only a character in a play, break one of the laws of nature in which they so firmly believed, was quite astounding.