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The cask of amontillado motley symbolism
The moral lesson of the cask of amontillado
Foreshadowing in the cask of amontillado
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Recommended: The cask of amontillado motley symbolism
There is a lot of suspense in this story and some foreshadowing that leads to it.The first thing we read is that Sanger Rainsford yacht is near an island called Ship Trap Island. We are told that sailors are very afraid of the place. A second bit of foreshadowing comes a bit later when Rainsford talks about hunting. He says that no one cares how the hunted animal feels. This foreshadows the fact that he will become a hunted animal himself. A little later, Whitney talks about how he felt evil “a sudden dread” when they got near the island.Then, when Rainsford drags himself onto the shore of the island, the whole description of the island is scary and causes suspense.After that first night, when Zaroff deliberately lets Rainsford go, he is These elements work together to let the reader know that Fortunato will die before the story is over. First, the journey that Fortunato and Montresor take is from the light and joy of a carnival through an underground tunnel that becomes darker, colder and more poisonous as they continue walking. Poe describes their descent into a "deep crypt, in which the foulness of the air caused our flambeaux rather to glow than flame," and talks about the nitre in the air around them as they go deeper underground and Fortunato comes closer to death. This slow, dangerous descent helps build suspense as the reader becomes increasingly aware of Fortunato's murderous plan. Similarly, Poe includes many symbols of death that become increasingly more macabre as the story continues. At the beginning of their journey together, Montresor draws a "mask of black silk" around him, as if he were on his way to a funeral. Next, Poe mentions the "damp ground of the catacombs," which are a more obvious symbol of death. Eventually, Poe launches into a vivid description of the piles of human remains which line the walls of the crypt into which they enter. At this point, the morbidity of the symbolism is clear, and this symbolism has helped to create
Fortunato “takes possession” of Montresor’s arm, for which he suffers (716) in order to carry out his plan. Poe’s use of possession and suffer give the impression that Montresor is being afflicted again by Fortunato. Once Montresor reveals this meeting at this evening is no coincidence by divulging he made sure none of his attendants would be home. By giving the direct orders to be home. Poe shows us that Montresor was not respected or feared by his servants’ actions. The servants’ leaving after being given a direct order to stay does give credence to the fact that Montresor must be very methodical and unyielding to his schedule. Only once Fortunato to the catacombs does he betray his own premise. Montresor refers to Fortunato as his “poor friend” (716). At this point Poe has depicted this instigator of a “thousand injuries” as a drunken jester that can barely catch his breath at this point in the story. Now Montresor is showing some sympathy towards him. At this point the transition is complete. Where the two men stopped at the entrance to Fortunato’s tomb, this is the moment that leaves no doubt that Montresor is the villain and Fortunato is the
Montressor had said “In pace requiescat!”, but rest in peace Fortunato did not. As Fortunato took his last breath he heard Montressor yell his name and then leave. A strange sensation then came over Fortunato and he could sense the energy flowing out of him, a rising feeling held him above the ground as he became a restless spirit. He thought to himself “Why am I not allowed to go? What must be keeping me here?”, and then recalled that it was Montressor that had done this to him, Montressor that had led him into the vaults and then sealed him up to die of pneumonia. Revenge, that was what had drove Montressor to murder, and what was keeping Fortunato in the mortal world. Fortunato realized that he must find Montressor, and exact his revenge before he would be able to pass over. And down there, in the deepest, darkest vault, he planned his revenge.
Continually drawing Fortunato’s attention to the nitre on the walls, seems a symbolic manifestation of the web of lies Montresor must weave throughout the journey. He uses Fortunato’s vanity as a weapon against him, "Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter” (Poe).
Because the reader knows of the narrator’s alternate motive, this passage also shows dramatic irony. Later in the story, Fortunato is being led deeper and deeper into the Montresor catacombs by the narrator, who claims that Amontillado, Fortunato’s most desired wine, is the prize they are seeking. While they are here, the narrator describes their surroundings, saying, “observe the white web-work which gleams from these cavern walls” (3). When he says this, he is speaking of the potassium nitrate that lines the catacomb’s walls, purposefully pointing it out to Fortunato. This setting description is relating the “nitre” covered walls to the web work of spiders. This image of spiders creates a mood that is creepy, eerie, and dangerous. This passage also foreshadows the future death of Fortunato. The narrator is pointing out the toxic walls to Fortunato, refering them to spiders, which can be deadly and poisonous. This foreshadows Fortunato’s death because when the potassium nitrate is set aflame by the narrator, it
We are introduced to the protagonist and main character, Sanger Rainsford who is a big game hunter and a WW1 veteran. The story starts off with a conversation between Whitney and Rainsford discussing the island, so we can understand the reputation it holds.
Connell was able to make the water of the Caribbean feel as if it were a truly spooky. By using descriptive words such as eerie, dark, and blood-warm, Connell is able to portray how creepy the sea was. While Rainsford was on the island the tone inclines as too if this was a horror story. The island is described as basically a frightening jungle including a deadly swamp and quicksand as possible threats. The castle is viewed as a haunted house, with blood-thirsty hounds keeping Zaroff company. However, no matter how spooky this all truly sounds the suspense is what really keeps the reader involved, provoking his / hers imagination. This keeps the reader interested in what’s happening and keeps them wondering what will come next. Connell makes sure to keep us guessing as to what will occur next with Rainsford throughout the hunting game played with Zaroff. Finally we learn that Rainsford wins the game by surviving for three days on the island. Here the reader could perceive that thought that the story is over, but it isn’t. Rainsford then challenges Zaroff to a fight to the death; however, this is not included in the story. We can imply that Rainsford won the fight by Connell using including this statement, “He had never slept in a better bed, Rainsford decided.” (Paragraph 208). This goes to show that Rainsford has won the challenge against Zaroff and despite of all the
Symbolism is something that represents more than what it really is. It is often by authors in their writing to give it more emphasis. For example:" In life there will always be peaks and valleys" meaning in life there will be ups and downs but we should enjoy the peaks and fight through the valleys. Objects can also be a form of symbolism such as The Bible, it represents more than just a book. It represents Life, Church, Religion, and the life of Jesus Christ and what he stood for. Irony is like a twist or words or the opposite of what is intended. For example: Laughing at someone that just slipped and fell, then later you find yourself slipping and falling is a form of irony. Irony is found in real life situations as well as writings. Symbolism is a technique that gives authors a better story and shows objects as more than what they are. They use techniques like this to catch the reader’s attention.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
used to symbolize death. Poe's use of language and symbolism is shown in his description of the
The most dangerous game began as a sport for one man. His name is Sanger Rainsford. In Richard Connell’s story “The Most Dangerous Game,” Sanger Rainsford, an avid hunter, is lost at sea, stranded on “Ship-Trap” Island-every sailor’s worst nightmare. Rainsford goes through a series of events that prove to be life-altering. Even though Sanger Rainsford went through many trials and tribulations, he never lost his intelligence, composure, or his bravery.
...for the setting of the story, but more importantly serves as a symbol of Fortunato's foolishness. He is the only one who does not know of Montresor's plans, and for that reason Montresor is able to make a fool out of him. The last symbol is the mentioning of the bells. If the reader has read other works of Poe it is obvious that the bells relate to premature burial. This is how the story ends, with the ringing of the bells.
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
...rfeited” (33). Montresor has inquired about Fortunato’s health throughout their walk to the catacombs. It is too late for him to change his mind so all that is left to do is seal him in.
Despite being urged against it several times; he ventures on willingly to his tomb. The warnings also serve another purpose; Montresor offers his prey a way out in exchange for Fortunato’s pride to be injured. Accepting the invitation of heading back would mean weakness, but possibly would have saved Fortunato’s life for losing his pride.
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.