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Examination of Othello's Character Through the Key Speeches
'Things that we see are not always the truth … senses are deceptive,
truth is love.' This was Shakespeare's philosophy on life and it, as
described by the phrase 'appearance and reality' is a theme in all
Shakespearean tragedies. The theme of "Appearance and Reality" creates
dramatic irony when things aren't as they seem; this keeps the play
interesting even where there is not much physical action.
In the case of the tragedy: "Othello", the interest is held by the
change in Othello's character throughout the play caused by Iago's
meddling. When we first hear him speak in act 1 scene 3, he is a long
way from the racially stereotyped witch who won Desdemona "by spells
and mountebanks" that Brabantio builds him up to be: he is an
eloquent, humble and well educated speaker who speaks in verse and
uses many Latinate words.
His first speech is in act 1 scene 3 and is a defence of himself to
the governors of Venice from Brabantio's charges of abusing and
corrupting Desdemona (Brabantio's daughter using "spells and
mountebanks". The very first thing that he says "most potent, grave,
and reverend signors," shows Othello to be a long way from his
stereotype: he begins by complimenting the judges and is calm and
controlled in his speech; the long vowel sounds give him an air of
authority. He even speaks in iambic pentameter (a type of verse used
in Shakespearian plays that has 10 syllables on each line), showing
how eloquent and articulate he is.
After using flattery to push his cause, he then turns to his military
reputation to help defend himself. He says: "for since these arms of
mine had seven years pith" (I have worked in the military for 7
years). In saying this he says that it would be unfair to punish him
after 7 years of loyal service. He also uses military metaphors
throughout his speech like saying "the very head and front of my
offending"; these further push his military reputation as a defence
the opening scene of the play, as the readers later found out that he had
Picture this- William Harold Shakespeare, the most coveted playwriter in the history of the world, sitting at his desk, perspicaciously pondering over what shall become his most prominant and delicated tragedy of yet. Of course, given what little is known about Shakespeere displays, such deepseated imagery cannot simply be accomplished without first the propriety of haste and vinction.And yet, his very own rhetorical vibe displays allows such a vague pictoration to be concieved. Throughout the whole of Othello, the great Shakespeare remarks through an astounding displays show of pronouns, allitteration, and cacophonous diction his own resentment of both the King of Italy and the poor conditions of the said novelist.
and lying as means to achieve an end. This is evident in Act III, scene I, lines 49-51, when
Othello is a man who is respected as a General in the Army. Brabanzio even considered him a friend. Thanks to Iago planting a seed in Brabanzio ear about his daughter, Desdemona, Brabanzio accused Othello of taking his daughter away from him by means of drugs or poision. Othello has fought on the battle-field and now finds himself on a very different kind of battle-field. He finds himself in a position of being forced to defend his honor, friendship and his love. There has been accusations made against Othello, so in a room filled with signors, masters, the Duke, and Brabanzio, Othello has a strategy of battlement in his own way. He tells the Duke to send for Desdemona, “Send for the lady to the Sagittary, And let her speak of me before her father” (1.3-115-116).
In scene two the audience is introduced to the father of Eurydice. His monologue informs the audience that ...
Emilia is excited that she finally is in possession of the handkerchief. It has been something that Iago has been urging her to steal, and the fact that she did not explicitly steal it makes her feel a bit relieved as well.
Debra Winger had stated once that “Most bad behaviour comes from insecurity”, this could not hold anymore truth in Shakespeare’s “Othello” as the story progresses only due to the insecurities of the characters. For starters, Othello is the protagonist so we get to see his internal conflicts about societal standards and judgement on display. Meanwhile, Iago’s vulnerabilities as a villain are only showed during his monologues as he is hinted to having a superiority complex against Othello, and a complete reverse of Iago, Cassio’s issues are visible from the readers perspective and the characters as his reputation is slandered and used against him. These are all prime examples of how insecurity was used as a primary plot device to advance the
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
1.) In the play “The Tragedy of Othello, the Moor of Venice” written by Williams Shakespeare, he reveals the main themes in Othello’s final speech. The two main themes Othello illustrates in his final speech are reputation and jealousy. In Othello’s speech he says, “When you shall these unlucky deeds relate, speak of me as I am.” (Shakespeare 355), showing the importance of his reputation. He is unable to cope with criticism due to his low-self-esteem and therefore, cares what other individuals have to say about him. Othello’s dark skin is the reason why he does not have high-self-esteem and becomes jealous when Iago tells him about his wife having an affair with Cassio. Othello loves Desdemona but he feels that he is not good enough for her
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Dual Nature of Characters in Othello Many of the characters in Shakespeare's tragedy, Othello, are duplicitous to the extent that how. they are perceived in public is not how they behave in private. The perception of the public plays.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
from the messenger at the end of Act 2 Scene 9 before he enters unlike
In Act 3 Scene 3 (the scene following on from the one in question) the