Charlotte Perkins Gilman’s story “The Yellow Wallpaper” is about a mentally troubled young woman who is undergoing care for depression. She is in a state of anxiety for much of the story, with alternating flashes of sarcasm, anger, and desperation. The story is told in the form of her secret diary, in which she jots down her thoughts as her obsession with the yellow wallpaper grows. She begins her story with a brief description of the house she and her husband are staying in for the summer and states, “that there is something queer about it.” (473). That leads her into a discussion about her illness in which she is suffering from nervous depression—and of her marriage. She complains that her husband John, who is also her doctor, does not take both her illness and her thoughts and concerns in general too serious because “he does not believe I (the narrator) am sick!” (473).
Although she has to “disagree with their ideas.” (473) Because she believes “that congenial work, with excitement and change” (473) would help her condition because “it is such a relief!” (477). In her secret diary, she describes the house as mostly positive, but disturbing elements such as “rings and things in the walls” (474). She doesn’t complain much about the house, just about the room her and John are staying in. She describes the room as “a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore.” (474). Something about that wallpaper really disturbs her and she just cannot seem to figure out what exactly it is. She states that she has “never saw a worse paper in my life. One of those sprawling, flamboyant patterns committing every artistic sin.” (474) And describes the wallpaper as “a smouldering unclean yellow”
In “The Yellow Wallpaper,” Gilman recounts, by means of Jane’s journal, the story of Jane and her husband John, following the birth of their baby. Like Gilman, Jane suffers from post-partum depression, and, her husband, who is a physician, locks her in the nursery on the top floor of their summer home. After the first few weeks of her summer in isolation, Jane hides her journal, which contains her true thoughts, so that John will be unaware of...
The wallpaper in her bedroom is a hideous yellow. "It is a dull yet lurid orange in some places, a sickly sulphur tint in others" (pg 393) The wallpaper is symbolic of the sickness the author has by the end of the story. Yellow is often a color associated with illness. It’s been suggested that she herself was clawing at the paper during moments of insanity. But there are many times when she is sane, and sees the marks on the wallpaper, and she writes about how others who had spent time in this room tried to remove the paper as well.
Charlotte Perkins Gilman’s short story, “The Yellow Wall-Paper”, is a first-person narrative written in the style of a journal. It takes place during the nineteenth century and depicts the narrator’s time in a temporary home her husband has taken her to in hopes of providing a place to rest and recover from her “nervous depression”. Throughout the story, the narrator’s “nervous condition” worsens. She begins to obsess over the yellow wallpaper in her room to the point of insanity. She imagines a woman trapped within the patterns of the paper and spends her time watching and trying to free her. Gilman uses various literary elements throughout this piece, such as irony and symbolism, to portray it’s central themes of restrictive social norms
In 19th Century, there were a lot of short stories were written about psychology. One of the most demanded stories was “The Yellow Wallpaper” by Charlotte Gilman which was a short story about a woman named Jane who was having psychological problems about her life. The story is kind of parallel to problems she had in her life too. That’s why the can be examined three main ways: Nineteenth-century psychology, how she used imagery and rhetorical devices, and protagonist-author relationship.
For decades now critics have viewed, Gilman’s novella, “The Yellow Wallpaper” mainly in a feminist way, focusing on the way women acted and how they were treated in the 1800s. Although there are good points to the feminist criticism, one could go more in depth by psychoanalyzing it because feminism fit more into the 1800s when women did not have the roles they have today, by looking at the psychoanalytic effect the restrictions had on her, and observing the effects the room had on her.
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
The story, ‘The Yellow Wallpaper,’ is one of intrigue and wonder. The story was written by Charlotte Perkins Gilman, and it happens to be the story under analytical scrutiny, hence the title as well as the first sentence. The characters in the story consist of the narrator, Jennie, the wet nurse, the narrator's husband John, and the women in the wallpaper. In the story, the narrator and her husband, as well as her newly born daughter and the nanny for the daughter, take a summer trip to a house away from the city. The husband and brother of the narrator are physicians, and neither believe that she is sick, they say “there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency...”
The Yellow Wallpaper by Charlotte Perkins Gilman can be perceived in a few different ways. Greg Johnson wrote an article describing his own perception of what he believed the short story meant. In doing so, it can be noticed that his writing aligns well with what can be perceived from Charlotte Perkins Gilman’s story. The narrator Jane, experiences many things throughout Gilman’s story, which Johnson describes thoroughly. It is because of these descriptive points that allow Johnsons article to be a convincing argument. The main ideas that Johnson depicts that are supported and I agree with from the story include Janes developing imaginative insight, her husband and sister-in-law’s belief on domestic control, and her gained power through unconsciousness.
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In everyday day life we go through changes and sometimes we even break down to the point we do not know what to do with ourselves, but in Charlotte Perkins Gilman’s short story” The Yellow Wallpaper” the narrator is an obsessive person. The story focuses on a woman who is going through postpartum depression and has had a nervous breakdown. Her husband John moves her into a home where he wants her to rest in isolation to recover from her disorder. Throughout her time in the room the narrator discovers new things and finally understands life.
Her passion is to write and by doing so we are able to follow her on a
Throughout “The Yellow Wallpaper,” Charlotte Perkins Gilman tells her readers the story of a woman desperate to be free. Gilman’s use of symbolism is nothing short of brilliant in telling the story of a new mother suffering from postpartum depression and fighting her way through societies ideas of what a woman should be. When her husband, John, also known as her physician, tells her nothing is wrong with her mind, at first she believes him because she knows that society tells her she should. However, with her husband’s misdiagnosis, or attempt to keep his wife sane for the sake of their reputation, comes a short journey into madness for his wife, Jane. Jane’s downward spiral, as one may call it, turns out to be not so downward when the reader
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
Upon moving in to her home she is captivated, enthralled with the luscious garden, stunning greenhouse and well crafted colonial estate. This was a place she fantasized about, qualifying it as a home in which she seemed comfortable and free. These thoughts don’t last for long, however, when she is prescribed bed rest. She begins to think that the wallpaper, or someone in the wallpaper is watching her making her feel crazy. She finally abandons her positivity towards what now can be considered her husband’s home, and only labels negative features of the home. For example, the narrator rants about the wallpaper being, “the strangest yellow…wallpaper! It makes me think of… foul, bad yellow things” (Gilman). One can only imagine the mental torture that the narrator is experiencing, staring at the lifeless, repulsive yellow hue of ripping