Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A streetcar named desire characters and contrasting values
Compare and contrast the major characters in the streetcar name desire
Compare and contrast the major characters in the streetcar name desire
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In A Streetcar Named Desire by Tennessee Williams, Stanley Kowalski and Blanche Dubois are characters who are opposites from their personalities to their ideals but still share traits that make them similar. When Stella Kowalski introduced Stanley and Blanche, they automatically became at odds with each other. They each represent opposing symbols and did not get along because of this. Tennessee Williams shows in A Streetcar Named Desire that opposites can still be similar in some ways by how Stanley and Blanche are both carnal, drink a lot, and have a temperamental personality. Both Stanley and Blanche have very carnal personalities, and they need love to satisfy their desires for not only physical sex, but also stability and security in a relationship. Stanley is openly sexual with his wife, Stella and does not try to hide it. On page 50, after Stanley whacks his hand on Stella’s thigh in front of his poker friends, Stella said, “That’s not fun, Stanley. It makes me so mad when he does that in front of people.” Blanche’s carnal personality is obvious in the incident of the …show more content…
Ever since the beginning of the book, Blanche would talk about Shep Huntleigh, an imaginary man that she made into her escape from reality. On page 85, Stella says, “What are you laughing at, honey?” Blanche then replies with, “Myself, myself, for being such a liar! I’m writing a letter to Shep.” Stanley lets his carnal, “animal” side out, and this can be seen when he takes advantage of Blanche. On page 161, Stanley said, “Come to think of it--maybe you wouldn’t be bad to--interfere with...” Another example of both of their tempers is in scene two, where Blanche and Stanley get into a heated discussion about the Belle Reve. Stanley oversteps his boundaries by throwing her possessions around, and Blanches losses her head and breaks down when he touched her love
Delicate Blanche, virile Stanley. Dynamic Maggie, impotent Brick. Williams' protagonists are distinctly different in temperament. In "A Streetcar Named Desire" Blanche exemplifies the stereotypical old south: educated, genteel, obsolete. Stanley is the new south: primitive, crude, ambitious. Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley. He wants her to be truthful and "lay her cards on the table" but simultaneously would "get ideas" about Blanche if she wasn't Stella's sister (Williams, Street 40-41). Their relationship overflows with sexual tension as they battle for Stella. Stanley, the new south, defeats Blanche, the old south. After destroying her chance for security, his sexual assault erases her last traces of sanity.
Tennessee Williams A Streetcar Named Desire is a overly dramatic play that concludes in a remarkable manner. The play takes off by introducing Stanley and Stella, a married couple whom live in New Orleans. They have a two-sided relationship, very loving but abusive. Then suddenly Blanche shows up, Stella’s sister, and informs Stella that their home in Belle Reve was lost. A few days later, Blanche meets and becomes attracted to Mitch, a friend of Stanley. Blanche sees Stanley as an abusive husband and contrasts him to Mitch. Blanche immediately begins to develop deep emotions for Mitch because he is very romantic and a gentleman. Blanche begins to talk to Stella because she does not want her sister to be abused.
Stella and Blanche are two important female characters in Tennessee Williams' "poetic tragedy," A Streetcar Named Desire. Although they are sisters, their blood relationship suggests other similarities between the two women. They are both part of the final generation of a once aristocratic but now moribund family. Both exhibit a great deal of culture and sensitivity, and as a result, both seem out of place in Elysian Fields. As Miller (45) notes, "Beauty is shipwrecked on the rock of the world's vulgarity."
Throughout Tennessee William’s play “A Streetcar Named Desire,” Blanche Dubois exemplified several tragic flaws. She suffered from her haunting past; her inability to overcome; her desire to be someone else; and from the cruel, animalistic treatment she received from Stanley. Sadly, her sister Stella also played a role in her downfall. All of these factors ultimately led to Blanche’s tragic breakdown in the end.
This gradual fall and loss of her sense of reality is truly tragic. Blanche is a person largely driven by the part of her that wants to be liked and be accepted. She cares greatly about how she is viewed and how she looks which is seen throughout the play. Even at the end when she’s living almost completely in the imaginations of her mind she asks Stella and Eunice how she looks before being taken away to an insane asylum. Tennessee Williams, the author of the play, uses all the conflict between Blanche and others, specifically Stanley, to show that fantasy is unable to overcome reality. Stanley and Blanche are both the epitomes of fantasy and reality. Stanley is a man focused on sexual drive, work, and fighting. He is exhibited as animalistic and strongly driven by his desires which is shown when he says, “Be comfortable. That's my motto up where I come from.” Stanley loves and searches after reality which is why he is so set on breaking down the facade he sees in Blanche. Blanche on the other hand is running from her reality and her past. Her fantasy of being high class and chaste is the exact opposite of her reality which is why she wants a life like that so badly. She wants marriage and stability, two things she was jealous of Stella having after arriving in New Orleans. Her fantasy she was building in her new life is shattered when Stanley is able to learn of her past and bring reality crashing down on her. Williams
Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town. It is a crowded area of the city, causing close relations with neighbors, and the whole town knowing your business. Their section of the split house consists of two rooms, a bathroom, and a porch. This small house is not fit for three people. The main characters of the story are Stella and Stanley Kowalski, the home owners, Blanche DuBois, Stella’s sister, Harold Mitchell (Mitch), Stanley’s friend, and Eunice and Steve Hubbell, the couple that lives upstairs. Blanche is the protagonist in the story because all of the conflicts involve her. She struggles with Stanley’s ideals and with shielding her past.
Stanley rape Blanche, so she can not reclaim her purity anymore. Her only solution is by living in her imaginary world which she can create free of adversity. She no longer survive in the harsh world of reality . Stanley decided to send her away to a mental institution. When Blanche is told that she will be leaving. Blanche further expand her imagination to Shep Huntleigh. She believed that Shep Huntleigh will take her away. The only thing that she can conquer her adversity is by using her imagination ,which result her a complete loss of identity. She is send away to her last exile and entrapment. Having proven unable to adapt her identity in order to overcome
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
Her first problem is with the heroine of the play, Blanche DuBois, who, she claims, is "ironically made guilty for her own victimization. No longer fully human, she is simply a metaphor of all that is vile about women. Blanche cannot, then, claim tragic stature or even our sympathy precisely because she is a victim of rape. And as she becomes responsible for her own victimization, Stanley is left to glory in his ascendancy. This aspect of Streetcar arises from the misogyny which colors the play…" (Lant 226). Admittedly, Blanche does flirt with Stanley briefly at the beginning of the play—just as many women playfully flirt with their brothers-in-law. But as her relationship with Stanley deteriorates, she makes it quite obvious to him that she loathes the sight of him. Though the world in which Lant lives may be one in which a woman, playfully sprinkling her brother-in-law ...
Arguably one of Tennessee Williams’ most famous and successful works, A Streetcar Named Desire, illustrates the psychological deterioration of Blanche DuBois. Throughout the play, she proves to be a fraud from the start, weaving an illusionistic image of her reality. The theme of desire is pivotal to the play’s progression, as her internal conflicts of the past and upholding of the Southern tradition serve as catalysts to her deluded and fragile personality. As a result, Blanche’s hope lies in her fantasy world, aiming to salvage her old life in a world of brutality and outside threats. This is further accentuated by the personality of her sister Stella’s husband, Stanley Kowalski, a foil to her delicate femininity.
The themes of A streetcar Named Desire are mainly built on conflict, the conflicts between men and women, the conflicts of race, class and attitude to life, and these are especially embodied in Stanley and Blanche. Even in Blanche’s own mind there are conflicts of truth and lies, reality and illusion, and by the end of the play, most of these conflicts have been resolved.
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
“A Streetcar Named Desire” main characters are Blanche, Stella, Stanley, and Mitch. Blanche is the main character of the play, she is Stella’s older sister, and comes to stay with Stella while Stella is pregnant. Blanche after being reunited with Stella, she meets Stanley and Mitch. Stella is torn between her sister and Stanley because of Stanley’s dislike of Blanche. Stanley is a lower class citizen who is devoted to his friends and adores his wife but he is cruel to Blanche. Mitch is Stanley’s friend and poker buddy. Mitch is unlike Stanley because he is more of a gentleman and develops a crush on Blanche. Eventually Stella goes into the hospital to give birth and during this time Stanley rapes Blanche. When Stella returns, Blanche tries to tell Stella what Stanley did to her but she instead believing her, Stanley and Stella send Blanche off to a mental institution.
Blanche DuBois is a character full of life tragedies and struggles with her internal conflicts throughout the play. The first introduction of Blanche portrays her as a more cultured and highly sophisticated individual, than the average local in Elysian Fields. Dubois was quick to claim to be from an upper class of society, by daintily dressing in white suite with a fluffy bodice, necklace and earnings of pearl, white gloves and hat (Williams 95). The color white usually signified something that was pure and blameless, which was the total opposite with Blanche, all this was part of an image she was trying to portray. She tried covering up the truths of her life like; her sexual deviants, the loss of her job, and her alcoholism. All these events foreshadows the downfall of Blanche’s character which eventually led her to the insane asylum. She is an extremely complicated character who seems to be out of her element both physically and mentally, and seems to be stuck in her youthful years. Blanche’s mind is all disarrayed leaving her so lost and confused about life allowing her to lash out in ways that are sexual in nature. Her sexual tendencies are exceedingly inappropriate do to the nature of her actions. Balance tries to avoid the true reality of what was going on in her life, it was as if it was problematic for her to differentiate between reality and the desires of her heart. She just wanted a better future for herself, by trying to submerge herself in a life that was constructed off lies and deception. She captivated herself in romantic fantasies that begun as something that was harmless, then escalates into something that is morally unacceptable.
From the moment Stanley and Blanche met the contrast between the two characters was apparent, Stanley even points out ‘The Kowalskis and the DuBois have different notions’ (S2:pg.135*). Williams uses the dramatic device of colors to symbolize a distinction between Stanley and Blanche; Stanley wears vivid colors ‘roughly dressed in blue denim’(S1:pg.116*) representing his masculinity and authority he possesses in the Kowalski household, before Blanche arrived, in contrast to Blanche who ‘is daintily dressed in a white suit’ (S1:pg.117*) representing purity and femininity. Blanche wears white at the beginning of the play thinking she will be able to hide her impure behaviour but Stanley saw right her act and knew she would be a threat to his marriage with Stella. The reason being is that Blanche constantly criticizes Stanley making derogatory comments about him calling him a ‘common’ and ‘bestial’(S4:pg.163*) along with conde...