More handpicked essays just for you.
Kate chopin feminism critical analysis
Literary research essay on kate chopin the storm and its gender criticism
Gender roles in kate chopins the awakening
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Kate chopin feminism critical analysis
Edna as a Metaphorical Lesbian in Chopin’s The Awakening
Elizabeth LeBlanc places The Awakening in an interesting context in her essay “The Metaphorical Lesbian,” as gender criticism must, for Chopin wrote the novel at the end of the 19th century, when homosexuality as an identity emerged culturally, at least in terms of the gay male identity, as proffered by Oscar Wilde across the Atlantic. Lesbianism, too, started to make its debut on the cultural stage, particularly in literature. However, although lesbianism started to emerge during Chopin’s lifetime, it seems doubtful that it played any formative role for Edna’s characterization. Yet gender criticism often requires a reading of a text in light of gender and sexuality regardless of authorial “intent.” LeBlanc wisely stops short of calling Edna an authentic lesbian, instead appropriating Bonnie Zimmerman’s “metaphorical lesbian” by which a character “engages in a variety of woman-identified practices that suggest but stop short of sexual encounters,” often falling into the continuum of female-centered relationships as identif...
Marfan syndrome is an inherited disorder that affects the connective tissue of the body (“What is Marfan Syndrome?” n.d.). The connective tissue plays a vital role in supported the tendons, heart valves, cartilage, blood vessels, and more parts of the body (“Connective Tissue,” n.d.). “What is Marfan Syndrome?” (n.d.) explains that the condition has no cure, and those who have it lack strength in their connective tissue, affecting their bone, eyes, skin, nervous system, and lungs. Furthermore, Marfan syndrome is common, and it is imperative to understand how the body is affected by it, the symptoms, and the treatment of this condition.
The passage of The Awakening which truly marks Edna Pontellier’s new manner of thought regarding her life revolves around her remembrance of a day of her childhood in Kentucky. She describes the scene to Madame Ratigonelle as the two women sit on the beach one summer day. The passage opens with a description of the sea and the sky on that particular day. This day and its components are expressed in lethargic terms such as “idly” and “motionless” and suggested a scene of calm sleep. Such a depiction establishes an image of serenity and tranquility, in other words the calm before the storm which derives from Edna’s “awakening.”
Briggs, Isabel Myers & Briggs, Katherine. “The 16 MBTI Types.” My MBTI Personality Type-The 16 MBTI Types. CPP Inc. Web. 27 January 2014. http://www.myersbriggs.org/my-mbti-personality-type/mbti-basics/the-16-mbti-types.asp
The fifteen lines of chapter 28 express Edna’s multi-voiced mindset after her relationship with Arobin exceeds the boundaries of friendship. The chapter opens with her crying and then explores the process of guilt as it sets in. Edna’s guilt, however, is afflicted by the other figures in her life, not by her own sense of wrongdoing. The manipulating voices in Edna’s life do affect her, but they do not linger as they once did. It is her voice, her realization, that comes at the end.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
In Kate Chopin’s, The Awakening, the reader immediately notices the sexual undertones of Mrs. Mallard and Robert’s relationship and the strained relationship between Mr. and Mrs. Mallard. There are always going to be women who do not want the routine “married with children” lifestyle, unfortunately in Edna’s time period that was the primary role of women. Had she been living in today perhaps she would have been without a husband and children, possibly totally devoted to a career in the arts and totally single. Back to her reality though: I believe she is unsure if she wants that one true love (supposedly Robert) or if she just wants anyone who will pay her a little attention and is fun (supposedly Alcee Arobin). Edna wants to be Wild and Free, not saying that there is anything wrong with that, but she needs to recognize it for what it is because she is really fooling herself.
The time Edna spends in water is a suspension of space and time; this is her first attempt at realizing Robert's impermanence. In a strange way, Edna is taking her self as an object of meditation, where at the extremity of self absorption, she should be able to see through her own selflessness. "As she swam she seemed to be reaching for the unlimited in which to lose herself[emphasis added]" (Chopin 74). Edna has left her earthly existence on the shore and looked forward to a new existence, with the "unlimited", or nirvana as a tantalizing prize on the other shore. Her mistake lies in looking back.
A disease that results from a change to an individual's DNA is classified as a genetic disorder. The change can be very small such as a single mutation in a particular gene or complex like the addition or removal of a complete chromosome. An instance of a genetic disorder that affects a particular gene is Marfan syndrome. Marfan syndrome is an inherited disorder which alters the connective tissue in the body (Frey R, Sims J, 2010). Individuals with this disorder are affected in multiple areas because connective tissue is present all through the body. It is common for affected individuals to show irregularities in their eyes, circulatory system, skin, lungs, and musculoskeletal system (Frey R, Lutwick L, 2009).
The group has reached the Norming stage when they begin the second stage. “The team is faced with creating cohesion and unity, differentiating roles, identifying expectation for members, and enhancing commitment. Providing supportive feedback and fostering commitment to a vision are ne...
Allen, Priscilla. "Old Critics and New: The Treatment of Chopin's The Awakening." In The Authority of Experience: Essays in Feminist Criticism, ed. Arlyn Diamond and Lee R. Edwards. Amherst: University of Massachusetts Press, 1977, 224-238.
In The Awakening, Chopin sets up two characters main characters and a subsidiary female character to serve as foils to Edna. The main characters are Adele Ratignolle, "the bygone heroine of romance" (888), and Mademoiselle Reisz, the musician who devoted her life to music, rather than a man. Edna falls somewhere in between the two, but distinctly recoils with disgust from the type of life her friend Adele leads: "In short, Mrs. Pontellier was not a mother-woman." Adele Ratignolle and Mademoiselle Reisz, the two important female principle characters, provide the two different identities Edna associates with. Adele serves as the perfect "mother-woman" in The Awakening, being both married and pregnant, but Edna does not follow Adele's footsteps. For Edna, Adele appears unable to perceive herself as an individual human being. She possesses no sense of herself beyond her role as wife and mother, and therefore Adele exists only in relation to her family, not in relation to herself or the world. Edna desires individuality, and the identity of a mother-woman does not provide that. In contrast to Adele Ratignolle, Mademoiselle Reisz offers Edna an alternative to the role of being yet another mother-woman. Mademoiselle Reisz has in abundance the autonomy that Adele completely lacks. However, Reisz's life lacks love, while Adele abounds in it. Mademoiselle Reisz's loneliness makes clear that an adequate life cannot build altogether upon autonomy. Although she has a secure sense of her own individuality and autonomy, her life lacks love, friendship, or warmth. Later in the novel we are introduced to another character, her name is Mariequita. Mariequita is described as an exotic black-eyed Spanish girl, whom Edna looks upon with affectionate curiosity. Unlike the finely polished heroine, Mariequita walks on "broad and coarse" bare feet, which she does not "strive to hide". This strikes Edna with a refreshing sense of admiration. To her, the girl's soiled feet symbolize naked freedom, unconstrained by the apparel of civilization. Thus, Edna finds her rather beautiful. Mariequita is more like an unrefined version of Edna, that is, her instinctual self. At times, Mariequita ventures to express the thoughts that are secretly buried in Edna's unconscious.
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Could the actions of Edna Pontellier in Kate Chopin's novella The Awakening ever be justified? This question could be argued from two different perspectives. The social view of The Awakening would accuse Edna Pontellier of being selfish and unjustified in her actions. Yet, in terms of the story's romanticism, Edna was in many ways an admirable character. She liberated herself from her restraints and achieved nearly all that she desired. Chopin could have written this novel to glorify a woman in revolt against conventions of the period. Yet, since the social standpoint is more factual and straightforward, it is the basis of this paper. Therefore, no, her affairs, treatment of her family and lovers, and suicide were completely unwarranted. She was not denied love or support by any of those close to her. Ultimately Edna Pontellier was simply selfish.
The results of my personality test were the introverted, intuitive, feeling, and judging types, or INFJ. My score for introversion
In LeBlanc’s words, “I am suggesting…that the presence of lesbian motifs and manifestations in the text offers a little-explored position from which to examine the strategies and tactics by which Edna attempts to establish a subjective identity.” (237) LeBlanc’s support for this analysis comes from a variety of sources including Adrienne Rich’s article “Compulsory Heterosexuality and Lesbian Experience, Teresa de Lauretis’s, Monique Wittig’s and Eve Kosofsky Sedgwick’s wor...