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Aristotelian tragedy
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Eddie Carbone as the Tragic Hero of the Play
“One who is neither villainous nor exceptionally virtuous, moving from
happiness to misery through some frailty or error in judgement.”
The above opening quotation is from Aristotle, which is his view of
what elements a tragic hero contains. This essay will investigate the
destiny of the main character Eddie Carbone also known as a tragic
hero, as illustrated by Arthur Miller in ‘A view from a Bridge’
against Aristotle’s view of a tragic hero. The play takes place in
Brooklyn in a working-class Italian-American neighbourhood which is
hooked by a social code.
Eddie Carbone a husband and supposedly father who raised an orphan
niece as a daughter due to a death bed promise. A longshoreman working
on the docks, working hard in life that was hard; on the other hand a
good man not intentionally trying to be mean, but the downfall to his
life faces him when his niece falls in love with one of the
immigrants, a young handsome man, which is hard for Eddie to cope as
his inner thought of his love for the niece is too much that he does
not admit but is persistently protective as he is obsessed with her
and is scared of anyone stealing her, in other words it shows his
jealousy.
Eddie seems to have an obsessive love for his niece Catherine which he
covers up and puts the situation across that he is responsible for
what she does; the truth is he doesn’t want her to be in the company
of other men or lose her to them:
“Katie, you are walkin’ wavy! I don’t like the looks they’re givin’
you in the candy store. And with them new high heels on the sidewalk –
clack, clack, clack…I promised your mother on her deathbed. I’m
responsible for you. You’re a baby, you don’t und...
... middle of paper ...
...sodes occur of Eddie trying to cope with his inner
violent reaction until he commits what his neighborhood consider the
most shameful of crimes. This is a feature of a tragic hero as they
always die in some way at the end. In this play Eddie dies by Marco
coming back for revenge but Eddie approaches Marco with a knife, since
Marco is strong, he turns Eddies arm and kills him with his own knife.
The importance of the knife still in Eddies possession shows that he
brought his own downfall, and the traces of his fingerprints are on
it, shows he committed it himself. The image created is he brought his
own death on himself, through his own error in judgment. Therefore
Eddie is a tragic hero as he is not intentionally evil, his weakness
of letting Catherine go causes him to suffer and move from happiness
to misery eventually a wrong decision to his own death.
whatever he does not want her to do. Throughout her twenty years of life with
tries to make her disinterested in him so that again, he may concentrate on the
...rson and he knows that she will take care of the little guy even if the Guy is not around. A distort desire to be free of the situation drive the whole family into tragedy and leave them grieves
His memory of her is sweet and beautiful so that even without saying it, it is obvious that he was, and possibly is still, in love with her. He remembered the past and convinced himself that it could be like that once again. He became delusional with love, and was blinded by it.
On his uncle to make him feel the vulnerability his father felt when he was murdered and taken
The end of the play is not expected. Eddie runs at Marco with a knife
From the first interactions with the young children, the governess's infatuation with their uncle, her employer, eventually proved to be her own failure in every fashion. In talk with the head maid, Ms. Grose, the governess explained her meeting with her employer and how she had fallen in love with him on their first meeting. Ms. Grose then began to explain that that was the nature of the her employer, to draw a women he could entrust his estate to, and that the governess was not the only one so taken by him to leave the infatuated governess without further communication.
, how it drowns to his attention how much he had longed for his sister/future wife to be. Yet he never felt so lonely whilst within her company. Whether it was the fact that the burning desire driven him away. Or just his sheer highly intelligent curiosity got in the way of settling for second best.
"He had imagined - Aunt Dottie trying to hold him in the house, and he hitting her with his fists, flinging her to the ground and throttling her, and finally tearing the big brooch off her dress and stabbing her a million times in the throat with it." (42)
“Give him room.” He needs time away from her to work things out in his head and cool off, even if that means “bro-ing out playing Buck Hunter at a bar” (Wallace, 2010, para. 2).
that his mother has betrayed his father and goes off to live with his aunt. A
both, he is reluctant to do so, and she says that she might change her
King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his brother Edgar and betray their father. With these and other major characters in the play, Shakespeare clearly asserts that human nature is either entirely good, or entirely evil. Some characters experience a transformative phase, where, by some trial or ordeal, their nature is profoundly changed. We shall examine Shakespeare's stand on human nature in King Lear by looking at specific characters in the play, Cordelia who is wholly good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness.
Tragic heroes tend to have very pre-determined paths; usually making the most virtuous of characters destined to suffer. The hamartia or ‘tragic flaw’ is the typical reason the hero falls. Shakespeare was noted to be one of the best writers of tragedies, one of his most prominent to be Othello. In Othello, we find a number of tragic flaws two including pride and ambition. In William Shakespeare’s play, Othello, pride and ambition are used to identify the outcomes for the main characters in the play when seeing the resolution of the play, perceiving those who survive and those who don’t, and considering each character’s role in the turn of events.
Of the 38 plays Shakespeare has produced over his lifetime, his tragedies are the most heart-wrenching, horrifying productions the theater has ever seen. In these tragedies, there are gruesome ideas such as lethal love, megalomania, and the absolute corruption of heroes that were originally considered to be wholesome. The latter theme can especially be seen in the play Othello. In this tragedy, there is an ongoing theme of corruption in a considerable amount of characters in the play, the most significant change being in Othello. Othello undergoes a shocking transformation, as he starts off as the storybook hero, a reputable soldier who illustrates great passion towards his wife, but transforms to become a twisted