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The influence of ancient Greek culture on Western culture
Greek civilization in the western world
Greek culture in the ancient world
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When looking back through history one cannot help but be awed at the artistic accomplishments of the past. There is no greater evidence of this then the artistic achievements of the Greek artists who made some of the world's greatest works of art. Two iconic figures that represent theses changes are the Dying Warrior from the archaic period and the Dying Gallic Trumpeter from the Hellenistic period. As important, as the similarities are between these two pieces it is also important to note the differences that occur alongside the Greek culture. When first looking at the Dying Warrior and the Dying Gallic Trumpeter the first similarity is there position, both warriors are trying to get up after being severely injured in order to make
This semester, in comparing works of visual art and opera and particularly between works of the same time period, many parallels emerge. But beyond the scope of individual time periods (e.g., Renaissance, Romanticism, Modern), there are parallels that transcend the scope of time entirely. Individuals of varied cultures and periods in history seem to be invariably fascinated by the idea of an archetypal character whom they can adapt and reinterpret according to the terms of their own zeitgeist and with whom they can identify. A salient example is the Orpheus figure, who hails from the myths of antiquity and has been remade and adapted in operas by composers including Monteverdi, Schütz, Lully, Fux, Telemann, Rameau, Gluck, Haydn, Offenbach, Debussy (in an unfinished project), Milhaud, Birtwistle, and Philip Glass—and that is really only the tip of the iceberg! We see Oprheus depicted as well in paintings by Gennari in the 17th century and by Redon in the 19th century, Corot (1861), dell’Abbate, and Rubens. I could similarly enumerate artists, writers, or composers who have famously depicted any of the figures we have studied this far: the Norse figures held so dear by Wagner, Saint Sebastian...
Hunt, Lynn and Thomas R. Martin, Barbara H. Rosenwein and Bonnie G. Smith. “ The Greek golden age,” in the making of the west volume 1 to 1750 2012, edited by Denise B. Wydra, 75-108. Boston: Beford/St. Martin’s, 2012.
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
We are honorable warriors we serve and fight for our lords and we die honorable deaths! These warriors were very similar but in different time lines. These warriors fought for their lords and in exchange they either got land or food. Also whenever they were needed in battle they had to go to battle. These are the similarities between these two great warriors.
The Greek’s images also possessed two important ideas that brought the soul of the artist and subject to the surface while still capturing the passion and action of the movement and story: noble simplicity and quiet grandeur. Greek images contained faces that were full of expression but were also balanced because they were not overcome by pain or passion because they still had nobility of soul which creates a sense of tranquility even in the midst of rage, fervor, or desire.
For my final project I chose to compare two works of art from ancient Mesopotamia. A visual work of art and a literary one. The visual work of art I chose was the Statuettes of Worshipers which were created around 2900 to 2350 BCE at the Square Temple at Eshnunna, a city in ancient Mesopotamia. The literary artwork I have chosen is the Epic of Gilgamesh written roughly around 2800 BCE by author or authors unknown. It was set in Uruk, another city in ancient Mesopotamia. Both of these works of art share a common theme; the theme of immortality. It is my hopes that within this paper I can accurately show how each of these works of art express this theme, and how it relates to modern society.
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
While walking the Greek Art Section in the Metropolitan Museum, people could easily be captivated by the grandiose of one Archaic Period sculpture named Kouros(Youth), a beautiful male nude stone statue. Although it is true that, at the first glance, most people would mistreated this statue as an Egyptian one, for its straight and simple style, which derives from the Sinai Peninsula, this statue is actually from Athen, the center of Greek. Nevertheless, this similarity still arouses people’s curiosities: why and how the Archaic Period Greek statues resembled with the Egyptian one? Is there any other culture also influenced the Greek Art? Thus, this essay is going to discuss how two main foreign cultures: the Egyptian culture and the Ionic culture
Heroes reflect the greatest strengths of the human condition, as well as highlighting the flaws of human nature itself. It is no surprise then that throughout the Greek world are found depictions of heros on various pieces of pottery. These pieces better help to understand what the people of the ancient Greek world were like and which heroic values they felt were worthy of art. When analyzing the art and the stories of such heroes, common themes tend to emerge of what the ancient Greeks thought were heroic values. Values such as valor, strength, and pride are found in these heroes’ stories, however there tends to emerge a theme of devastation threading the stories of the heroes together. These intriguing tales of mythical heroes help to enlighten the mystique of the ancient Greeks.
Greece is famously known world widely for its spectacular artworks. People are familiarized with its sculptures, paintings, and mosaics, but not many know how its art has been transforming from time to time. An explicit example would be the drastic changes from Aphrodite of Knidos to The Old Market Woman.
In conclusion, although Mycerinus and Kha-merer-nebty II and Augustus of Primaporta, do appear very different, come from entirely different geographic regions and were separated by thousands of years, they do have many things in common. When we consider subject, style, and function; perhaps other works of art have more in common than they appear to have.
Greek art is considered as a turning point for the development of all aspects of cultural art history, such as architecture, sculpture, pottery and painting. The ancient Greek civilization was famous for its mythical and aesthetic principle in the art culture. Renowned for the pottery, Greek had developed its unique painting technique called the black-figured. “Achilles and Ajax playing Dice” by Exekias is the most significant black-figure amphora for its iconography and that represents the ideal art principle and history of the ancient Greece.
Honour, Hugh, and John Fleming. "Hellenistic and Roman Art." A World History of Art. London: Laurence King, 1999. 179-213. Print.
Castriota, David. The Ara Pacis Augustae and the imagery of abundance in later Greek and early Roman imperial art. Princeton, N.J.: Princeton University Press, 1995. (P. 64)
The world of Art and Architecture has continually provided the tools to communicate many differing concepts or ideas such as political ideologies like socialism to simple folk-tales or intricate narratives. The elements of Greek Art and Architecture and its direct connection to mythology is the main focus of this essay. I will present the comparison of a "new" representation of a Greek Temple used in the set design of, The Clash of the Titans; to the original where its influence is traced to the classic of all Greek Temples, the Parthenon. By illustrating this comparison of new to original, I hope to communicate the idea of how contemporary society has attempted to retell mythology through entertainment outlets.