Diana Krall Analysis

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Jazz has gone up and down throughout history in terms of popularity. At one point, jazz was the most popular music in America without any other genre giving it any competition. This popularity, just like all other fads, eventually came to a close. After the 1950’s, multiple other genres began to take charge of the field of popular music. Jazz never disappeared, but it never regained the cultural impact that it once did. There has been a recent, even if small, bump in listenership in recent years. This could very well be because new modern jazz artists like Diana Krall. Not many modern jazz artists are able to get their names out there anymore because pop music has too much control over the industry. Somehow despite this, Diana has been able …show more content…

This is largely due to Diana Krall’s personal style of jazz. She has a slight swing style in her composition and plays the piano very fluidly. With the addition of her unique voice. It is able to sound both feminine and tough at the same time. The combination of her smooth sounding voice with a still punchy rhythm allows her to take control of the stage while she is performing. Some of this style begins to lean slightly towards pop music instead of sticking strictly in the jazz world. While this has brought new listeners to jazz music once again, it also created enemies for her. Fans of traditional jazz music have begun to turn on Diana Krall for moving closer and closer towards pop music, claiming that she is no longer an actual jazz artist. This could, however, be the creation of a new style of …show more content…

The lyrics are significantly more drawn out with longer notes in the classic version of the song. Nat King Cole also has a much different style of singing. Instead of using low and smooth notes throughout like Diana did, Nat King Cole focused on a variety of pitches from very low to very high, as well changing his volume quite a bit more. The original song, while it is slower, does not feel as soothing and pretty as the newer version created by Diana Krall. The second head is completely new to the Diana Krall version. It has a lyrical break for the entire section of the song. The wind instruments, with the flute once again taking the lead played a smoothly flowing melody, accented with high piano phrases played by Diana. This was a stark contrast from Nat King Cole’s music. At this point in the music, the two versions diverge almost entirely. Nat King Cole never truly take a lyrical break like in the newer version, instead he simply moves directly on to the next

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