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Literary interpretations of science fiction
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Copenhagen, written by the renowned author Michael Frayn, is a captivating and out of the ordinary play. The play happens to be based mostly in Copenhagen, Denmark. Frayn’s Play takes place in the afterlife, as three characters reminisce and try to sort through particularly interesting details of their lives, including the infamous meeting between two of the characters; Werner Heisenberg and Niels Bohr. Copenhagen proved to be a much more difficult read than expected, with very little logic and no set plot. There tended to be some organizational errors, and a problem with the clarity of the overall play, and use of language.
Three characters by the name of Werner Heisenberg, Niels Bohr, and Margrethe Bohr, are able to come together and focus on their relationships, how they unfolded, what they entailed, and how they affected not only one another and their families but the world at large. In the afterlife, the characters are free to question one another's actions and motives; they can challenge one another's beliefs and memories; and they can look back more objectively, since their human egos no longer exist. The threats that existed during their lifetimes no longer concern them. Niels Bohr and Werner Heisenberg are two physicists who had opposite views, Bohr is already devastated that his homeland is occupied with German invaders, and Heisenberg is obsessed with getting the power of the atom for the German forces. While reading the play, I sensed Bohr and Heisenberg at times throughout Copenhagen seem to not have very well communication skills, which is why they tend to over react and disagree on what actually happen on that windy 1941 brief walk outside Bohr’s household.
Among the reasons the play fails is the dialogue use t...
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...he short lines, and the back and forth between the two when talking. Another thing is there are interruptions, and repetitions as in a normal conversations, but there is no pauses or breaks between lines and the next act, everything just happens to flow into the next.
On the whole Michael Frayn interesting, but yet completive piece of art Copenhagen in the end was very mind opening. It mad you want to keep reading, and had you guessing as to what really took place in the meeting between Heisenberg and Bohr on the 1941 evening. With the few details I pointed out above, in the end I would have to say overall it was very well written and portrayed of the real characters. It confirmed to be one considering play, that I have read in my many years at reading. Copenhagen, upon completion of the organizational, grammatical, and pace flow errors, could be one of the best.
Within ‘Hamlet’, Shakespeare makes a number of references to Denmark's degraded state due to the deceit that lies within. These references are made by Hamlet, Horatio as well as the apparition, thus enforcing the strong theme of death, decay and disease.
The ending of the novel was inspiring. The author suggests the reader to look into great novels, and even supplies a list of novels a personally suggests. He ended with a very ...
In the poem “The Emperor of Ice-Cream” by Wallace Stevens, a series of scenes are woven together through distinctly straightforward descriptions of the sights of a solitary man as he meanders through the dwelling of a deceased woman. The stanzas commence with the seemingly empty business dealing with the absurd: A scandalous setting dealing with whores, those that chase whores, and ice-cream. In these thickly packed verses, the point of view, the incredibly intentional format, an extended metaphor of ice-cream with a strange interpretive twist on what ice-cream really is, and the implication of no afterlife create richly dark tone that is helped established by the dazzling diction of the piece. This realist point of view focuses on objects and situations in the present world as they are. Death is minimized, and life after death is absent. When the present in emphasized and the future minimalized, the attitude of a piece of literature becomes categorized as 'carpe diem' literature, which translates from Latin to 'seize the day'. However, Stevens' work tweaks this olden genre with a modern twist of grim morbidity. Yes—the present is emphasized as the only tense worthy of concentration, but it also serves up an image of the present riddled with gaudiness and filth rather than a picturesque scene with true love's seduction taking place, setting Stevens' poem apart.
Key terms will be pointed out and highlighted, as well as described in relation to the examples extracted from the film. To begin with the film started out with a communication climate that was both tense and without verbal communication. This was mainly due to the variance in membership constructs of the characters involved. The character's included the brain Brian, Andrew the athlete, the criminal Bender, the princess Claire, and the basket case Allison. There was a great deal of interesting nonverbal communication taking place between these people. Their reactions and responses to each other demonstrated perceptual errors, which would be shown as the story progressed.
I think my favorite thing about this novel was the realistic ending. Some books try to just give you a fairy tale but this book had an ending that mad you think in the end if I was in the same position would I do the same thing. I didn’t like the fact that the novel portrayed mental illness in a way to say that it needed to be hidden and protected. I thought this novel was very believable for the time period that it was set in. I think the ending to this novel was perfect it was an accurate ending to this
There have been numerous remarks of William Shakespeare’s most celebrated drama Hamlet. Almereyda managed to make Hamlet a theoretical play, into an intense, action-driven movie without losing much of the initial tragic atmosphere of the original play. The play Hamlet focuses strictly on the state of Denmark on the original Elsinore castle, however Michael Almereyda was able to modernize the movie to New York City. In many ways I think that the modernized version of Hamlet is easier to appreciate but in review that diminishes the play’s “greatness,” in my personal opinion.
book I was greatly troubled by its ending. I can see why it is an excellent novel, but at
The passage in which this revelation occurs is interesting in its tone. While it is considered to be one of the more serious of acts and scenes, it also is one of the most comedic due to the presence of the gravediggers. The gravediggers, being a part of the com...
Mack, Maynard. “The World of Hamlet.” Twentieth Century Interpretations of Hamlet. Ed. David Bevington. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968.
Dialogue gives the audience a clear view of what is happening in the story, but the
...nd enjoyable. The one thing that did bug me was that Youngs does not directly tie his thesis directly to the end of the book. It would have been helpful for the reader to be able to confirm Youngs’s intention for writing the book, but since he fails to re-introduce his argument in the end, it left me questioning that intention.
Shakespeare, William. The Tragedy of Hamlet, Prince of Denmark. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2012. Print.
In the first instance, death is portrayed as a “bear” (2) that reaches out seasonally. This is then followed by a man whom “ comes and takes all the bright coins from his purse / / to buy me…” This ever-changing persona that encapsulates death brings forth a curiosity about death and its presence in the living world. In the second stanza, “measles-pox” (6) is an illness used to portray death’s existence in a distinctive embodiment. This uncertainty creates the illusion of warmth and welcomenesss and is further demonstrated through the reproduction of death as an eminent figure. Further inspection allows the reader to understand death as a swift encounter. The quick imagery brought forth by words such as “snaps” and “shut” provoke a sense of startle in which the audience may dispel any idea of expectedness in death’s coming. This essential idea of apparent arrival transitions to a slower, foreseeable fate where one can imagine the enduring pain experienced “an iceberg between shoulder blades” (line 8). This shift characterizes the constant adaptation in appearance that death acquires. Moreover, the idea of warmth radiating from death’s presence reemerges with the introduction to a “cottage of darkness” (line 10), which to some may bring about a feeling of pleasantry and comfort. It is important to note that line 10 was the sole occurrence of a rhetorical question that the speaker
...s are more than silence. There is active work and dialogue going on during the silence and I ask that you keep that in mind whenever you encounter a significant pause. In addition, I have included moments of laughter and other expressions to give you a sense of the mood when the conversations were taking place.
Shakespeare, William. “The Tragedy of Hamlet, Prince of Denmark” Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts. 9th Ed. New York: Pearson Longman, 2009. Print