Tragic Hero in Death of a Salesman
Produced in the end of modernism, Arthur Miller’s Death of a Salesman portrays a tragic story behind the American Dream. The play encompasses over a life of an average salesman, whose personal failure consumed on his deceptive and deluded life. Aristotle would perceive the downfall of the main character, Willy, as an intellectual error – not a moral error for he had fallen into an error in judgment. Furthermore, Miller combines the Aristotelian principles of tragedy and immerses it in a relatable context for the common people. Although Willy Loman fails to come into self-realization before his death, he, by the Aristotelian definition of tragic flaw and Miller’s belief in the mistakes the “common man,” is
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Overweening pride and a haughty personality are faults of conscience according to what Aristotle perceives to be a characteristic of a tragic hero. Driven by partial-realizations, Willy Loman was a man whose miserable reality of his life was distorted and that led down to his mortal sacrifice for his family. Aristotelian law on the nature of tragedy takes the entire plot as the beginning, middle, and the end of the tragedy (Raymond 1). When filing in the requirements of a tragic hero, Willy’s downfall was flawed from the start for not being able to attain a realistic point-of-view, but overall, the climax of the tragedy is centered on the second act in the restaurant. Willy’s pride and dignity is transferred to his son, Biff. Unfortunately, Biff had not been the successful son his father had hoped for. In Act II, the scene in Frank’s Chop House, Willy Loman falls apart further as Biff deconstructs his father’s fantasy with the truth. Biff tells Happy that his father has got “to understand that I’m not the man somebody lends that kind of money to. He thinks I’ve been spiting him all these years and it’s eating him up” (Miller, 2375). As Biff experiences his epiphany to …show more content…
Miller describes "that the common man is as apt a subject for tragedy in its highest sense as kings were." It is in his belief that the notion will help modern people relate with the main characters in a tragedy that is also applicable to the audience’s understanding a tragic drama. By Miller’s standards Willy is not “flawless” by his actions, but rather the error in his conscience that makes him a tragic hero. Miller’s ideal tragic hero "demonstrates the indestructible will of man to achieve his humanity," (1974, 3) when given a struggle in reality. He states that “ the tragic feeling is evoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing – his sense of personal dignity” (3). The common man, Willy Loman, is believed by Miller to be the subject of his modern tragedy.
In short, Miller has recreated the Aristotelian tragic figure with a modern twist. The connotation of a tragic hero, according to Aristotle, was in character’s fall that could have been avoided due to the “inadequate” knowledge. Miller, on the other hand, took a challenge to demonstrate tragic plays for the common people to relate. Overall, Willy Loman’s overconfidence and feelings of inadequacy with his American Dream led to his downfall. The ambivalence, indecisiveness, and lack of self-esteem – all
Willy Loman is not the only victim of his tragic flaw. The rest of the Loman family is also affected by Willy's problem. Willy's wife, Linda, is the only one who supports and understands Willy's tragic flaw completely. Linda supports every far-fetched claim her husband makes. She is even described as having “infinite patience” whenever she is conversing with Willy (Miller 99). Willy's two sons, Biff and Happy, are also affected by his flaw. Happy, when in the company of two ladies, claims that Willy is not even his father, and “just a guy” (Miller 91). Later in the play, Biff decides that he does not want to be in his father's life anymore. Biff's problems are simply too much for Willy to handle with his current state of being, even though Willy needs Biff in his life. After both internal and external conflict, Biff reveals to Willy that Willy had been lied to for a number of years, and that the life he lives is essentially a lie (Miller 104).
The tradition of the tragedy, the renowned form of drama based on human suffering that invokes an accompanying catharsis, has principally become a discontinued art. Plays that evoke the sense of tragedy-the creations of Sophocles, Euripides, and William Shakespeare-have not been recreated often, nor recently due to its complex nature. The complexity of the tragedy is due to the plot being the soul of the play, while the character is only secondary. While the soul of the play is the plot, according to Aristotle, the tragic hero is still immensely important because of the need to have a medium of suffering, who tries to reverse his situation once he discovers an important fact, and the sudden downturn in the hero’s fortunes. Arthur Miller’s Death of a Salesman is the modern tragedy of a common man named Willy Loman, who, like Oedipus from Oedipus Rex by Sophocles, exhibits some qualities of a tragic hero. However, the character Willy Loman should not be considered a full-on tragic hero because, he although bears a comparable tragic flaw in his willingness to sacrifice everything to maintain his own personal dignity, he is unlike a true tragic hero, like Oedipus, because he was in full control of his fate where Oedipus was not.
Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible. However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal "tragedy" that comes from his inability to admit his mistakes and learn from them. Instead, he fits Miller's description of pathos and the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, [is] incapable of grappling with a much superior force," (Miller 1728).
Many dilemmas throughout the recent decades are repercussions of an individual's foibles. Arthur Miller represents this problem in society within the actions of Willy Loman in his modern play Death of a Salesman. In this controversial play, Willy is a despicable hero who imposes his false value system upon his family and himself because of his own rueful nature, which is akin to an everyman. This personality was described by Arthur Miller himself who "Believe[s] that the common man is as apt a subject for a tragedy in its highest sense as kings were" (Tragedy 1).
Arthur Miller’s Death of a Salesman is quite a captivating piece of literature. I really thought this book was fantastic, even reading it for a second time. Since this is a play, the majority of the characterization had to be done through dialogue, but the astonishing depth of development that Miller achieved with his characters was astonishing. I truly felt that I intimately knew the characters by the end of the play despite how slim the volume was. Miller's play is an expose of the harsh reality of the American Dream, and while his play's message may not be hopeful, the honesty of his work will resonate with middle-class America even today. Miller's play showed me that not much has changed since post-WWII America. Average people are still struggling to capture the dream that we all feel this land offers us. Happy and Biff are the tragic characters that I hope never to become, but who can blame them for aspiring for something greater? Most disturbing of all, I truly hope that my parents' generation never fall victim to the same destructive hopes that possessed Willy Loman. Perhaps the scariest realization is that any one of us can get caught up in the delusion of what we believe we deserve.
Willy Loman’s character is capable of making errors. He believes he is a very successful salesman and well liked. He also thinks that the company likes what he is doing. He once said, “I’m the New England man. I am vital in New England” (Miller pg. 32) Because of his false belief about his success Howard fired him. After he got fired charley offered him a job, but he refuses to accept, because he is too proud and jealous to work for Charley. His actions were wrong because at no time was a successful salesman. He is not a powerful character. Willy lives in his fantasies where he is the man. Who goes out to another place and comes out rich, he is love by everyone and admired by his family. In real life, he is lazy and does not live up to his own ideals. “As Aristotle explains, a tragic hero must be one of noble character and must fall from power and happiness.”(Www.ccd.rightchoice.org/lit115/poetics.html) but Willy neither has a noble characteristic nor does he fall from power because he does not have a position of power.
Willy Loman is a 60 year old senile salesman who desperately wants to be a successful salesman; however, his ideas about the ways in which one goes about achieving this are very much misguided, just as his morals are. He believes that popularity and good looks are the key to achieving the American dream, rather than hard work and dedication. He not only lives his entire life by this code, but instills his delusional beliefs in his two sons Biff and Happy. As a result, his sons experience similar failures in their adult lives. Willy led a life of illusion, lies and regret which not only ruined his life, but gad a negative impact on the lives of family as well.
Willy Loman receives a deserving punishment for many reasons, but the lesson he leaves behind to his sons is one of the most everlasting to his family. Field in his article claims “what he has taught them does not look to him like what he had wanted them to learn” (21), but Willy’s failure is that Biff and Happy have learned exactly what he has taught them their whole lives. Much of the conflict stems from their similarities rather than their differences. Much of the contradictory nature of Willy’s own thoughts are the same as that of Biff’s. For instance when Biff catches Willy with another woman, he is furious with his father shouting, “You fake! You phony little fake!”(2. 745), but even though Biff is angry with his father h...
Death Of A Salesman by Arthur Miller is about a salesman named Willy Loman and his family. The Loman family story switches between the past and the present time during the play. The play explores the constant day-to-day struggle that many families face, and how this challenge takes a toll on the head of the household. Willy Loman continuously strives for a happy life. The way in which Willy goes about obtaining a happy life ultimately leads him to commit suicide. Death of a Salesman by Arthur Miller suggests that Aristotle’s theory on obtaining a happy life is correct.
In the play, The Death of a Salesman by Arthur Miller,Willy Loman, an unsuccessful businessman struggling to support his family is completely out of touch with reality throughout the plot line. Many characters throughout this play and their interactions with Willy have shown the audience his true colors and what he thinks is important in life. His constant lying and overwhelming ego certainly does not portray his life in factual terms, but rather in the false reality that he has convinced himself he lives in. Being raised by Willy, Biff and Happy are becoming failures and have no motivation to work hard to achieve anything in life. Throughout this novel, Biff has a few recurrences with stealing.
Arthur Miller himself argued that Loman's situation - that of the formerly successful and now unemployed salesman unable to find a reason for continued life - was so general a quality of American life that he (Willy) was victimized "by our being what we are (Karl, p. 330)." According to Perkins (p. 710), Willy Loman's "fatal flaw" has been variously interpreted as a pitiable blindness to the realities of the American Dream, as the unrealistic hope of a doting father for his son's advancement to l...
Arthur Miller's, "Death of a Salesman," shows the development and structure that leads up to the suicide of a tragic hero, Willy Loman. The author describes how an American dreamer can lose his self-worth by many negative situations that occur throughout his life. The structure and complications are essential because it describes how a man can lose his way when depression takes over.
Arthur Miller provides us with a character who is both pathetic and tragic. Willy Loman spent his life chasing a false dream. His failure to live the "true" American Dream was what brought about his own downfall.**
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.
An overinflated ego can rapidly cause a person’s success to perish. Willy’s tragic flaw of pride feeds his egotistical nature which causes an immense amount of distress in his family. Due to the desire to fill his ego, Willy finds a mistress who has “picked him” (38). By having an affair with a woman who has chosen him, Willy is able to fuel his overinflated ego. The need to constantly feed his ego is caused by the tragic flaw of pride which hurts his son Biff’s future. Biff is heartbroken due to the fact that his idol and father commits such adultery. He runs off “weeping fully” (121) when he discovers the scarring truth of whom he once thought to be great. Due to Willy’s egotistical nature and the need to feed it with a mistress, his downfall begins in the eyes of Biff. Not only does Willy lose Biff’s respect which is proven when Biff calls him a “phony little fake” (121), but Willy is also too prideful to amend his relationship. This causes Biff to lose his confidence and surrender his dreams of studying at the University of Virginia. As a result of his egotistical nature derived from his pr...