Cross Cultural Criticism

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According to Stephan Feuchtwang, early British social anthropology sought “knowledge of total systems or structures from small-scale social units by direct personal observation with as little participation as possible” (1973:72). By applying minimal and often misconstrued knowledge imbued with personal biases to complex social systems, early anthropologists left much of their proposed evidence up to assumption. Using comparative methods, many early anthropologists focused on unilineal evolution and classified societies as progressing through stages from primitive to civilized. Wrought with racism, misunderstanding, and assumption, these types of studies continually reinforced misconceptions of the racial other as less civilized, primitive, …show more content…

Marcus and Fischer dismiss these practices and suggest using “multiple other-cultural references” to prevent “simplistic better-worse” judgements (1986:139). In order to evoke a “common capacity for communication” and “shared membership in a global system”, Marcus and Fischer propose two techniques for cultural criticism (1986:139): defamiliarization by epistemological critique and defamiliarization by cross-cultural juxtaposition (1986:137-38). The authors emphasize the importance of ethnographies that are “equally committed in their own contexts and equally engaged in cultural criticism” (Marcus and Fischer 1986:139). Marcus and Fischer coincide with critiques of early anthropology, as they call out the importance of equal study of cultures within a global context and not solely singular studies of ‘exotic’ or ‘inferior’ cultures. Marcus questions previous modes of anthropological study as James Clifford does in his inquiry into “ethnographic authority” (Clifford 1983:121). Clifford states, the “predominant mode of modern fieldwork authority is signaled: “You are there, because I was there”” (1983:118). Clifford dispels this dominating you vs. me opposition between …show more content…

However, for 21st century anthropology, the symbol of the “elaborate machine” and “quasi-organism” are becoming increasingly relevant as the world society becomes progressively interconnected in not only human-human interactions, but also within an intersecting system of human, animal, technological, and biological systems. In Anthropological Futures, Michael M.J. Fischer discusses the merger of “culture, nature, body, science, technology” with which “we recalibrate, recompose, revise, and renew the anthropology to come” (2009:xii). Within his book, Fischer approaches anthropology by engaging with its transmutable form and its capability of addressing the increasing integration of biology, technology, and science within culture. Michael Fisch’s ethnography “Tokyo’s Commuter Train Suicides and the Society of Emergence” discusses the entanglement of technology and culture that Fischer addresses. The “corporealization” of the Tokyo train network is an amalgamation of human and non-human actors (Fisch 2013:331). In order to fully address technology and culture’s assimilation within the Tokyo commuter train system and its regulation of so-called “bodily accident[s]”, Fisch explains both processes through a simultaneous humanizing of

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