Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of the poem the winter
Analysis of the poem the winter
The winters tale character devolpment essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of the poem the winter
Critique of The Winter's Tale
The Winter's Tale is a perfect tragicomedy. Set in an imaginary world where Bohemia has a seacoast, and where ancient Greek oracles coexist with Renaissance sculptors, it offers three acts of unremitting tragedy, followed by two acts of restorative comedy. In between, sixteen years pass hastily, a lapse which many critics have taken as a structural flaw, but which actually only serves to highlight the disparity of theme, setting, and action between the two halves of the play. The one is set amid gloomy winter, and illuminates the destructive power that mistaken jealousy exercises over the family of Leontes, King of Sicilia; in the second half, flower-strewn spring intervenes, and all the damage that the King's folly accomplished is undone--through coincidence, goodwill, and finally through miracle, as a statue of his dead wife comes to life and embraces him.
As the force behind the tragedy stems from Leontes's belief that his wife, Hermione, and best friend, King Polixenes of Bohemia, are lovers, so Leontes has attracted more critical interest than any other character in the play. An Othello who is his own Iago, he is a perfect paranoiac, convinced that he has all the facts and ready to twist any counter-argument to fit his (mistaken) perception of the world. Perhaps because of its uncertain origin, Leontes's madness is a terrifying thing: he becomes a poet of nihilism, demanding, when told that there is "nothing" between Hermione and Polixenes, "Is this nothing? / Why, then the world and all that's in't is nothing, / The covering sky's nothing, Bohemia nothing, / My wife is nothing, nor nothing have these nothings, / If this be nothing"(I.ii.292-296). The roots of his jealousy seem too run to deep for the play to plumb--there are hints of misogyny, of dynastic insecurity, and of an inability to truly separate himself psychologically from Polixenes, but no definitive answers. Indeed, the only answer is his own--in one of Shakespeare's finer images, Leontes says "I have drunk, and seen the spider"(II.i.45).
One of the major themes of Othello is that of jealousy, a manifestation of paranoia and obsession in itself. Iago’s burning desire to drive Othello to madness and a compulsion to disgrace those above him can be seen, with a Marxist reading, as his intense dissatisfaction with the social system he is a part of, ‘we cannot all be masters, nor all masters Cannot be truly followed’. Likewise, his intellectual superiority over his betters and peers is made evident ...
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Though the evils of the world may discourage us from reaching our full potential, fairytales such as Little Snow-White by Jacob and Wilhelm Grimm teach us that good will always triumph over evil. As many tales of its kind, Little Snow-White uses a number of literary devices to attract a younger audience and communicate to them a lesson or moral that will remain with them throughout their lives. Since children have such an abstract stream of thought, it is vital to use language and devices that will appeal to them as to keep them interested in the story.
In a passage from William Shakespeare’s Othello, Iago dramatizes a subsequent conflict between Othello and Desdemona when he warns the former of a green-eyed monster, the manifestation of jealousy. As the play progresses, Othello becomes more like this beast that Iago told him about. Instead of being the honorable and respectable character he was, Othello now displays a more questionable personality, one that causes him to doubt his wife of infidelity. Even though Iago does play a role, it is mostly due to Othello’s insecurity that transforms him into a monstrous person.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
A.C. Bradley describes Othello as "by far the most romantic figure among Shakespeare's heroes"(Shakespearean Tragedy, 1). This is an unusual description of a man who murders his own wife. However, Othello's feelings of hate for Desdemona started as an overwhelming love for her when their relationship began. This transformation from love to hate also inflicted the characters Iago and Roderigo and like Othello their hatred resulted in the murder of innocent people. Roderigo's love for Desdemona was transformed into hate towards any man that he thought was loved by her. Iago's love for his job and his wife, Emilia changed into a destructive hatred of Cassio and Othello. As a result of their hatred Cassio, Emilia, and at the end themselves were killed. The connection between love and hate in William Shakespeare's "Othello" is the ugly feeling of jealousy that caused such transformations. Jealousy can be described as a fear of losing something or someone that is valuable (Godfrey 2). As minor as this feeling appears to be by that definition, it can take on varying degrees of damaging behavior. Othello, Roderigo, and Iago became paralyzed by jealousy. Their thoughts, actions, and behaviors were ruled by it. Jealousy caused their inability to the act rationally. They became paranoid and unable to love. This paper will examine the jealousy that caused love to turn into hate for Roderigo, Othello, and Iago.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
The idea of altering perception is a fundamental one in “The Winter’s Tale”, and art is seen as the way to make this alteration occur. While it is clear to the reader from the very beginning that Hermione is in fact innocent, Shakespeare introduces the reader to Leontes’s persistence to clearly show the beginnings of the conflict brewing. Despite Hermione’s clear innocence, Leontes has been written as a character so belligerent to ever see what is universally accepted as true in nature. The result is a conflict clear to the reader—a conflict of nature on its own merit, a question of truth, versus art, where perception is inherently flawed. Shakespeare creates a truly paranoid, conflicted character in Leontes, which works to make his objectivity, his desire to make truths out of falsities, even more apparent. Leontes speaks to the audience passionately upon his discovery, but his passion sounds so melodramatic, especially when we as readers a...
In William Shakespeare’s play, The Tragedy of Othello, the power of jealousy rips relationships apart and destroys the peace amongst a once pleasant society. The principle character for the aggravation of the other characters is Iago. Iago is angry at Othello for not appointing him as his lieutenant and refuses to let it go. For selfish reasons, Iago plots an evil schemes of revenge towards Othello by making him, and everyone necessary to bring Othello down.
Since ancient times, a stable civilization could only subsist if it were able to take advantage of the earth and its weather. Agriculture heavily depended upon the cycling of seasons to grow food and therefore, if one could not adapt to the different phases of weather, he or she would simply not survive. Subsequently, this way of life and agriculture ultimately united people and led to the formation of agrarian societies. Essentially, the ability to harvest food meant the ability to live. Consequently, seasons naturally became symbolically associated with life since it was directly tied to farming and food. Furthermore, as time progressed, the various symbolic meanings of seasons have found their way into many works of literature. In fact,
As a Shakespearean tragedy represents a conflict which terminates in a catastrophe, any such tragedy may roughly be divided into three parts. The first of these sets forth or expounds the situation, or state of affairs, out of which the conflict arises; and it may, therefore, be called the Exposition. The second deals with the definite beginning, the growth and the vicissitudes of the conflict. It forms accordingly the bulk of the play, comprising the Second, Third and Fourth Acts, and usually a part of the First and a part of the Fifth. The final section of the tragedy shows the issue of the conflict in a catastrophe. (52)
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
Unlike most of Shakespeare's earlier plays, The Winter's Tale moves from tragedy to comedy. The disastrous consequences of Leontes' jealousy and tyranny are resolved by the passing of time. Only after sixteen years can the two royal families come together again. Time also plays a significant role in the reading of the chosen passage. The passage is full of commas, colons, semi-colons, and periods, which force the lines to be slowed and pausing. The frequent punctuations draw the reader's attention to time and its effects on the words being spoken by the characters. The scansion of the passage illustrates Shakespeare's mastery of time as he manipulates the rhythm of the lines using varying foots and meters. Time seems to be the crucial element in not only the scansion of this passage, but in the development of the play as a whole.
However Leonte 's as a character conveys genuine realism, and not an absolute tragedy like Othello. When comparing both jealousies of Leonte 's and Othello; Leonte 's comes off as more realistic in context, as his paranoia over Hermoine deepens - 'Of laughing with a sigh? a note infallible / Of breaking honesty, horsing foot on foot? / Skulking in corners? wishing clocks more swift? ' (1.2.342) It appears that Leonte 's ' jealousy seems to fathom completely inconspicuously and Shakespeare presents no specific reasoning behind Leonte 's jealousy. Leonte 's naive perception leads him to believe what he tells himself instead of the factual evidence, ultimately leading to his own demise, blinding himself to the real truth. Leonte 's mind is tangled, only fixating himself on Hermione 's ability to influence Polixenes, exclaiming; 'at my request he would not. Hermione, my dearest thou never spokest to better purpose ' (1.2.86) Leonte 's fixates on convincing himself of the affair. As the audience engages with Leonte 's jealousy, they refer to own personal circumstances, establishing realism through his