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Background hemingways the snows of kilimanjaro
The influence of modernism in literature
Essay on modernism in literature
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Recommended: Background hemingways the snows of kilimanjaro
Every writer’s personal experience in life is reflected in one way or another in his/her work, either consciously or unconsciously. Ernest Hemingway’s “The Snows of Kilimanjaro” is no exception. Debra Moddelmog says that Hemingway wrote this story after going on a four month tour through Africa with his wife. The trip was cut short after Hemingway suffered from a serious disease (Moddelmog). He was then brought to a hospital in Nairobi, where he first saw Mount Kilimanjaro (Moddelmog).The memory of this traumatic experience inspired him to write “The Snows of Kilimanjaro”. This short story, written in 1936, is told though the conversation of a dying man and his wife, who are stranded in the African wilderness. By examining this conversation, the themes of the story can be depicted, even though they are never directly addressed. This is typical of the Modernist Movement of which Hemingway was a part. Modernism is a literary movement, spanning the period from the last quarter of the Nineteenth Century to the start of the Second World War. It generally focuses on accepting historical and social change, thus rebelling against Nineteenth Century academic and historic traditions. Modern literature is characterized by the use of tropes such as metaphors and imagery to create ambiguity in the text. This is present in abundance in “The Snows of Kilimanjaro.” Hemingway’s “The Snows of Kilimanjaro” is a story which very much resembles his life. The main character in this story, Harry, is a writer who is suffering from gangrene while stranded in the African wilderness with his wife, Helen. The two characters are waiting for a rescue plane throughout the entire story. Unfortunately, the plane nev... ... middle of paper ... ...limanjaro” is a story which almost has no plot whatsoever. The story begins with a man suffering in the African wilderness and ends with the man dying in the African Wilderness. However, the story contains hidden meaning which cannot be depicted by reading it from the first time. It contains many features which breaks from traditional methods, and that was exactly what the Modernist writer, Ernest Hemingway, was trying to do. He decides to metaphorically address the subject of death and guilt through the use of metaphor and simile, in order to reflect his own life experiences as a writer and to express his thoughts about death. Hemingway’s decision to discuss the subject of death, in addition to the use of multiple types of literary tropes, sets this story on a pedestal for being an exceptional example for what a work of modern literature should look like.
Considering how to define Modernism and PostModernism required looking at how worldviews today play a large part of our perspectives towards society, culture and religion. Modernism is a sociological movement that began in the last decade of the 19th century and first decades of the 20th century that rejected the customary or traditional worldview to a new and improved way by asserting a shift in power and authority into the providence of leaders in politics and universities and away from the church.
Earnest Hemingway is known for leaving things out in his writing. He believed that if you knew something well enough, you could leave it out and still get your point across. In the short story "The End of something", he leaves a few things out. Some things he doesn't say at all and others the reader knows something before he says it. He must have know what he was writing about because he the reader can infer certain things.
Ernest Hemingway, viewed as an American hero of his time, wrote novels that enrich the minds' of his readers, creating a lasting image that goes far beyond the actual content of the story. But while reading Hemingway, I learned that his style was far from complex. Through pre-meditated sentence structure, he creates a rhythm that parallels the action in the story. He wants the sentences themselves to be easy to understand, so the reader can use more energy focusing on the symbolism Hemingway's stories create. He skillfully places symbols and metaphors throughout his novels. In his own writing, Hemingway doesn't explain in detail his metaphors. Rather, he forces the reader to discover the deeper meaning hidden in his stories. His use of the "Tip of the Iceberg Theory" leaves the reader searching deeper into Hemingway's writing to find its true meaning. [VGC1]
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
After reading chapter two-four of the Thoughtful Writing by Dr. Hammond, I can infer three useful and powerful writing skills from the book. These are "telling fact”, “using quality statement” and “making readers draw inferences from words". I may choose this quote, which from Ernest Hemingway on Writing "I am trying to make, before I get through, a picture of the whole world---or as much of it as I have seen. Boiling it down always, rather than spreading it out thin." A powerful picture is more than an image; it can arouse viewer’s interest and make them meditate on it as well. In my opinion, Hemingway did “make a picture of the whole world,” in his novel Big Two-Hearted River, by "telling fact”, “using quality statement” and “making readers draw inferences from his words ", rather than just simply describe what he wants to say.
An added appreciation for this short story, however, can be gained through some background concerning its origins and its relationship to the author's preoccupations. Hemingway was married four times, won the Nobel Prize in 1954, and in 1960, when he became ill, killed himself following in his father's footsteps. Hemingway had to deal with despair, depression, and desperation for most of his life, and these feelings could be felt in most of his writings.
The Green Hills of Africa is Hemingway’s second non-fiction work, set in 1933, following the author and his second wife, Pauline, on a big-game safari in Africa. It was first serialized and then published in 1935. The first run was of 10,500 copies selling at $2.75 a piece. While many smaller critics passed their typical glossy review of Hemingway, those at the height of literary criticism bombarded it. Particularly with respect to what Hemingway claimed the novel was. In the foreword of the novel, Ernest Hemingway writes, “The writer has attempted to write an absolutely true book to see whether the shape of a country and the pattern of a month’s action can, if truly presented, compete with a work of the imagination.”1 Fittingly the critical response to Hemingway’s second non-fiction work examined the novel in that respect, as well as in its achievement as a free-standing novel.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
In novels or other literary works many authors write about things they dream about. Many write about what stories they have heard from fellow companions. None have written about such vivid, yet traumatic experiences as the twentieth century writer, Ernest Hemingway. That is why Hemingway's tend to concur to his real life experiences.
Unger, Leonard, ed. “Ernest Hemingway.” American Writers. Vol. 2. New York: Charles Scribners’s Sons, 1974. 247-269.
Ernest Hemingway was a famed U.S. author who wrote many novels which was strongly influenced by the World War One and World War Two. As he participated in the both major wars, the first hand experience of the brutal war is conveyed with great detail and with heartfelt feelings. His works were majorly on the effects of wars on human beings and the men’s sense of honor and pride. Ernest Hemingway was inspirational writer of men’s ideals, especially during war, who clearly had uncommon experiences in his life, such as going through both World War One and World War Two, which was reflected upon most of his literary works.
When compiling The Sun Also Rises, Hemingway wanted to make use of his knowledge in journalism to write fiction. This decision was based on his belief that a story could be based on real events of a writer’s own distilled experiences wou...
There is great power in being an author; you can make things happen which do not necessarily occur in real life. Hemingway acted out his feeling of inadequacy and powerlessness by hunting, drinking, spending lots of money, and having many girlfriends. I believe Hemingway had Catherine Barkley and her child die because he believed that death comes to everyone; it was inevitable. Death ends life before you have a chance to learn and live. He writes, in A Farewell to Arms, They threw you in and told you the rules and the first time they caught you off base they killed you they killed you in the end. You could count on that. Stay around and they would kill you. This shows the hopelessness that enveloped