Creation Mythology: The Maya And The Creation Story Of The Maya

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Creation mythologies, Greek, Roman, and even, as it seems, Mayan, have at their core nature an over encumbering attraction; an inescapable grasp on the audience’s intrigue for supernatural accounts and fantastical storytelling. In the creation story of the Maya, the tale of the hero twins did just that and captured my interest for the Maya.
In Michael D. Coe and Stephen Houston’s textbook The Maya, an illustration of a stela of the hero twins depicts their “... gesture towards the Principal Bird Deity (Wuqub Kaquix) as he descends to the fruit tree.” I believe this gesture of the hero twins relates well to the impact the creation mythology had on the social life of the Maya in the late Preclassic. At a time of divine kingship, and in a religion …show more content…

The original creation mythology for the Maya may have differed from the one we account for today, but the original story is about the same. The story of the Popol Vuh, in K’iché Mayan which translates to The Book of Councils, accounts for the creation mythology. In the beginning of time, two gods named Xmucane and Xpiyacoc, created a series of displeasing universes inhabited by various beings who had proved themselves unsatisfactory; in not praising the gods sufficiently and correctly, they had failed in their religious obligations. The consequences of this failure led to Wuqub Kaquix proclaiming himself the new sun and moon in the god’s …show more content…

The presence of art depicting anything supernatural, with ties to that specific ruler, upholds piety and obedience of that ruler’s domain: Love and Kaplan state, “Such monumental imagery must have reverberated across ritual precincts with fundamental concepts of kingly authority and social order.” Politically, this use of imagery, representing stories from the creation mythologies, helped maintain order and authority to the ruler who commissioned the art. As well as political implications, evidence of high quality goods consumed by societal elites and rulers implies a direct link between trade and religious authority. Goods such as conch shells and Jade were used by such individuals as a means of economic control; as Love and kaplan described, “these emblems of rulership, which grew out of a well-established Middle Preclassic iconography of authority, were polyvalent, communicating broad notions of political authority, supernatural control, and economic clout.”An economy dependant on the trade of high quality goods, because of ties to religious ideology, helped maintain the authority of divine kingship. As more of these items became present, and as more monuments and stelae were constructed, the greater the power of that divine authority

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