Corruption In Brenagh's Hamlet

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Shakespeare’s ‘Hamlet’ remains widely acknowledged centuries after the play was published during the early seventeenth century, mainly because of the many intricacies Shakespeare expertly weaves into his plot. As the play’s protagonist, Hamlet’s complex character and the emotions he experiences in his traumatic circumstances create a thrilling storyline that has entertained audiences throughout the ages. As the readers traverse further into the depth of the story, they realize that Hamlet is ceaselessly at war with himself over a seemingly trivial matter in the midst of corruption and murder: morality. One of Hamlet’s dominant traits is his compulsive need to play the role of the moral idealist.This trait is very prominent in ‘The Closet Scene’ (Act 3 Scene 4) where Hamlet stabs Polonius. His ethics have successfully postponed the attainment of his ultimate goals time and time again in Shakespeare’s theatrical piece. This tragedy has been made into a plethora of movie adaptations, all of which depict a single literary …show more content…

In Kenneth Brenagh’s version, panning is used to depict the intensity of the scene when Hamlet confronts Gertrude. Various forms of dollying and tracking are used to reveal to the audience the extreme levels of frustration and confusion Hamlet experiences whenever he confronts his mother. When the camera follows Hamlet pacing frantically around Gertrude, the audience perceives how distraught Hamlet really is at his mother’s hasty remarriage and how it has led to him to question all that he thought was stable in his life; his parents’ love for each other and his mother’s love for him. Although zooming in and out continually within the scene are used in both adaptations, Doran’s extensive usage of this technique further aggravates the festering fury suppressed within Hamlet, triggered by his

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