The novel “Lord of the Rings” by J.R.R Tolkien is strict when it comes to displaying conventions of the fantasy novel genre, hence making it function as the “lens” novel. “Lord of the rings” is about a mythical creature and his journey to destroy a evil magic ring. The novel displays the conventions of a fantasy novel by covering three topics within this genre, good vs. evil, enchantment and heroism. Starting with the first, a mythical creature named Frodo is pronounced to be a good character, who in turn is up against evil, such as other mythical creatures named Orcs, and the Necromancer. The “Lord of the Rings” then also introduces a evil magical ring and magical sword to the story, which holds true to the items being enchanted conventional
Theim, Jon. "The Textualization of the Reader in Magical Realist Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995. 235-247.
“Out of the Great Sea to Middle-earth I am come. In this place will I abide, and my heirs, unto the ending of the world,” states Aragorn upon his victorious return to Minas Tirith (Tolkien 946). This moment marks the culmination of years of trial and toil for Aragorn as he strived to regain his kingship; yet, throughout his existence, he remained the epitome of the chivalric hero and maintained his kingly qualities in secrecy. In J. R. R. Tolkien’s The Lord of the Rings, the character of Aragorn is just one of many examples of chivalry Tolkien utilizes to create his “mythology for England.” Tolkien also does not just limit himself to this one example of medievalism in his novels. The concept of feudalism is also present at pivotal moments of the novels and aids in structuring the governmental workings of Middle-earth. Both of these aspects of medieval England can be found in numerous places throughout Tolkien’s works including in the bonds between characters, in the heraldry of the various kingdoms, in the sacred ceremonies and high language of characters, and in the personalities and actions of the characters, themselves. Together, in The Lord of the Rings, these two aspects of medieval England blend together beautifully to create the sense of depth, history, and weight Tolkien strived to achieve in his works.
"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by their delusions of grander and how they feast upon the misery of others to elevate their own pitiful egos, that prove to be their worst vices.
Krivak, Andrew. "Author of 'The Rings': Tolkien's Catholic Journey." Commonweal 130.22 (19 Dec. 2003): 10-13. Rpt. in Children's Literature Review. Ed. Dana Ferguson. Vol. 152. Detroit: Gale, 2010. Literature Resources from Gale. Web. 14 Jan. 2014.
Context and Tradition: Published in 1954, The Fellowship of the Ring by J.R.R. Tolkien is a work of fiction written during the modern literary period. Historically, many things were going on during the time it was published, such as the Korean War, beginning in 1950. Other notable events during this decade include the beginning of the civil rights movement in 1954, when segregation was ruled illegal in the United States, and the beginning of the Space Age with the launch of Sputnik I by the Russians in 1957. An artistic work that The Fellowship of the Ring reminds me of is The Game of Thrones, a high fantasy novel by George R.R. Martin. Both worlds are filled with magical creatures, and concern themselves with an alternate world heavily reliant on magic, as both universes do not have access to the technology available in the real world.
Film theorist Kristin Thompson decided to explore her love for Tolkien’s work and her passion for film by writing “The Frodo Experience” Thompson explains her claim in the introduction. (Rings) “can fairly claim to be one of the most historically significant films ever made.” She wrote the book, to trace its influences in filmmaking, marketing, and merchandising; as well as its impact on the New Zealand film industry that existed before the trilogy came there. Bottom line; Thompson did a good job at explaining why the film held such historical significance. She talks in depth about the costumes, props and different technology designed specifically for this film. The Rings changed how movies were made.
Therefore the focus of this talk will be the question that Tolkien himself emphasized as central to our perception of works of fantasy: what is "the effect produced now by these old things in the stories as they are" (32); in other words, how are the elves, orcs, the Dark Lord and the magic ring relevant to the here and now? However, I do not believe that the answer to this question should be sought in the circumstances of the author's own life.
J.R.R. Tolkien Research Paper As many have grown up during this generation, they have been dazzled by the work of J.R.R. Tolkien as well as the artistic interpretation of this trilogy by Peter Jackson. This movement started when Tolkien created The Hobbit and then later the Lord of the Rings trilogy in the 1930’s, 1940’s and 1950’s. However, there are those who have criticized both the books and the cinema for being sexist and/or racist. Tolkien is not sexist because he develops his female characters by revealing their individualism and dynamic features, and is also not a racist because much of the criticism comes from Peter Jackson’s interpretations and because racism is harshly looked upon more in this generation than it was back in the 1940’s.
Faris, Wendy B. Ordinary Enchantments: Magical Realism and the Remystification of Narrative. Nashville: Vanderbilt UP, 2004. 24 Sept. 2012. Web. 15 Mar. 2014. 21
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
Tolkien's famous book, "The Lord of the Rings", has been repudiated as one of the best fantasies ever written. Tolkien creates a very deep intimacy between the book and the reader, he captures the reader's attention and lures him into the story. One of the ways how this cathartic relationship is created is through the use of reality of the situation in the story. Tolkien has conjured up a fantasy language, to show the actuality this novel may present. Some quotations of this language are:
J.R.R Tolkien’s work of fiction The Lord of the Rings, have with the advent of Peter Jackson’s film adaptation brought the series to newfound heights of fame. As with many works of it’s kind, The Lord of the Rings depicts a battle between good and evil, with the main characters in the books striving to thwart evil’s plan. In many other works, the author’s personal belief system or worldview drives the narrative, with the message being paramount and the characters the vehicles of conveyance for the point of the story. C.S Lewis, a friend and contemporary of Tolkien’s, is a prime example of this. Lewis’ popular series The Chronicles of Narnia is an allegorical work, teaching Christian principles through the use of fiction. While raised as a Catholic himself, Tolkien does not explicitly promote his religious background, nor does he engage in allegory. However, Tolkien’s views of morality can be found throughout the work, specifically in the way in which evil is portrayed, the use of power and moral freedom of choice. Randel Helms writes in his book, Tolkien’s World, “Tolkien’s particular myth parallels his Christianity, … positioning a malevolent and corrupting outside influence, spiritual and probably eternal, against which man is doomed to fight, but which he has no hope of conquering” (67).
Magical realism is clearly present throughout Gabriel-Garcia Marquez's novel Chronicle of a Death Foretold. Magical realism is the juxtaposition of realism with fantastic, mythic, and magical elements. A secondary trait was the characteristic attitude of narrators toward the subject matter: they frequently appeared to accept events contrary to the usual operating laws of the universe as natural, even unremarkable. Though the tellers of astonishing tales, they themselves expressed little or no surprise.
The Lord of the Rings: The Fellowship of the Ring is a 2001 epic fantasy film directed by Peter Jackson. The film is an adaptation of a volume of the same name by J.R.R. Tolkien published in 1954. This is the first film of Peter Jackson’s trilogy that adapted J.R.R. Tolkien’s entire Lord of the Rings series into screenplay.
A fantasy is an imaginary world where all things imaginable can be brought to life. J.R.R Tolkien portrayed fantasy through his use of skilled craftsmanship and a vivid imagination, which was presented in each piece of literature he wrote. In Tolkien's two stories The Hobbit and The Lord of the Rings we see the theme of fantasy brought to life through three essential elements, heroism, magic and retribution. Heroism is shown through the character's courage and bravery in situations where conflict arises and this enables them to be seen in a new light. Magic is a form of extraordinary power seemingly through a supernatural force; it is used in a combination of combat and mystical items to aid the companions on their journey. Retribution is paid to the evil forces for the wrongs society had to endure while they were allowed to dominate. This system allows opportunity for physical and mental development in the characters and the aspect of fantasy to come to life.