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Impacts of music in our society
Impacts of music in our society
Cultural identity in music
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Murder to Excellence is more than just a song of rags to riches, or the daily black struggle it transcends past that. In Kanye and Jay-Z’s 2011 Watch the Throne album, both artists create an opus that explains their view of societies in the inner city, the effect it had on their lives, and the hierarchy. The song is split into two parts, the Murder and the Excellence, thus the title Murder to Excellence which forms a transition. The first half of the song, the Murder, focuses on police brutality, racism, the black attitude in the inner city, and the “black-on-black murder.” (line 2) The Excellence is a “celebration of black excellence” (38), Jay-Z and Kanye’s rise to success, and the white monopoly in the hierarchy. For the black struggle …show more content…
He becomes aware and accepts the risk of losing his life on any given day. Kanye West breaks the persona and goes on to the third person point of view stating “plus his brother got shot repping his avenue” (16). The line could still be Kanye in his persona directed to the person he knew who had just been killed that afternoon or it could be direct to his persona’s brother. Also the use of diction is key, because the word brother could not mean a literal brother, but a close friend. Also the use of the word repping his avenue could be directed at gang affiliation or simply representing his home. Mr. West then proclaims that it’s time to “redefine black power”(17) because there can’t be black power if they’re mass murder and senseless killing of blacks. He uses a possible hyperbolic statement to prove his point of the mass murder, “41 souls murdered in fifty hours” (18). The hook takes over again and the words “paper reads “murder, black-on-black murder” /paper reads “murder, black-on-black murder” again”. It reasserts the central thematic message of the black-on-black murder crisis. Mr. West then raises the question if the murder of blacks a genocide. The violent mass murder of blacks has led the church to closing its doors to any more tombs, even the house of God is no longer open in the inner city. He feels the “pain in my city wherever I go”(27), the crime, the murder, the disfunction of families, Kanye West knows the pain of Chicago and it’s inhabitants. Mr. West then goes on to be factual and compare the deaths in Chicago to the deaths in Iraq, “314 soldiers died in Iraq, 509 died in Chicago” (28). This makes a parallel between life in Chicago and a war, and that life in a structured American city has more mortalities than a chaotic war scene. The 509 who died in Chicago aren’t soldiers, however Kanye West wants to give them a sort of honor as soldiers who’ve died in
The theme of lines 1-5 in, ¨Untitled 1¨ by Tupac Shakur is that African Americans have been oppressed, over many generations. He describes the world, ¨as a ghetto, that they cannot leave,¨ referring to ghettos such as
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
Portraying to the emotions is important to his overall argument because it relates the reader with the black community by providing situations of struggle and hardship, triggering the typical
Black Star, composed of MC’s Mos Def and Talib Kweli, are joined by fellow rapper Common in their 1998 song “Respiration” to expose the decaying urban and societal conditions in their respective cities of Brooklyn and Chicago. Each artist paints a brilliant picture of their surroundings and deals with various issues which plague their communities. Mos Def’s verse is particularly well-written; in it he highlights the growing economic inequality, daily struggles of the inner city poor, and the overriding nature of the his city.
Upon the ethos he has built, he appeals to logo by sharing more facts from worldwide history about the white people. X sets off with the fact that although the available history is excessively “whitened” (para. 19), genetically, the origin of humankind is still believed to be black. Under this condition, Malcolm X is “shocked” by the “total horror” of slavery, and “monstrous crime, the sin and blood” (para. 27) the white men has done. This use of pathos renders a view of a vulnerable black man who has suffered from the white’s injustice. He attaches this view with vivid yet miserable anecdotal imagery of black women “tied up and flogged with whips,” babies “being dragged off” (para. 28). His condemning diction creates a haughty and haunting attitude of convicts: “the fugitive slave catchers, evil white men,” (para. 28) are “like devils, pillaging and raping and bleeding and draining” (para. 29) colored people in the world. These facts lead to his perception of contradictions: these “religious” (para. 31) but “cannibalistic” (para. 33) people, who have taken advantage of “Chinese-invented gunpowder” to “[declare] war upon [Chinese] who objects to be narcotized” (para. 34) and later treat Chinese as dogs (para. 37). These facts emotionally and logically prove X’s anger and inhumane white people in the
His analysis of the video and song seem more akin to a movie critic’s review of the next Quentin Tarantino film. He comments, “the video...is daring, provocative, traumatizing, cynical,... and to many, a work of genius.” This jarring examination seems relatively out of place for a song in the number one spot on the radio. One could attribute this simply to shock value, but Molanphy sees (or hears) something more when he acknowledges, “When you focus on [the] music, you gradually adjust to what initially makes it so jarring, particularly the lurch from the the sweet, acoustic Afrobeat intro to the droning, brooding chorus.” Incidentally, the song is much more than Gambino’s “cri de coeur” as Molanphy puts it, as it stands alone as a legitimate piece of hip-hop music. Paired with the video, the dark commentary does not seem so out of place when you recognize the history of rap music and its influences. He recognizes this best when he uses ethos to increase his
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
I was twelve when I first heard the name “Kanye West”. He was featured in a song I rather liked at the time called “Forever” and whilst discussing the song with my friend one afternoon I remarked:
Accommodating for lost time can be a struggle, however education is the perfect key to allow a human a better diagram for survival in this world. Mortal Man is full of the reality that is blinded to society, because they have been confused by the experience of the struggle. Comparing two poems written within the song titled Mortal Man by the rap artist/ poet, Kendrick Lamar, provides an opportunity to engage in the Burkean Parlor; discussing the experience of the struggle and the proper way to survive through it. There is credibility of the struggle without mistakes of not knowing how to deal with the initial interaction; mistakes do not always lead to success; it is just an excuse to repeat history. Kendrick Lamar’s work provides evidence
Staples successfully begins by not only admitting the possible faults in his practiced race but also by understanding the perspective of the one who fear them. Black males being opened to more violence because of the environment they're raised in are labeled to be more likely to cause harm or committing crime towards women but Staples asks why that issue changes the outlook of everyday face to face contact and questions the simple actions of a black man? Staples admits, "women are particularly vulnerable to street violence, and young black males are drastically overrepresented among the perpetrators of that violence," (Staples 384) however...
Even though some people are often blindsided by the luxuries and privileges they live with, large populations of the world don’t even have access to the extravagances some consider “human rights.” Written by Tupac Shakur, the poem “AND 2MORROW” illustrates the pains observed and felt by Shakur. Despite these adversities, he states that he remains hopeful of what will come “2morrow.” Throughout the entirety of the poem, Shakur shows that in troubling times, it is imperative that people stay optimistic. In conveying this theme, Shakur utilizes informal diction to make evident the conditions in which he lives, while also using shifts to further illustrate the central message.
Tupac Amaru Shakur was an African-American rapper, poet, and record producer during the 1990’s. In his adolescent years, he attended the Baltimore School for the Arts where he took acting and dance classes, like ballet. He was taught radical politics by his mother, which helped him develop ideas about topics he would later use in his many works. At an early age, Tupac had seen the injustices of the real world. His mother was a former Black Panther activist who turned to substance abuse during Tupac’s childhood. Aside from that, he and his mother also moved many times while they lived together in New York City. While Tupac was in Baltimore, he discovered rap; not long after, he and his mother moved to the West Coast where he joined the rap group
(Notorious B.I.G. 48-49). The song “The Message” by Grandmaster Flash and the Furious Five also touches on the problems faced in Black ghettos and brings those problems to the forefront. Like in “Things Done Changed,” the issues of violence, drugs, and poverty are also discussed in this hip hop song. In addition to those problems, “The Message” specifically mentions the issue of the poor education people in Black communities receive, such as when the speaker states that he or she received “a bum education” (Grandmaster Flash
“Some say the blacker the berry, the sweeter the juice. I say the darker the flesh then the deeper the roots”. This is the opening lyrics of one of the best songs ever written in the rap industry “Keep Ya Head Up”. It was written by who many people consider the best rapper in history, Tupac Amaru Shakur. Tupac is still considered one of the greatest and is still being played today by true Hip-Hop fans. People that do not know much of Tupac view him as a criminal. A criminal that got tatted “Thug Life” across his stomach and was the center of violence between the East Coast vs. West Coast rappers in the early 90’s. But the true Hip-Hop fans know the real Tupac Amaru Shakur. He didn’t promote violence like the rappers that are around now. Chief Keef, Fredo Santana, Lil Reese all promote Chicago’s war on drug trafficking, guns and murder. Tupac was different. He tried sending positive messages and did a phenomenal job with this song. In this song Tupac focuses on women’s rights which something unheard of in the rap industry. That is quite sad because up to this day, most rappers do not rap about women’s rights or try sending a positive message. That is why Tupac was different and he wanted the ideal women standing up for herself with this song.