Cindy Sherman Research Paper

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Cindy Sherman was born January 19, 1954, in New Jersey. In 1977, Cindy began working on "Complete Untitled Film Stills," a series of 69 photographs. Cindy is known for her black and white photographs challenged cultural stereotypes (Heller). Sherman used color film and large prints, and focused more on lighting and facial expression. Cindy returned to ironic commentary in the early 1990s, directing the dark comedy “Office Killer” in 1997 (Sherman). Three years later, in 2000, she released a series of photographs of women with exaggerated attributes. It was a representation of social role-playing and sexual stereotypes (Thames and Hudson). Cindy Sherman is a very self-involved, love playing dress up, and playing with makeup (Schjeldahl). Cindy Sherman attended Buffalo State in New York, where she
By the late 70’s, early 80’s, Sherman began establishing a name for herself in not only the art world, but the fashion world as well. Designers such as Dianne Benson hired Cindy Sherman to create a series of advertisements for her store (Schjeldahl), improving Sherman’s photo shoots with extravagant articles of clothing. Despite mainstream success, Sherman’s photographs were far from what one would expect to see in magazines such as Vogue. In fact, her characters were often disgusting or dirty looking women. Sherman's on Page 5 shows a shaggy blonde woman lying in the bed, the power of this image led many viewers to assume the worse, naming it “The Black Sheets.” The look on the young woman's face had prompted viewers to believe that, covered in black and sweating was referring to the woman as being hurt or raped. While it certainly seems like a reasonable explanation, Sherman had a different idea, believing the girl to be extremely tired and coming in from a night out, only to be woken up too early from her pathetic hour or sleep

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