Christian References In Dracula

509 Words2 Pages

Most people have at one point in their lives been exposed to religious themes and the consequence of sin, but because humans are not perfect, sinning happens all too often. The characters in Bram Stoker’s Dracula are no exception. A common recurring theme in Dracula are the symbolic Christian references. Susannah Clements author of The Vampire Defanged argues Dracula is explicitly Christian. As such the themes found throughout Dracula certainly do take on a Christian aspect as can observed early on in the novel when Johnathan Harker reveals his belief as an Anglican and displays mixed feelings at accepting a crucifix gifted to him. Harker’s reluctance to accept a crucifix becomes representative of the rejection of Christianity, Clements asserts that Harker does not fully realize the importance of the crucifix he has been …show more content…

Christopher Bentley author of The Monster in the Bedroom: Sexual Symbolism in Bram Stoker’s Dracula is such an example. Bentley interprets the messages within the story are actually that of sexual symbolism, for example, claiming that a blood transfusion is actually representative of sexual intercourse. “This sequence of blood transfusions symbolizes sexual intercourse, with Lucy of necessity acquiring a freedom and promiscuity that could not possibly be described in actual terms,” (27). Bentley asserts other points that include Harker’s encounter with the vampire sisters and the interpretation of the events that take place in this passage are actually describing that of a sexual fantasy. However, it cannot be assumed that the reader will make the same interpretation, most will not transcribe a simple blood transfusion as sexual intercourse or a room occupied by vampire women as a sexual fantasy, simply because the message is not clear

Show More
Related

  • Impurity In Dracula

    999 Words  | 2 Pages

    The novel Dracula by Bram Stoker has plentiful examples of key concepts we have examined in class including: Purity and impurity, magical thinking, strong emotions such as disgust and shame, , formalization, and myth. In this essay I will summarize events that take place within the novel when the protagonists deal with Dracula and then relate these events to the key concepts to demonstrate why the characters view him as dangerous, and therefore something to be avoided completely.

    Read More

  • Dracula: A Simple Tale of Good vs. Evil

    1486 Words  | 3 Pages

    Religion was a big part of people’s lives back in Stoker’s time. A belief against religion was evil; therefore one who was not devout would be deemed bad or wicked. Dracula, was as evil as a creature gets and a nightmare for the pious; he was a symbol of an Anti-Christ and could even be called Satan. “I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe it was ever there.” (Stoker 24-25). Because Dracula was harmed by holy items, it could mean that he was pure evil, which would be true in Stoker’s time. As a result the main weapons the men had to fight against Dracula with was sacred matter; their struggle was like a fight was like a battle between the holy and satanic. The Count was invading Lond...

    Read More

  • Comparing Bram Stoker’s Dracula and the 1972 Film "Blacula"

    1921 Words  | 4 Pages

    The presence of racial stereotypes and commentary on the interaction of different races is a cornerstone of the Dracula narrative. In Stoker’s novel, Count Dracula is representative of the growing European culture of xenophobia and anti-Semitism which would rise to near hysteria in the coming decades. The concept of race was not limited to skin color or nationality in the nineteenth century, and was a means of categorizing people by “cultural as well as physical attributes” (Warren 127). Dracula is described as being covetous of ancient gold and jewels, childlike and simple in his malice, and more animalistic than human, traits frequently attributed to the Jewish people by Christian society (Newman). His material appearance is distinguished by extremely pale skin, dark features, a nose with a “high bridge…and peculiarly arched nostrils,” and “bushy hair that seemed to curl of its own profusion.” Stoker’s audience would have recognized...

    Read More

  • Foreshadowing, Mood, Mythical Parallels, and Narrative Elements in Dracula

    1445 Words  | 3 Pages

    In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths.  Dracula was not the first story featuring a vampire myth, nor was it the last.  Some would even argue that it was not the best.  However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.

    Read More

  • Dracula and the Threat of Female Sexual Expression by Bram Stoker

    1398 Words  | 3 Pages

    Soyokaze. "Thread: Female Sexuality in Bram Stoker's Dracula." Urch Forums RSS. N.p., 8 Mar. 2008. Web. 6 May 2014. .

    Read More

  • Dracula - Symbolism Of Blood

    1227 Words  | 3 Pages

    In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.

    Read More

  • Vampire Lore In Dracula

    1871 Words  | 4 Pages

    Count Dracula has been the frontrunner for the modern day vampire lore and legends since being printed back in 1897, pop culture took the vampire traits from Bram Stoker’s Dracula and twisted them. In modern portrayals of vampire lore, each author chooses an original aspect from Stoker but then creates a little bit of their own lore in the process. Count Dracula appears to be a walking corpse from the pale and gaunt visual aesthetics to the coolness of his undead skin (Stoker). In some cultures, the vampire is able to transform from the body of a human being to that of a fellow creature of the night, a bat. In the novel Dracula more than one town was easily visualized through the detailed descriptions throughout the novel, thus

    Read More

  • Motifs In Dracula

    1736 Words  | 4 Pages

    Motifs in dracula is a big placement in the story for you to understand the more advanced theme of the story. Religion is a big motif in this story. In the beginning of the chapter Harker is offered crucifixes from Eastern Europe peasants. Catholic was the main religion at this time period. In chapter I pg.11 a peasant gives Harker a crucifix . “She then rose and dried her eyes, and taking a crucifix from her neck offered

    Read More

  • Examples Of Repression In Dracula

    2232 Words  | 5 Pages

    The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares

    Read More

  • Gothic Setting In Dracula

    521 Words  | 2 Pages

    Dracula by Bram Stoker is an authentic Gothic novel that manages to hit on every Gothic literature aspect. Gothic literature is usually set in an isolated setting and has a dark, mysterious, and evil tone. In this type of literature, there are usually dark castles, palaces, presences of supernatural beings, and religion. The book Dracula is about a Count from Transylvania that goes to London in search of new victims and a group of Victorian citizens who end up defeating him and his evil ways. The use of setting and atmosphere in Dracula is filled with a world full of mystery and fear. Bram Stoker manages to capture the Gothic element with his use of castles, symbols, and isolated setting.

    Read More

  • Dracula Gothic Analysis

    1188 Words  | 3 Pages

    The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.

    Read More

  • Role Of Religion In Dracula

    1116 Words  | 3 Pages

    “Science and religion are the two most powerful sources in the world” and E.O. Wilson firmly believes that “having them at odds is not productive”. Bram Stoker links religion and science in the novel Dracula, by showing how one idea alone will not be enough to defeat the evil creatures in the world and positive outcomes will come from combining these concepts. The religious ideas that the characters depend on instill a fear that continuously motivate them to defeat Dracula. Stoker integrated modern individuals with scientific backgrounds to demonstrate how the ideas which come with science cannot handle the supernatural alone. A beneficial balance between modern scientific technologies and religious faith

    Read More

  • Gothic Tropes In Dracula And Carmilla

    1087 Words  | 3 Pages

    Bram Stoker and Sheridan Le Fanu’s texts, Dracula (1898) and “Carmilla” (1872), use gothic tropes in similar ways to captivate readers with horror and terror. This essay will illustrate how, in comparison, both texts include gothic tropes: the New Woman, sexuality and setting, in order to provoke emotions and reactions from the readers. To achieve this, this essay will focus on the women that challenge traditional gender roles and stereotypes, and deconstruct each text in regards to the very strong undertones of homosexuality; specifically between Carmilla and Laura, and Dracula and Harker. By discussing the harshness and darkness of the environments described, including ruined castles and isolated landscapes; this essay will also explore the

    Read More

  • Dracula

    824 Words  | 2 Pages

    Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.

    Read More

  • Coppola's Interpretation of Dracula as a Love Story

    1435 Words  | 3 Pages

    Francis Ford Coppola's adaptation of Stoker's novel begins with the presentation of how Dracula became an immortal creature doomed to thirst for the blood of living animals. This story is essential to the interpretation of Dracula in Coppola's film. Dracula was a knight in the sacred army of the church, who left his wife in order fight against an invading Turkish army. He was successful in preventing the invasion of the Turks, yet they retaliated by sending his wife, Elizobeta, a letter that falsely reported his death in the battle. Upon hearing this tragic news, Elizobeta committed suicide by jumping into a river. When Dracula returns from the battle he discovers that his beloved wife is dead, and when the church tells him that her soul cannot be saved because she had taken her own life, he turns against the church and renounces God for betraying him. Dracula strikes the stone crucifix behind the altar in the church, which causes blood to gush from the stone. Dracula drinks the blood and vows to oppose God for eternity, whereby causing himself to become eternally damned as a vampire. The mos...

    Read More

More about Christian References In Dracula

Open Document