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The crucifixion essay
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Looking upon the crucifix where Jesus hangs, we have much to consider both historically and theologically. However, when this perspective is reversed and we look out from Jesus’ point of view, we see another side to the story. French painter, James Tissot, takes on this challenge of flipped perspective in his depiction of Mount Calvary from the vantage point of crucified Christ. In his painting we see all those gathered at the foot of the cross and those looking from a distance. At the sight of Jesus, who claimed to be the Messiah and the Son of Man, a man who was now hanging dead in front of them in the middle of two criminals, the onlookers are perplexed. Some have their heads tilted, others have their jaws dropped, and one soldier is simply sitting there. Tissot also includes the scribes and priests, who, too, seem not to grasp the theological significance of the event. In general, most of those depicted fail to understand and accept the identity of the man before them. Only one, the centurion, stands at full attention. Mark, in his Gospel, writes, “When the centurion who stood facing him saw how he breathed his
This rejection is much akin to what Jesus experiences before being crucified and after, looking out from the cross. Joseph is a key example. Though he was favored by God as evidenced by his ability to interpret dreams and the kindness he experienced in Egypt from Pharaoh and the jailer, Joseph’s election came at a great cost. Spurned by his brothers, he was “dropped into a pit, taken down into Egypt, and sold into slavery”, a kind of metaphorical death (Anderson 207). As soon as Joseph found favor with someone in Egypt, he seemed to fall again. In the end, however, Joseph rose to power and was able to provide for his brothers, the brothers who initially rejected him and sold him away. Ultimately, Joseph’s forgiveness of them shows how broken relationships can be
Dennis Covington writes about a unique method of worship—snake handling, in his memoir, Salvation on Sand Mountain. He begins as a journalist, looking in on this foreign way of life; however, as time progresses he increasing starts to feel a part of this lifestyle. As a result loses his journalistic approach, resulting in his memoir, detailing his own spiritual journey. Upon the conclusion of his stay in this world, Covington realizes the significance of this journey, and argues in his memoir that we cannot entirely know ourselves until we step outside of our comfort zone and separate ourselves from our norm.
“Recovering the Scandal of the Cross,” (Green, Baker) presents an alternative means of thinking for Christians theologically. The author’s task of interpreting culture and communicating within a culture is incredibly difficult. Much of the biblical teaching of God is rooted into communicating to a specific group of people and a certain culture. Yet God has chosen the Bible as the method of communicating himself to the world. Green and Baker begin to lay the groundwork of historical influence of atonement from Anselm and Irenaeus. They later introduce ideas from Charles Hodge and penal substitution. There are four major models of explanations of the atonement: Christus Victor, penal substitution, satisfaction and moral influence. Although others are mentioned in the book, this sets the stage of the historic dilemma from which they can view atonement in their discussion of tradition.
This essay will closely study and describe Rosso Fiorentino’s The Descent from the Cross. The painting depicts the process of Jesus Christ being taken off of the cross.
The painting shows Mary, Mary Magdalen and John embracing Jesus’s dead body while they are crying, and focuses on their emotional distress of losing someone dear. Mary is caught middle of letting out a great cry while embracing Jesus from the left. John is shown with curly brown hair while also letting out a cry, but he is behind Jesus and only his face is visible. Mary Magdalen is to the right holding onto one of Jesus arm that reaches over the edge that almost seems like it is coming out of the painting. The whole scene in the painting is very grim as Jesus, the central figure, is lying dead with scars of his mistreatment clear for everybody to see. His body is white and thin with veins of arms and body showing through the skin, and his face seems so tired and worn out. On his head, there is a crown of thorns, but without any blood or scars. The emotional distress in the faces of those around Jesus are stylized, but any viewer would recognize their
In his Crucifixion, with the Virgin and Saint John the Evangelist Mourning (c.1460), a piece within the Northern Renaissance collection of the Philadelphia Museum of Art, Rogier van der Weyden portrays a stark image of the crucifixion of Jesus Christ. The right panel of the diptych depicts the gruesome image of a crucified Christ. Weight pulls the emaciated body down into a Y-shape, contrasting the T-shape of the cross it is mounted on. The only movement comes from the loincloth wrapped around Christ’s waist that dances in the wind. Blood visibly trickles from the corpse’s wounds. Behind the body, a red cloth is draped down the grey wall. At the base of the cross sits a skull and bone. The left panel portrays the Virgin Mary swooning in despair as Saint John attempts to support her weight. Her hands are clasped in prayer as she gazes up at her lifeless son. Both figures are clothed in pale draping robes. The vibrant red of the cloth that hangs from the grey wall in the background contrasts the subdued colors of the
The Gospel of Matthew is an eyewitness story written for an audience of believers, under great stress, and persecution. Matthew develops a theological plot incorporating genealogy, speeches, parables, inter and intra textual references, common vocabulary, and fulfillment quotations, with a tension that builds as we are invited into the story. The crucifixion and resurrection bring us to a Christological climax that symbolically points beyond its conclusion to God’s Kingdom, bringing atonement, salvation and the ushering in the Eschaton. The extraordinary events surrounding the crucifixion act as commentary, adding important details concerning the death of Jesus.1
Hall, Gerald. "Jesus' Crucifixon and Death." Academics' Web Pages. School of Theology at McAuley Campus. Web. 26 Feb. 2012.
Jesus, a name known by billions throughout the world. To each, this name means something different; savior, friend, philosopher, prophet, teacher, fraud, fake, liar. Some even believe that He is just an imaginary character from the minds of those who wrote about Him. The Westminster Dictionary of Theology describes apologetics as, "Defense, by argument, of Christian belief against external criticism or against other worldly views" (Apologetics 31-32). Though there are still many mysteries that surround the ongoing debate about Christianity, evidence can now prove some of what Christians took by faith before. Now, more than ever, there is information to prove the existence of this man that walked the earth more than two thousand years ago. Little remains of His life and works except for that which is contained within the pages of the Holy Bible. Throughout the past century alone, there have been numerous discoveries, both scientific and archeological; to further prove the existence of a man called Jesus and reinforce the Bible as a legitimate historical document. The validity of Christianity and Jesus Christ himself has been the center of religious controversy for centuries. Though His identity has not and probably never will be proven, He did exist. This paper will use apologetics to prove this so. Sufficient evidence proves the existence of Jesus and forms a firm basis for Christianity.
The painting is of a young St. John the Baptist preaching to his congregation. St. John is an important figure in Catholicism not only for his preaching and baptisms in the River Jordan, but for his role as the last prophet and the forerunner of Jesus Christ. His preaching foretells the coming of Christ as the Messiah, and thereupon Christ’s baptism, the voice from Heaven told St. John that Jesus was God’s son. This piece by Calabrese captures John at the height of his oration. Fixed atop a decrepit tree trunk yet grappling for stability, John is shown here in his ascetic attire composed of camel hair, holding his staff and scroll bearing the words “Ecce Agnus Dei,” which translates into Beho...
The presentation of Jesus Christ in Mel Gibson’ The Passion of the Christ, while certainly dramatized, largely stays faithful to the presentation of Jesus in the canonical Gospels. The majority of the differences between this film and the Gospels can be considered creative choices that do not substantially change the narrative, making this film by and large an accurate representation of the scenes in the Bible. However, its near-exclusive focus on Jesus’ trial and death omits much of the context and significance of this event in the life and teachings of Jesus and his greater mission of the salvation of humanity.
Many subjects have been spoken of over the history human beings. For some time it may have a world war, at other times a great recession, in another day it would have been a very fast athlete, at others the final match of Champions League and many more. Yet in all these occurrences that grip the human mind for some time there is no occurrence more spoken than the crucifixion of a man called Jesus Christ (Zugibe 33). His crucifixion has even been a study for the entire lifetime of many people. Institutions have been built primarily for the purpose of studying this crucifixion. Some have said this crucifixion has changed their lives. Others have retorted that it has lifted off their worries. It is widely known and embraced. However, aside from all this, with all the goodness this man Jesus Christ is preached to have, many wonder why he would be killed on a cross.
The author of this book, Lee Strobel, struggled for almost two years, sometimes jumping from one issue or topic to another and then back again, investigating the facts of Jesus for himself. He traces his journey from skepticism to faith.
This essay will show contrasts in views on the Gospel of John regarding authorship,dates, and the relationship between John's Gospel and the Gospels of Matthew, Mark and Luke. Some comparison of thought, concerning composition and life setting, will also be presented.
No matter what religious beliefs or lack there of one holds, history is separated by the birth and events that surround one man; and that man is Jesus of Nazareth. If there is one controversial event that surrounds this historical figure, it is his resurrection that is argued the most. In most scholarly circles, it is accepted that Jesus of Nazareth was born around the first century, while living gathered a religious following, and was crucified by the Romans. It is his resurrection, though that separates secular and believing biblical experts. This paper will discuss the historical validity of the resurrection of Jesus by looking at biblical validity, the evidence surrounding the resurrection, and expert opinions from both sides as whether or not in today’s age it is reasonable to be believed in.
Many people try to take away what really happened on resurrection morning. Some say that no one knew where Jesus' tomb was. They say that maybe he is still in some unknown tomb. For years it has been thought the Jews buried Jesus with rest of the criminals, in a mass grave. This theory takes no consideration for the fact that there is a historical account. Number one, Joseph of Arimathea took Jesus to his own tomb, so he would have to know where the tomb was. Number two, the Romans would have had to know where the tomb was because they stationed a guard. The tomb could not have been unknown if these people knew about the tomb.1