Some could argue that what we call history’s main focus is: the white man’s history. This is easily argued by observing what we learn about in school: the triangular trade, the Roman Empire and the First World War. What does these three historical events have in common? They all tell the story of the white man and to some degree how this white man was always the superior one. By using the term “we” one quickly realizes that it deals with the Western society. This particular society quickly developed its own monoculture in which a collective memory was created of how history is perceived. We are therefore easily forgetting that Western history is not the only story to be told. This assignment will analyze and comment on Chimamanda Ngozi Adichie’s TED talk “The danger of a single story” from 2009. The key focus in the analysis is how the author engages the audience and on her use of the term “a single story”. In her speech Adichie talks about how her own life experiences made her realize how the Western society to a great extent bases its view on Africa through …show more content…
She starts at home in Nigeria unfamiliar with the discussed issue. She then travels to the USA and here she obtains this knowledge, she grows up, and brings it home. Using the fairytale-construction a relationship is build between herself and her audience; they get to know her and eventually have compassion for her. This relationship triggers certain emotions, which shows that pathos is also used to engage the audience. Adichie’s main claim is: Western literature has created a made-up single story of how Africa is. Her argumentation is very one-sided because she doesn’t use any rebuttal; no example is mentioned where a white man knows better than to believe the single story. On the other hand, she uses a lot of backing. Her speech portrays the extreme. This could possibly be used on purpose as; exaggeration promotes the
Mills 17 states that “the discourse establishes what is natural as well as unnatural, and as a result the unnatural is looked down on.” This is also how Africa is portrayed through Doris Lessing’s work in The grass is singing. The way she portrays Africa can be due to the fact that she was a liberal writer.
Despite the prejudice, hate and violence that seem to be so deeply entrenched in America's multiracial culture and history of imperialism, Takaki does offer us hope. Just as literature has the power to construct racial systems, so it also has the power to refute and transcend them. The pen is in our hands. Works Consulted -. Takaki, Ronald.
In Thomas King's short story "Borders," a Blackfoot mother struggles with maintaining her cultural heritage under the pressure of two dominating nations. Storytelling is important, both for the mother and for the dominant White society. Stories are used to maintain and pass on cultural information and customs from one generation to another. Furthermore, stories can be used both positively and negatively. They can trap individuals into certain ways of thinking, but they can also act as catalysts that drive social change within society.
In Rights to Identity: An Analysis of Trethewey’s “What is Evidence,”“After your Death,” and “June 1863” in Natasha Trethewey’s “ Native Guard” I made the connection between Trethewey’s effort to write the untold history of African American soldiers to Chimamanda Ngozi Adichie The Danger of a Single Story TED Talk. Adichie states, “All of these stories make me who I am. But to insist on only these negative stories is to flatten my experience and to overlook the many other stories that formed me. The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story (12:57)”. The stories that ‘formed
She repeatedly mentions “the single story”, particularly after each story she tells. For example, after discussing a time of financial hardship in her childhood, Adichie emphasizes that “to insist only on those negative stories is to flatten her experience and to overlook the other stories that formed her.” She goes on to reiterate that “the single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete, and they make one story become the only story”(Ted, 12:48-13:09). This restatement of the same phrase and idea of the single story reminds us of and emphasises the main point of her speech, that single thoughts, ideas, or opinions of an individual create an incomplete generalization of said person without regard to who they actually are and what they have
Chimamanda Adichie, in one of her eye-opening speeches, The Danger of a Single Story, provides the audience with a new insight into the negative impacts that can occur as a result of viewing a story from a single perspective and not putting in an effort to know it from all available viewpoints. Adichie in her simple, yet well-grounded speech, filled with anecdotes of her personal experiences effectively puts across her argument against believing in stereotypes and limiting oneself to just a single story using a remarkable opening, the elements of logos, pathos and ethos, repetitions, as well as maintaining a good flow of thoughts throughout the speech.
In a sense, Turner presents a kind of social-historical blindness, if not white-European- privileging bias in their analysis. One gets the impression from Turner’s analysis that the native tribes (which we refer to today as Native Americans) indeed existed. Indeed, they played an important role in American history. And yet, in reading Turner’s view, one discovers that at the sa...
The United States is known for having diversity. This is what makes America, America. Those people being from a different country struggle to make a life here and accustom to daily life here in the United States. In Chimamanda Ngozi Adichie's Americanah, a novel in which we see microaggression, intersectionality, diasposa space, and literary motifs take place, we see racism and how it affects the lives of black immigrants and in her perspective female immigrants in today's American society. Chimamamda Ngozi Adichie helps us understand how these roles take place and how it affects in modern society. In Chimamanda Ngozi Adichie's Americanah novel, she lets us see how it is to be a strong black female immigrant and how race and gender
In 2009 Chimamanda Adichie gave a TED talk about the ‘danger of a single story’. A single story meaning, one thought or one example of a person becoming what we think about all people that fit that description, a stereotype if you will. In today’s America, I believe that we have all felt the wave of stereotypical views at some point or another. Adichie gives many relatable examples throughout her life of how she has been affected by the single story. Her story brings about an issue that all humans, from every inch of the earth, have come to understand on some level. A young child reading only foreign books, a domestic helper that she only perceived as poor. Her college roommates single story about Africans and her own formation of a single
When the Europeans arrived in Africa during the late eighteenth century the culture and the lives of the people of Africa are altered. Colonialism and Imperialism in Africa has adversely changed the way of life of the African people, and changed their culture, that had developed for so many years, unscathed by any distraction from the outside world. This dominant European influence has led to poverty in the African continent for the next 100 years, because of the institutions that were put into place by Europeans. In Things Fall Apart, it becomes clear that the Ibo culture responds in a distinct way to the European colonization; when compared to other villages and ethnic groups in Africa. These foreigners had such an enormous effect on the Ibo tribe that many of the clansmen decided to abandon the traditional ways or were too afraid to rise against the takeover of their tribe by the Europeans since the natives lacked the adequate technology to fight off the Europeans. The culture collision between Europe’s culture and the Ibo culture causes Nwoye’s sense of identity to be challenged and causes him to distance himself from his family and his tribe because of the introduction of Christianity and western ideals.
The core principle of history is primary factor of African-American Studies. History is the struggle and record of humans in the process of humanizing the world i.e. shaping it in their own image and interests (Karenga, 70). By studying history in African-American Studies, history is allowed to be reconstructed. Reconstruction is vital, for over time, African-American history has been misleading. Similarly, the reconstruction of African-American history demands intervention not only in the academic process to rede...
The first part of the book gives an account of Immaculée’s family background. The love she experienced from her parents and her three brothers is illustrated. Her parents cared for everybody, particularly the poor. Because of the love with which she grew up, she never realised that she was living in a country where hatred against the Tutsi, her tribe, was rampant. It was not until she was asked to stand up in class by her teacher during an ethnic roll call that she realised that her neighbours were not what she thought them to be – good and friendly. After struggling to get into high school and university, not because she was not qualified but because of discrimination against her ethnic background, she worked hard to prove that if women are given opportunities to...
Racism and sexism thinly veiled by xenophobia in America, Adichie portrays these two factors in society. Generally by putting her main character through a consistent stream of seemingly routine events involving one or even both of the factors. Often times she deals with micro-aggressions about her hair, which does not fit the American standard of beauty and elegance. Often showing how people are quick to assume that she is unintelligent simply by her skin and her accent. Often times Adichie portrays Ifemelu as the object of criticism and envy. Ifemelu is merely struggling to survive in a new environment. An environment that by all accounts constantly attempts to tear her down, her psyche and emotional stability constantly suffering damage.
Africa has been the embodiment of european perspectives before and after the Colonialism; these perspectives have attempted to provide insights on the facts behind it. In those terms, Africa has been reduced an atmosphere of concepts such as deep darkness, mystery, and madness, a place in which attrocities arise at any time of the day, and people are savages and chaotic. From that colonialist viewpoint, Africa was a place that needed help and control urgently in order to save it form itself and civilize it; therefore, white European men felt the need of accomplishing this mission and bring civilization to black men, which only meant to do thing as Europeans did. In Conrad's Heart of Darkness (1993), these European visions are portraited to such an extent that makes us understand that to unveil the heart of Africa we first need to be expose to their attrocities, and realise that we will always fail to do it because the chaos would consume us as well. Achiebe says it himself “Heart of Darkness projects the image of Africa as "the other world," the antithesis of Europe and therefore of civilization, a place where man's vaunted intelligence and refinement are finally mocked by triumphant beastiality.” (Achebe, 1977) This is one of the many issues that postcolonialism argues and confronts as a lie, since African history has only been told from the colonizer's viewpoint overshadowing the perspectives and voices of the colonized. Chinua Achebe, on the other hand, was the first writer to actually tell the story from the eyes of the African communities through his novel Things Fall Apart, more especifically, nigerian tribes. In this essay, I will attempt to analyze from a postcolonial approach themes present in the novel such as identity, ...
In Half of a Yellow Sun, Chimamanda Ngozi Adichie attempts to use history in order to gain leverage on the present, to subvert the single story stereotypes that dominate many contemporary discourses on Africa. Written in the genre of historical fiction, Adichie’s novel transcends beyond mere historical narration and recreates the polyphonic experiences of varying groups of people in Nigeria before and after the Civil War. She employs temporal distortion in her narrative, distorting time in order to illustrate the intertwining effects of the past and present, immersing deep into the impact of western domination that not only catalyzed the war, but continues to affect contemporary Africa. In this paper, I will analyze her portrayal of the multifaceted culture produced by colonialism – one that coalesces elements from traditional African culture with notions of western modernity to varying degrees. I will argue that Adichie uses a range of characters, including Odenigbo’s mother, Ugwu, Olanna and Kainene, to each represent a point in a spectrum between tradition and modernity.