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Children's language acquisition and its characteristics
Language development in childhood
Language development in childhood
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Narratives have been utilized for centuries to express and communicate events from the past, present, and future. Whether it is from reading books, watching movies, or listening to their parents, children are constantly exposed to narratives. By having this exposure, children are not only learning new events, but are also discovering how to develop and advance their own language skills. This process of narrative development is a vital skill children must acquire in order for them to develop successful language abilities themselves. But how then do children transition from listening to other people’s stories to creating narratives of their very own? It is important to first address the different types of narratives children use. Around the …show more content…
And I sat on the swing. Then mom pushed me. And mom gave me juice. We played. We drove home.” While these narratives do contain a beginning and an end, they are only made up of lists of events instead of being a cohesive storyline. This example shows that children during these ages have not yet mastered the ability to disclose important details within their narratives and they lack clear introductions, middles, and endings (Pence & Justice, 2012). By the time they are four, children are able to develop what is referred to as a true narrative, meaning it contains a problem and a solution (Pence & Justice, 2012). As children progress to school age years they start to develop more language skills and their narrative telling abilities mature. Between the ages of five to six, children begin to shift from temporal sequences to more thematically motivated stories that focus on character motives and a detailed plot line (Munoz, Gillam, Pena, & Gulley-Faehule, 2003). Typically there are four different types of narratives children use during these years; recounts, accounts, event casts, and fictionalized stories (Pence & Justice, 2012). Recounts, also known as personal narratives, are narratives that are about real personal experiences or retellings of a story that has been told in the past (Pence & Justice, 2012). For example, a mother might prompt her child to tell a recount when she asks, “Can you remind me what happened in the book we read last night?” …show more content…
Other components include using more detail or orientations like specific names and evaluations that convey different character perspectives (Pence & Justice, 2012). Between the ages of five to twelve children use these skills more and as they age their ability to utilize them gets stronger. Five to six year olds tend to only include one episode on their storytelling, where as seven to twelve year olds can have multiple episodes going on in their narratives. It can be seen that compared to seven, eight, and nine year olds, and ten through twelve year olds use much more detail in their stories (Pence & Justice,
The two stories “War” and “About Effie” from Timothy Findley’s Dinner Along the Amazon are both told by the same child narrator, Neil. In each of the stories Neil attempts to make sense of a mystery of the adult world. In “War” Neil tries to understand the adult world of war, and explain why it seems that his father has betrayed him, and in “About Effie” Neil tries to understand the mystery of Effie’s strange need to wait for a man in a thunderstorm. Neil reaches an understanding of each of these mysteries in a similar way: through observation of non-verbal clues from adults. However, Neil’s own attempts to communicate non-verbally through his behaviour are unsuccessful. Taken as a whole, these two stories show how very important non-verbal communication is in child-adult relationships.
of view narrative is what allows the author to convey the confused state that the child is
1. Growing up we all heard stories. Different types of stories, some so realistic, we cling onto them farther into our lives. Stories let us see and even feel the world in different prespectives, and this is becuase of the writter or story teller. We learn, survive and entertain our selves using past experiences, which are in present shared as stories. This is why Roger Rosenblatt said, "We are a narrative species."
Ramey, Heather L, Tarulli, Donato, Frijters, Jan C, Fisher, Lianne (2009), ‘A sequential analysis of externalising in narrative therapy with children’, Contemporary Family Therapy, no. 31, 2009, pp. 262-279.
Cleave, P., Bird, E., Czutrin, R., & Smith, L.(2012) A Longitudinal Study of Narrative Development in Children and Adolescents with Down Syndrome. Intellectual and Developmental Disabilities. pp. 332-342.
These factors include differences in lexicon, syntax, grammar, and pragmatics (308). When dealing with children, the guidelines are broken down into four phases, rapport, free narrative, questioning, and close (297). The interviewer begins to build a rapport by asking the child neutral based questions. For example, ‘Shall we talk a bit about things you like and your house cos I don’t know you very well yet do I?’ (299). These open questions allow the children to freely express themselves and feel more comfortable with the environment, and access their cognitive abilities. In addition, it is essential for the interviewer to have the mindset of a child, in order to form a consistent turn taking and gain credible information. The free narrative phase is where the child describes his or her account of the incident, and is encouraged to use his or her own lexicon. To illustrate, the interviewer tells the child, “please tell me what happened” (302). The child then can explain the incident in its own words. However, information tends to be omitted depending on the child’s age. This can lead to a weakened account, which can be strengthened if the interviewer asks more questions. For example, a child witness aged 6 stated their account as, “I came home, my dad sent me up to go in the bath. I go out the bath my dad gave me the towel and said, ‘ go downstairs and get dry’. I
Sipe highlights five different expressive engagements—dramatizing, talking back, inserting, and taking over—that children portray during story book read- alouds. He believes that teachers must encourage these behaviors in children because it shows participation and it inspires children to take over the story. Some of these expressive engagements are reasonable while some serve as a disfavor to children’s learning. On page 482, he gives instruction on how teachers can implement the expressive engagements in their classroom. Sipe claims, “the first type of expressive engagement, dramatizing, can be encouraged through dramatic reenactment” (481). This can be problematic for fairy tales such as “The Juniper Tree”. This story about a stepmother killing her stepson by beheading him then cooking him in a stew, and a little boy turned into a singing bird who then later kills his murderer by “…dropping a millstone on her head and crush[ing] her to death” (252) can be gruesome for children to dramatize. Another expressive engagement that Sipe mentions is “inserting”. Sipe claims that if children are encouraged to insert themselves or other people around them into the story that they are reading, they can exercise their power over the tales. Through this process, Sipe claims “children in process of becoming one with the story, to the extent of assuming their stance as fellow characters with equal agency and presence in the story” (478). The story of the little boy in “The Juniper Tree” suggest a different view about mechanically inserting characters in a story. The little boy must learn about what each of his family members did to contribute to his death. When the little boy died, he did not know anything about the causes of his death and the things that happened after. He had to learn that his “mother, she slew [him]”, his father
Throughout my childhood, the idea of having a college education was greatly stressed. As a result, it was my duty as the next generational child, to excel in my studies and achieve a life of prosperity and success. Learning became the basic foundation of my growth. Therefore, my youth was overtaken by many hours spent reading and writing what was known to be correct "Standard" English. I first found this to be a great shortcoming, but as I grew older, I began to realize the many rewards acquired by having the ability to be literate.
Ramey, H. L., Tarulli, D., Frijters, J. C., & Fisher, L. (2009). A Sequential Analysis of Externalizing in Narrative Therapy with Children. Contemporary Family Therapy: An International Journal, 31(4), 262-279
James, A. (1998). From the child's point of view: Issues in the social construction of
Presenting the story from a third person perception and having the narration by the mother or “Mama” gives the story great relevance to real life situations that ha...
Mueller expresses how stories allow children to achieve the impossible, such as flying when they are incapable and discovering the unknown. Stories give a life to the people who are unable to live, and that is one of the reasons why imagination is so essential to our world. The sharing of tales bring genuine joy to people without the need of materialistic items; it gives people the chance to relate to the author on a common ground. The sense of shared joy and mutual connection brings people closer together and expands on relationships. People begin to feel as if they are apart of an imagined community, which is a community in which people perceive themselves to be apart of, through common interests or relations from media or works of literature. Communities such as these allow people to connect with each other, despite never crossing paths. It allows the birth and the strengthening of relationships, for when people begin to converse with others, the first thing they do is find common experiences or interests that they share. In addition, a quote from Mueller, herself, adds to why we tell stories: “Because the story of our life becomes our life. Because each of us tell the same story but tell it differently, and none of us tells it the same way twice.” Tales are devised with the incorporation of the narrator’s imagination; it is a way to
Woolley, J. D. & Cox, V. (2007). Development of beliefs about storybook reality. Developmental Science, 10 (5), 681-693. doi: 10.1111/j.1467-7687.2007.00612.x
In this book about the importance of children, imagination, and their fantasy play, written by Vivian Gussin Paley, she discusses the disappearance of creative free play in children’s school, and how it can potentially hinder a young child’s development. Vivian takes us on a journey through different classrooms around the world, in order to explore the impressive language of children during their free time, role-playing, and storytelling. In these classrooms, Vivian records the children’s stories and how they interact with each other, in order to grasp an understanding of the meaning that lies in their fantasy play. Early on in the book, Vivian states that, “There was a time when
Throughout time, mankind has forged stories and legends to explain the unknown. As years went along the stories and tall tales were passed down to each generation. Each recount of the inherited stories are always told differently, how the story was told usually depended on the person and their particular region of habitance. Thus leading to hundreds of different versions of a single story told throughout the world, written and told by different people. Not only are these stories told as pure entertainment, they serve as wise life lessons and set examples for children when they were eventually introduced to society. These stories are so prominent in human history that even to this day the same stories that were told to children centuries ago