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Critical study of the scarlet letter
Character of hester prynne
Character development the scarlet letter
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Recommended: Critical study of the scarlet letter
Chapter 1 What is the setting of The Scarlet Letter? The setting of The Scarlet Letter is a Boston colony. Why does Hawthorne begin the story with a reflection about the need for a cemetery and a prison? By beginning the story with a reflection of a need for a cemetery, Hawthorne sets up a dark tone. It also shows that although this new colony is what people call a utopia, there will still be crimes and death. What is the significance of the wild rosebush that grows beside the prison door? The wild rosebush symbolizes relief in dark times and hope in such a dreary prison. Who was Ann Hutchinson? Anne Hutchinson was a Puritan spiritual adviser and was arrested for being a threat to religious leaders. What does Hawthorne achieve by his reference …show more content…
What might this indicate? This letter A was done artistically and with fertility. This made the people think that she was not ashamed of her sin. What is accomplished by Hawthorne’s allusion to the Madonna and Child? The allusion to Madonna shows that Hester really loved her child. Considering the common use of physiognomy (appearance) in pre-twentieth-century literature, what might Hawthorne be suggesting by portraying Hester as extremely beautiful? By portraying Hester as beautiful, Hawthorne may be wanting to allow the readers to think that maybe she is a good person beyond her adultery. What does the flashback reveal about Hester’s past? This flashback reveals that Hester lived in poverty. Chapter …show more content…
This conversation provides background information on Hester's life. Why wasn’t Hester sentenced to death for her adultery? Hester is not put to death because of the baby and because they do not yet know who she committed adultery with. Where has the stranger been? What motion does he make to Hester? The stranger has been with the Indians and he placed his fingers on his lips. Who is Dimmesdale? What appeal does he use to convince Hester to reveal the baby’s father? Dimmesdale is a young clergyman. He tells Hester to reveal the baby’s father because he would feel guilty and he wouldn't live in sin anymore. What is Hawthorne foreshadowing with the stranger’s prediction that the name of the father will eventually be disclosed? Hawthorne is foreshadowing that the book will focus on revealing the baby’s father. What is ironic about Dimmesdale’s reaction to Hester’s refusal to name the father of her child? After Hester not revealing the baby’s father, Ironically Dimmesdale claimed Hester to be a strong hearted woman and to have a generous
Consequently enough, Dimmesdale is trying to convince Hester to reveal the man who has sinned along with her, so the man can be relieved of his guilt, somewhat ironic because he is the man who has sinned along side with her. "What can thy silence do for him, except it tempt him--yea, compel him, as it were--to add hypocrisy to sin? Heaven hath granted thee an open ignominy, that thereby thou mayest work out an open triumph over the evil within thee and the sorrow without.
To be a “good mother” many sacrifices must be made and Hester Prynne is a prime example of this and more. Instead of giving into all the slander that was thrown at her by the villagers she pressed on with her life for her child. Most women would go crazy or commit suicide if they endured the beatings Hester received or hate their child, but Hester did the complete opposite, she wore the ‘A’ with pride, and actually became a symbol of righteousness in the town because she sacrificed her own needs and catered to others. Hester put up with Dimmesdale, the cowardly father to her child, and still loved him even after years of him hiding from his responsibility and duty to her and her child. Not only did Hester sacrifice herself for her child’s well-being, but Dimmesdale as well. Dimmesdale helped Hester bring that child into the world, but was so too afraid
To the town, Dimmesdale appears to be perfectly righteous and is respected highly; while in reality, he is just as guilty as Hester. The hypocrisy of his character first begins to develop as he denies his own sinfulness
To his belief, “Herein is the sinful mother happier than the sinful father.” (p. 102) By this he means that Hester’s scarlet letter allows her more public freedom than him. Although condemned by society as a sinner and treated as a pariah incapable of raising her own child, she does not have the constant pressure of wearing a mask of a person that she is not, unlike Dimmesdale. His sentence of justice was one enacted not by law as his lover’s, but by societal pressure and internalized guilt. Dimmesdale reveals the depth of the indoctrination of his facade to Hester in their sole moment of private tenderness, “I have laughed, in bitterness and agony of heart, at the contrast between what I seem and what I am!” (p. 167) He says, furthermore, in that same instance, “But, now, it is all falsehood!—all emptiness!—all death!” Together, the suggestion of these two lines is that the suppression of his identity and the resulting soul sickness has cost him his life. It is clear with the progression of the story that Dimmesdale, at least physically, indeed does suffer more than Hester. As his body decays, so too does his spirit and his vitality is only reignited upon returning from their encounter in the forest when, “…there appeared a glimpse of human affection and sympathy, a new life…” (p. 175) And finally when he exclaims, “Do I feel joy again?” (p.
Hester and Dimmesdale’s affair goes undiscovered until Hester is pregnant and bears a child without having her husband present. As her punishment, Hester is forced to stand on the scaffold in the middle of the market place, with an A on her chest. Dimmesdale has not told a single person that he is the adulterer. He sits in the balcony with the Governor, a judge, a general, and the rest of the ministers, watching the display, without any expression or emotion. Hester and Pearl go to the Governor’s home to deliver a pair of gloves, but more importantly to inquire about the possibility of the government taking away her child. Also there with Governor Bellingham are Pastor Wilson, Reverend Dimmesdale and Roger Chillingworth. After Mr. Wilson asks Pearl a few questions, the Governor decides that Hester is unfit as a mother and that the child would be better off in the hands of the church. Hester begs Dimmesdale, whom she says knows everything about her and has charge of her soul, to speak for her. Therefore, he does, convincing the Governor to let Hester keep Pearl. This is Dimmesdale’s first step to becoming the moral blossom. Late at night, a few years after the previous incident, Dimmesdale takes a walk through the town. He climbs onto the scaffold and pretends to confess; though there is no one out at this time at night. Hester and Pearl, on their way home, pass Dimmesdale on the scaffold. Dimmesdale calls out to them and they join him, standing hand in hand in the darkness. Dimmesdale has begun the road to confession by acknowledging Hester and Pearl and by acting out confession. Now he feels guiltier than ever.
Lang, H.J. “How Ambiguous is Hawthorne?” In Hawthorne – A Collection of Critical Essays, edited by A.N. Kaul. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Hawthorne creates a serious and somber tone throughout much of the story. From the start, the audience gets a sense that Brown will go through relentless agony from the devilish stranger. His diction in the opening paragraphs is a good indicator of this. He uses words such as “melancholy”, “evil”, “dreary”, and “grave” to evoke a certain mood in the reader. There is little relief from this seriousness that would suggest that Hawthorne’s attitude about the story be hopeful. Brown’s attitude and actions portray a negative view of Salem and its people. He ponders the hypocrisy of the town as well as that of the Puritans. He examines the possibility that evil and corruption exist in a town that is supposedly characterized by piety and devout faith.
The first chapter sets the scene for the novel: Boston, during the seventeenth century. During this period, religion is the foundation for both the laws and the society. We are introduced to the town's cemetery and nearby prison. Next to the prison grows a wild rosebush. We can think of the wild rosebush as representing the beauty of nature, and the prison as the symbol of societies need to tame nature.
Her husband is an old, misshapen man who Hester married while still in Europe. Chillingworth sends her ahead of him to New England, and then does not follow her or correspond with her for two years. Ironically, he shows up on the day that Hester is publicly punished for her sin of adultery. This is the first of the three scaffold scenes. Hester stands alone, clutching her infant.
One of the main characters to lie is Dimmesdale, a well-known minister in Massachusetts. His motive for lying is to keep his reputation as a minister by not telling anyone that he commits adultery with Hester and is the father to Pearl. He...
face being beautiful. . . never has she appeared more ladylike. . .”(Hawthorne page 51) this is stating that she has a youthful and innocent qualities, she is obviously pretty young for she is being described in this way A romantic hero is portrayed as someone who is innocent, young, and clean, not necessarily pure clean but a someone who is nice, quiet, and doesn’t care too much trouble or harm. Here it is seen that Hester reflects these qualities.
common sense. If Hester and Dimmesdale had stopped and thought it out carefully there would not be a baby in the equation. If there was no child, than Hester and Dimmesdale could have loved each other in secret, and maybe then their plan to run away might have been successful.
Hester Prynne, “The young woman was tall, with a figure of perfect elegance on a large scale. She had dark and abundant hair, so glossy that it threw off the sunshine with a gleam; and a face which, besides being beautiful from regularity of feature and richness of complexation, had the impressiveness belonging to a marked brow and deep black eyes.” (11). In this quote Hawthorne depicts Hester as lady-like with great beauty, elegance, and intelligence; continually Hawthorne mentioned how Hester’s beauty stands out from the dark Puritan society. However,
Dimmesdale is not ignorant, he is very well educated. As Hawthorne states, “…Rev. Mr. Dimmesdale; a young clergyman who had come from one of the great English universities, bringing all the learning of the age into our wild forestland. His eloquence and religious fervor had already given the earnest of high eminence in his profession.” (Hawthorne 72) This man’s morals had, until the adultery, been high. He is very spiritual because on top of being of the Puritan faith, he is a minister of the word of God. Throughout most of the novel, Rev. Dimmesdale is forced to hide his guilt of being Hester’s partner in sin. When in reality, he is not being forced by anyone, but himself, for he is the one who chooses not to reveal his secret to the town. Dimmesdalehas a concealed sin that is, eating at him. He just doesn’t have the courage to admit his wrongs. He seems to be a coward during these seven years of living with guilt. There is a scene in chapter 3 where Rev. Dimmesdale states, “Hester Prynne…If thou feelest it to be for thy soul’s peace, and that thy earthly punishment will thereby be made more effectual to salvation, I charge thee to speak out the name of thy fellow –sinner and fellow-sufferer! Be not silent from any mistaken pity and tenderness for him; for,
...e ownership of his sin, gradually reducing his stance as the virtuous minister to a pathetic man desperate pleading that Hester reveal his sin for him instead. Whilst Hester dealt with her punishment with grace and dignity, Dimmesdale struggled very obviously to no avail with his guilt. Thus, the contrast created between the two characters exhibits the unwavering strength of female valor, in the face of Dimmesdale's "unmanly" actions. Even more so, Hester's admission of her sin "made her strong[er]"and gained communal respect for her, whilst Dimmesdale was "broken down by long and exquisite suffering", a mere shell of the man he had used to be. The respect that Hester garnered from this highly Puritan and patriarchal society attests to the innate strength of women regardless of preconception of their inferiority.