DERBY “Beautiful, isn’t it?” There was a hayfield to the right. It was newly mown, the little hills like breaths of air drifting off to the tree line. Large round bales lay like sleeping giants scattered over the landscape, and blackberries grew in low hedgerows along the barbed wire. I took a drink, and the water tasted of life, as it always does on those late summer days. Emily stood next to me, her eyes wandering over the scenery, taking in the low trees, the endless fence that ran along the gravel road, the sound of crickets, and the nasal croak of the woodcock. The sun was setting. It was her first time in Derby, and it truly was beautiful. “Should we be heading back?” Emily stood straddling her bike. It was a dull silver, and fit in with the island landscape. “A few more minutes. The sun sets at the end of the road, just …show more content…
I haven’t seen you in years, and now, here?” “What is this place—” Abraham surveyed the cove, following the cliffs until they vanished into a black sky, lit by some unearthly glow. RED BARN “You’re not doing much with it anyway. It’s just rotting. Maybe you put a few vegetables down in the cellar once in a while, or maybe you take a mare in there to foal, but Greg, you’ve got more than enough space for all that. I’m begging you.” The two men stood at the fence line, their tall boots beating back the grass. Beyond the slat wood, not quite twenty yards from the little dirt road, there was situated a small red barn. “For the children, Greg.” “No. I use that barn,” said Greg, and he turned to go. “Wait.” “I said no, Abe. Go build your school on someone else’s land.” And this time, as he walked away, Abraham made no move to stop him. The salt-dry smell of old horse dung rose in the thin dust kicked up by the tall boots, and the red barn with its vaulted gable and darkened door looked on in astonishment, and perhaps a few parts disappointment.
SOMEWHERE OFF THE CANADIAN
J.D Salinger gives his personal vision of the world successfully through his persona Holden Caulfield in the ‘Catcher in the Rye’. Caulfield struggles with the background of New York to portray Salinger’s theme – you must live the world as it is, not as you would like it to be. There by exposing Salinger’s vision on the world.
She then moves on to describe each of the characters, and in doing so, their surroundings and how they fit in: "He was cold and wet, and the best part of the day had been used up anyway. He wiped his hands on the grass and let the pinto horse take him toward home. There was little enough comfort there. The house crouched dumb and blind on the high bench in the rain. Jack's horse stood droop-necked and dismal inside the strand of rope fence, but there wasn't any smoke coming from the damned stove (28)."
Ted Kooser’s “Abandoned Farmhouse” is a tragic piece about a woman fleeing with her child, the husband ditched in isolation. The mood of the poem is dark and lonesome, by imagining the painting the writer was describing I felt grim because of what the family went through. As reported in the text, ”Money was scarce, say the jars of plum preserves and canned tomatoes sealed in the cellar hole.” This demonstrates the understanding of why they deserted the farmhouse. The author also composes, “And the winters cold, say the rags in the window frames.” This proves that the residence was unaccompanied. When placing the final touches, the reader begins feeling dark and lonesome, asking about the families disappearance.
This book is a good book. "What I was really hanging around for, I was trying to feel some kind of a good-by. I mean I've left schools and places I didn't even know I was leaving them. I hate that. I don't care if it's a sad good-by or a bad good-by, but when I leave a place I like to know I'm leaving it. If you don't, you feel even worse. ~J.D. Salinger, The Catcher in the Rye, Chapter 1
The Catcher in the Rye, by J.D. Salinger, describes a period of time in a young
In 1950 J.D. Salenger captures one of society’s tragedies, the breakdown of a teenager, when he wrote The Catcher In The Rye. Holden Caulfield, a fickle “man” is not even a man at all. His unnecessary urge to lie to avoid confrontation defeats manhood. Holden has not matured and is unable to deal with the responsibility of living on his owe. He childishly uses a hunter’s hat to disguise him self from others. The truth of his life is sad and soon leads to his being institutionalized. He tries to escape the truth with his criticisms. Knowing he will never meet his parents’ expectations, his only true friend is his eight-year-old sister Phoebe, to whom Holden tells that he really wants to be ‘the catcher in the rye”. Holden admits his only truth and shows that Phoebe is his only friend. Another form of escape for Holden is his acting, which he uses to excuse the past. Holden has tried to lie, hide, and blame his way through life; when he finds that it is not the answer he collapses.
Emily describes a relaxing slow pace towards an unknown destination. On the way, she enjoys the peaceful scenes. “We passed the school, where children strove, At recess – In the Ring-“(Dickinson 9-10). Emily is reflecting on her past, this may also be seen as the beginning of a life cycle. Emily then goes on to say, We passed the Fields of Gazing Grain (11).
In a novel, the theme is the insight of real life. J.D. Salinger’s initiation novel, The Catcher In The Rye, describes the adventures of 16-year old Holden Caulfield, the protagonist and first person narrator, who refuses to grow up and enter manhood. The most important theme developed by Salinger is Holden’s problem of dealing with change; he has trouble dealing with death, he refuses to accept children’s loss of innocence as a necessary step in the growing-up process, and has difficulties with growing up.
While reading through Salinger's The Catcher in the Rye one notices many points of similarity between Holden and other people in the world. Much of what Salinger focuses on in the book, for example the feelings, the experiences, and Holden's wants, are things the reader can relate to and understand. In a sense, Salinger typified the heart and soul of the disillusioned teenager. Yet, it goes deeper than that. Salinger created not just a mish-mash of teenage angst but an archetype that recapitulated every teenager caught between the little games of high school and the fear of adulthood. It's for this reason that I, as with so many other teenagers, can relate to this book.
From the novel, The Catcher in the Rye, the youthful protagonist Holden Caufield, employs the word “phony” to describe the behavior of a number of characters including Mr. Spencer and Ossenburger, however it is not them who are“phony”, it is the young main character. First, Mr. Spencer, Holden’s ex- history teacher, is not described as phony, but according to the adolescent, his choice of words are. Secondly, according to our main character, Ossenburger is not the generous philanthropist he portrays himself to be, but rather a greedy undertaker. Lastly, the protagonist could quite possibly be the authentic phony. All in all, the main character’s use to describe many other characters in the book is with the single word phony, when in fact the word phony would be the most probable word to describe the lead character.
Although The Catcher in the Rye caused considerable controversy when it was first published in 1951, the book—the account of three disoriented days in the life of a troubled sixteen-year-old boy—was an instant hit. Within two weeks after its release, it was listed number one on The New York Times best-seller list, and it stayed there for thirty weeks. It remained immensely popular for many years, especially among teenagers and young adults, largely because of its fresh, brash style and anti-establishment attitudes—typical attributes of many people emerging from the physical and psychological turmoil of adolescence.
About half-way between West Egg and New York the motor road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes---a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of grey cars cr...
As the first rays of the sun peak over the horizon, penetrating the dark, soft light illuminates the mist rising up from the ground, forming an eerie, almost surreal landscape. The ground sparkles, wet with dew, and while walking from the truck to the barn, my riding boots soak it in. The crickets still chirp, only slower now. They know that daytime fast approaches. Sounds, the soft rustling of hooves, a snort, and from far down the aisle a sharp whinny that begs for breakfast, inform me that the crickets are not the only ones preparing for the day.
Jerome David Salinger's The Catcher in the Rye is a truly unique novel in terms of writing style. The story is told in a second person narrative style by a character named Holden Caulfield, and is written loosely in a fashion known as 'stream of consciousness writing'.
Fortunately, I wake every morning to the most beautiful sun lit house. I sit on my porch sipping coffee, while I drink in an atmosphere that steals my breath away. Rolling hills lay before me that undulate until they crash into golden purple mountains. Oh how they are covered in spectacular fauna, ever blooming foliage, and trees that are heavy with pungent fruit. Green it is always so green here at my house. Here where the air lays heavy and cool on my skin as does the striking rays of the sun upon my cheeks. I know in my soul why I choose to be here every day. Pocketed in all the nooks and crannies of these valleys and hills are stately homes, rich with architecture resplendent. Diversity is the palate here; ...