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Point of view of the cask of amontillado
Reflection on the cask of amontillado by edgar allan/poe
Reflection on the cask of amontillado by edgar allan poe
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Recommended: Point of view of the cask of amontillado
The point of view of the story “The Cask of Amontillado” is from first person. I know this because the narrator of the story is one of the main characters. Key words tell us which point of view the author is using. For example, in this story, the word “I” is used instead of “you”, which would imply second person, or “he” and “she”, which would imply third person. In addition, this story is from the perspective of an unreliable narrator. The narrator was slightly insane and ended up killing the other lead character so he is unreliable. The point of view of the story “Araby” is first person. It is written using the word “I”. The author uses first person to show how the night went from the perspective of a person who was there rather than someone
The whole book is written as a first person narrative except for one short part that Rahim Khan is narrating. The book is told in first person by the main character Amir. The example shows that the story is told in first person because the author uses the word “I” and explains what Amir is thinking in his own mind which can only be done in first person narrative.
Literary devices are tools used by the author to help the reader understand a given literary work. Writers use different literary devices depending on their style and what they wish their reader to get out of their work. One important literary device that is essential for a successful literary work is theme. Theme is the general insight into life that the author shares with the reader. There are a number of different methods from which an author can choose to present his/her theme. One common strategy is to communicate the theme through the use of mood; the overall feeling or emotion conjured within the reader. In Edgar Allan Poe's short story, "The Cask of Amontillado," and in Saki's short story, "The Interlopers," the mood evoked within the reader is used to communicate the short story's overall theme.
Benton, Richard P. "The Cask of Amontillado: Overview." Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 1994. Literature Resources from Gale. Web. 3 Dec. 2010.
In Edgar Allan Poe’s “The Cask of Amontillado,” the main character, Montresor, leads his enemy, Fortunato, into his catacombs, and there buries him alive by bricking him up in a niche in the wall; Poe gives no actual reason for this except to say that Montresor has been “insulted” in some way. In his Science Fiction work “Usher II,” Ray Bradbury adopts many of Poe’s works in creating his story—including pieces from “TCoA.” What separates Bradbury’s work from other authors who borrow works and re-imagine them (Gregory Maguire’s Wicked, Geraldine Brooks’s March, and Peter Carrey’s Jack Maggs, for instance), is that “Usher II,” in its imaginative way, is trying to be one with its predecessor. Bradbury seeks to retain Poe’s love of the double and the secretive (Gothic mentalities where the reader is meant to be a bit uncertain about what they’re reading and what’s going on) while adding, most notably regarding “TCoA,” the things Poe never had much care for: a beginning, an end, and reason—thus making “Usher II” not only an homage to Poe’s work, but a companion piece whose beating heart lies within the original work.
"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.
First Person is when the author chooses one character to tell the story. You will often see the words, “I,” and “me,” through out. The narrator will most likely be in the middle of the action, or telling the story from a past perspective.
"The Cask of Amontillado" is told in the first person by Montresor. In the opinion of John Gruesser, Montresor who "lies on his deathbed, confessing his crime to an old friend, the You' of the story's first paragraph" (129) is signifying his guilt fifty years after the murder. It does not appear that he is disclosing this sin to someone out of revel, but rather out of regret. It is highly unlikely that he is still experiencing the murderous level of hatred for a foe who is now just the pathetic skeletal remains of a man who met his demise on account of the drink he loved.
The point of view is first person because it uses I. She uses first person because It helps the readers know how that person really feels and what they really do. The creature said “I perceive that the words they spoke sometimes produced pleasure or pain, smiles or sadness, in the minds and countenances of the hearers.” The creature also said “I distinguished several other words without being able as yet to understand or apply them, such as ‘good,’ ‘dearest,’ ‘unhappy.’ “
The first –person narration style of “The Cask of Amontillado” is vital in creating the quality of the story. The story allows one of the main characters in the story Montresor, to tell the story from his point of view which gives the reader intimate yet disturbing look into the mind story teller thinks and feels which the reader doesn’t normally get from other narrative styles. The narrative style of this story is important because it sets the tone of the story. The reader become more familiar with the thoughts and intentions of the main character and this allows the reader to slightly figure out the outcome of the story and further understand the ironies throughout the story. If this story was told from a different angle I don’t believe it would be as powerful. First person narration
The short story “Araby” by James Joyce is told by what seems to be the first person point of view of a boy who lives just north of Dublin. As events unfold the boy struggles with dreams versus reality. From the descriptions of his street and neighbors who live close by, the reader gets an image of what the boy’s life is like. His love interest also plays an important role in his quest from boyhood to manhood. The final trip to the bazaar is what pushes him over the edge into a foreshadowed realization. The reader gets the impression that the narrator is the boy looking back on his epiphany as a matured man. The narrator of “Araby” looses his innocence because of the place he lives, his love interest, and his trip to the bazaar.
Edgar Allen Poe’s gruesomely fascinating tale of vengeance and murder, “The Cask of Amontillado”, achieves its effect only through its usage of the first person point of view. This unusual perspective enables the reader to view the characters and conflicts through the eyes of the narrator, as he first discusses and justifies, and eventually, carries out his plans for the ruthless murder of his friend. The eerie tone and disorienting and materialistically-related setting of the story contribute to its theme of defending one’s honor and name and avenging all wrongdoings, even something so small as an insult.
In the story “The Cask of Amontillado” the setting begins with a party and people being happy. This could represent the beginning of Montressor and Fortunato’s friendship. Then somehow, Montressor feel Fortunato has wronged him. This starts the path of darkness in theme. The anger or darkness he feels is building, as represented in going down the cellar stairs. The more you think about revenge the darker and more complex it gets.
The first-person narration style of "The Cask of Amontillado" is essential in creating the original quality of the story. The reason this is so important in this particular story, is because when a sane killer, Montresor, is allowed to tell the story from his point of view, the reader gets a unique, disturbing look into the calmness of his mind. The audience can more clearly see how he thinks and feels, which the audience does not normally get in mainstream, commercial literature. The reason the narration style is so important to the tone of the story, is because it lets the reader become personally acquainted with the thoughts and intentions of the main character, and since the reader somewhat knows the outcome from the beginning, it allows certain ironies to make sense to the reader. Furthermore, were it told from a different perspective, I do not believe the story would have been as psychologically powerful.
When looking for a story full of irony, suspense, mystery readers can always turn to basically any story written by the “father of the detective stories”, Edgar Allan Poe (Work Cited – Biography website). In what is considered his most perfect short story of all, “The Cask of Amontillado” Poe integrates irony even in the tiniest aspects if the entire story (Work Cite – Cliff Notes). For the reader to completely understand Poe’s creepy, perfectionist style they should know some background on Poe himself. Starting from a young age Poe experienced multiple tragic events that drastically changed not only his life, but his outlook on life (Work cited – biography). With so many negative things surrounding Poe it is no
The visual and emblematic details established throughout the story are highly concentrated, with Araby culminating, largely, in the epiphany of the young unnamed narrator. To Joyce, an epiphany occurs at the instant when the essence of a character is revealed, when all the forces that endure and influence his life converge, and when we can, in that moment, comprehend and appreciate him. As follows, Araby is a story of an epiphany that is centered on a principal deception or failure, a fundamental imperfection that results in an ultimate realization of life, spirit, and disillusionment. The significance is exposed in the boy’s intellectual and emotional journey from first love to first dejection,