Daniel Craig’s new James Bond in Casino Royale breathes fresh life into what had become, in my opinion, a rather tired and worn out concept - a striking achievement, considering Casino Royale was Ian Fleming’s first novel in the series, written in 1953. We encounter Bond as a fledgling British agent, yet to gain MI6 double-0 Status, with its ‘licence to kill’. The film strikes me as being more violent than previous Bond films, showing him cleaning up after the action - indeed, some of his injuries as portrayed were genuine, according to The Ticket, November 2006. He is less ‘superhuman’, too, than in the other films; for example, he’s not as adept at ‘free-running’ as his adversary. The new less-than-perfect Bond (he upsets M by killing an agent rather than capturing him) illustrates the new realism and his vulnerability, as we see later when he loses his heart to Vesper Lind, and is devastated by her apparent suicide. Plot-wise, this seems a somewhat ludicrous outcome, but certainly adds to the drama. A classic Bond-film cliché, however, is when she betrays him (in order to sav...
The opening sequence is an important event in a Bond film. Ever since the second James Bond film, there has been an action sequence as an introduction to the main feature. These sequences invariably involve dangerous stunts, which are designed to act as eye candy. Since 1977 when Roger Moore skied off a cliff to
The movie Dirty Harry is about a cop who was known as Dirty Harry. Harry is a cop film with Clint Eastwood, who depicts Harry Callahan, as a strict cop. He uses any means to bring down a criminal, even if it means breaking the rules. He seeks justice and never forgets the case until he gets it done, even if the government asks him to leave the case. Regarding the movie, Edwin J. Delattre states that “It is easy for the justice system to protect potential suspects ahead of enforcing the rights of victims while ignoring citizens who were in danger or who had been murdered” (2002).
Meanwhile, Sam’s announcement comes after he’s having the most astonishing year for his career. He already won four Grammy awards and three Brits. The “Spectre” is set to hit the theaters on Nov. 6 starring Daniel Craig and directed by Sam
Whilst the comparisons between the Bond and Power series to some are far-reaching and absurd, to many viewers including myself, they are far more sophisticated than the
Bond, Jeff. "Zimmer Takes Aim...at FSM." Film Score Monthly 2.7: 21. IIMP. Web. 6 Dec. 2010.
“Raging Bull” (1980) is not a so much a film about boxing but more of a story about a psychotically jealous, sexually insecure borderline homosexual, caged animal of a man, who encourages pain and suffering in his life as almost a form of reparation. Martin Scorsese’s masterpiece of a film drags you down into the seedy filth stenched world of former middleweight boxing champion Jake “The Bronx Bull” LaMotta. Masterfully he paints the picture of a beast whose sole drive is not boxing but an insatiable obsessive jealously over his wife and his fear of his own underling sexuality. The movie broke new ground with its brutal unadulterated no-holds-bard look at the vicious sport of boxing by bringing the camera into the ring, giving the viewer the most realistic, primal, and brutal boxing scenes ever filmed. With blood and sweat spraying, flashbulbs’ bursting at every blow Scorsese gives the common man an invitation into the square circle where only the hardest trained gladiators dare to venture.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
He is invincible and infallible. He is like a god who can save his partner and himself at any critical juncture. No matter how urgent and dangerous the situation is, Bond is able to make the right decisions all the time. However, in Casino Royale, Bond made plenty of mistakes. He got poisoned by Le Chiffre so easily, which almost killed him. He did not recognize his two “friends” were actually both traitors. Because of love, Bond got trapped and tortured by Le Chiffre, and he even wanted to quit his agent job in order to live with his girlfriend. In this version, James Bond is no longer infallible, no longer always cool and logical, he got emotions as well as weaknesses. Nonetheless, because of his weaknesses, James Bond became more like an actual human being who has flesh and blood, audiences would have more attachments to a character like
Ian Fleming published his first novel, Casino Royale, in 1953. Later on, in 2006 a film was made based on the novel. Fleming published his novel pertaining a man, James Bond, who is a British secret agent and is licensed to kill. Bond is told to gamble with Le Chiffre, who is a member of the Russian secret service. James Bond is assigned a female partner, Vesper Lynd, who is actually a double agent for Russia and Great Britain. Throughout Casino Royale, James Bond is brought to the readers as very hard and insensitive. Whereas the film in 2006, Bond is brought to the film watchers as sensitive and caring. Men in the 1950’s society treat women than in today’s society. A lady should be treated with respect and given dignity. Men should
Bruce Almighty is a fiction story about a man who, after enduring a bad day, blasphemes God. He blames him for all the wrong doing in his life, and orders God to answer him. God does answer Bruce, appearing to Bruce as a janitor. After convincing Bruce he is God, he then bestows all of his Godly powers upon Bruce and tells him, “If you can do it better, than be my guest.”
Ian Fleming not just created the character of James Bond; he personified him by living an exciting life. With his suave style and long history of lavished background he was almost born into the part of his later creation.
The main character in the film Black Swan, twenty-eight year old female Nina Sayers, displays signs of numerous disorders through her abnormal behavior. Nina’s life is consumed by her occupation: professional ballerina/dancer. Nina resides with her mother and rarely socializes with others. She has difficulty concentrating, is restless, irritable, suffers from muscle tension, and sleep disturbances from nightmares. Nina also feels very uncomfortable in social and intimate situations. She appears to be unable to successfully interact with those around her. The interaction that Nina has with her fellow dancers appears to be strained and superficial. Nina exhibits behavior that indicates she views all other dancers as competition instead of potential comrades’ or friends. Being very introverted and unable to share any part of herself with those around her, even her mother, who appears to be the only person that has been remotely close to Nina, causes her to seek companionship with parts of herself instead of healthy relationships with others. Nina exhibits signs of generalized anxiety disorder, social anxiety disorder, and paranoid personality disorder through these abnormal behaviors.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
The main themes of the story are loneliness, materialism, and freedom from society. Tyler was created because of the lack of connection the narrator had with the people around him. The narrator was lonely and attended so many support groups because of it. He was not rejected at the support groups because the members thought he was sick just like they were. Materialism is a reoccurring theme as the narrator mentions how he has worked his entire life for the Ikea items in his apartment. He tried to fill the void in his life by buying worthless, meaningless stuff. People spend too much time working for things they do not need. The narrator comes to the conclusion that, “You are not your job or your possessions.” Only once a person realizes that can he or she finally let go and start living. “It’s only after you’ve lost everything,” Tyler says, “that you’re free to do anything.” In order to be free, we must not care about the stuff we own. Our whole lives are spent working to pay for stuff. If we did not have stuff to pay for, we would not have to work as hard and our time could be spent doing something more meaningful.
... only reason why he really wanted the bond was to get an upper hand on