Biff Loman Tragic Hero

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Aristotle defines “tragic hero” as a literary character who makes a judgment error that inevitably leads to his/her destruction. This figure is typically noble or high-born, embodies a tragic flaw he/she is blind to, suffers a reversal of fortune, and then eventually has a reckoning where he/she recognizes how his/her actions lead to their current situation. This creates a multi-dimensional character intended to evoke pity and empathy from the audience. Arthur Miller updates this concept to the modern era and defines the modern tragic hero as a common person who attempts to gain his/her rightful position in society, and in doing so, struggles for dignity. Miller fleshes out what it means to be a modern tragic hero through the character of …show more content…

He wholeheartedly buys into the myth that any well-liked man possessing a certain level of attractiveness can achieve the American Dream if he journeys forth in the world with a can-do attitude of confidence. Miller establishes Willy’s view at the beginning of the play when he laments his son Biff’s current circumstances, “Biff Loman is lost. In the greatest country in the world a young man with such—personal attractiveness, gets lost. And such a hard worker. There’s one thing about Biff—he’s not lazy” (Act 1). Willy’s analysis of Biff cements his view that personal attractiveness breeds success. The fact that Biff has not been successful despite his popularity in high school mystifies Willy. It does not fit into his perception of how the world works. In general, Willy is so rigid in his ideas that he is inflexible to seeing the alternatives. Much like a tragic hero, his excessive pride inhibits him from truly understanding the situation. He judges Biff through his own murky lenses instead of taking the glasses off to see how things really …show more content…

Willy refuses to be satisfied with the reality of his life and instead chooses to live in fantasy where he selectively colors his past and ignores the present in order to maintain a sense of dignity. Willy is a tragic hero because he fights for his place in society and his dignity, but is blind to the shortcomings that stop him from attaining these ideals. He copes with his failures by escaping to fantasy, which is his tragic flaw and leads to destruction. In Miller’s perspective, Willy is a tragic hero. However, he never really has a turn-around moment like Aristotle’s tragic hero. Instead, he speeds toward self-destruction while still failing to admit responsibility for his

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