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Women in literature
Portrayal of women in literature
Women in literature
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During the Middle Ages, there were strict gender roles for men and women; men were seen as active figures of authority in both the household and society, whereas women were largely confined to the domestic realm and expected to submit passively to men. “Berengier of the Long Ass” is a medieval French fabliau that offers a stimulating perspective on gender and class relations. Throughout the fabliau, the speaker recounts the marriage of a noble-born lady to a low-born knight, and in doing so, emphasizes the ensuing reversal of traditional gender roles. An analysis of the gender and class relations in “Berengier of the Long Ass” reveals the fluidity of gender roles and stability of class hierarchy, giving medieval women a newfound agency which …show more content…
In the beginning of “Berengier of the Long Ass,” the wife appears to uphold the notion of female subservience when she is described “hold[ing] the stirrup for her lord” (Dubin 115). Reference to her husband as her lord is important as it implies that he is a powerful male figure that she yields to. This idea of female passivity, however, is quickly undermined when she “clearly sees [that] her lord / seeks to deceive her by some fraud” (Dubin 153-4). The wife’s intellect allows her to see past her husband’s lies and she quite literally assumes a male gender role by “dress[ing] as a knight for battle” (Dubin 175). Furthermore, her efforts to deceive her husband and degrade him allow her to assume an active role over him and position her as a courageous heroine. The agency that the wife gains when her husband kisses her behind is seen when she declares, “Long Butthole Berengier, acclaimed / for putting cowards all to rout” (Dubin 258-9). Not only does the wife become the dominant gender within the marriage, but she also becomes the powerful leader of their home. This is evident when she brings another man into their bed while her husband is present. Though the husband is appalled by the sight, he does not try and stop her because he knows he has lost his authority within their marriage. Therefore, the wife demonstrates the active, aggressive characteristics typically attributed to men of the time to gain agency within her
Dominion and Domination of the Gentler Sex: The Lives of Medieval Women. 1997. 20 August 2003 <http://library.thinkquest.org/12834/>.
“Boys will be boys, and girls will be girls”: few of our cultural mythologies seem as natural as this one. But in this exploration of the gender signals that traditionally tell what a “boy” or “girl” is supposed to look and act like, Aaron Devor shows how these signals are not “natural” at all but instead are cultural constructs. While the classic cues of masculinity—aggressive posture, self-confidence, a tough appearance—and the traditional signs of femininity—gentleness, passivity, strong nurturing instincts—are often considered “normal,” Devor explains that they are by no means biological or psychological necessities. Indeed, he suggests, they can be richly mixed and varied, or to paraphrase the old Kinks song “Lola,” “Boys can be girls and girls can be boys.” Devor is dean of social sciences at the University of Victoria and author of Gender Blending: Confronting the Limits of Duality (1989), from which this selection is excerpted, and FTM: Female-to-Male Transsexuals in Society (1997).
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
Gender roles are a major theme in the novel To Kill A Mockingbird by Harper Lee, in the main ways being what is expected of proper Southern lady, the critcization of women because of their hypocrisy, and the distrust of masculinity as whole. The novel is set in the 1930s during the Depression in the small traditional town of Maycomb, Alabama. Scout is the main female protagonist in the novel and Scout herself faces the gender conformity, as does many others, like Tom Robinson and other men, and the female gender as a whole.
Society places ideas concerning proper behaviors regarding gender roles. Over the years, I noticed that society's rules and expectations for men and women are very different. Men have standards and specific career goals that we must live up to according to how others judge.
In Chaucer's The Canterbury Tales, a reader is introduced to a rather bizarre and heterogeneous group of people leaving for a pilgrimage. The Wife of Bath is the most interesting and lively character of the group. Her "Prologue" and "Tale" provide readers with a moral lesson as well as comic relief. The Wife's "Prologue" serves as an overture to her "Tale", in which she states a very important point regarding the nature of women and their most sacred desires. According to this character, women desire sovereignty, or power, over their men most in the world. This wish seems to be most appropriate for women of the time period in which Chaucer lived. However, women today no longer wish to dominate their men - sovereignty of women over men is not relevant in the twenty-first century. The reason is that women are no longer deprived of power and freedom.
Woman in “The Wife of Bath’s Tale” compared to the women in Beowulf and Sir Gawain and the Green Knight shows a progress or a power shift between men and women. When the knight sees the old lady and asks her for her help, she’s the only one who has that power to help save him. Now in terms of power, the old lady and the Wife differ in how they show their power. For example, The Wife in the prologue, she talks about her having five husbands and is looking for the sixth one and how her husband who “shal be bothe my dettour and my thral / And have his tribulacion withal / Upon his flesh whil that I am his wif.” (shall be both my debtor and my slave / And bear his tribulation to the grave / Upon his flesh, as long as I’m his wife) (The Wife of Bath’s Prologue 161-163) and even how she “have the
“Grandpére,” Anna’s husband, reveled in the “man’s pleasure” and beat his wife whenever he so desired (Lee 131). Traditionally, in patriarchal societies, the man was the head of the household. He was the one with all of the power, his desires and decisions were law. Anna’s husband embodies this traditional, powerful role of head of the family. He viewed both his w...
The first source, Christine de Pizan’s book ‘The Treasure of The City of Ladies’ contains a handful of sections on how differing demographics of women, elderly, young, property owning, should behave in order to cultivate a virtuous character and play the role of mediator between conflicting parties. It should be mentioned that this is definitely a prescriptive source, not an accurate portrayal of what was actually happening at the time, simply an ideal of what the author wanted to be happening and potentially observed. The document addresses women of middle and lower class in how they should be forging relations with both other women and men as a demographic. It has been contended that medieval shared “striking” similarities in experiences with class despite other cultural differences. Christine herself was a famous intellectual in the 13th c...
Women in different societies around the world, during the Middle Ages, experienced different hardships and roles. These hardships and roles helped shape how they were viewed in their society. Some women were treated better and more equal than others. In Rome, Medieval England, and Viking society, women’s legal status, education, marriage and family roles were considered diverse, but also similar. In certain nation’s women have more or less power than women in other nations, but none equal to the power that women have in America today.
Since the beginning of time men have played the dominant role in nearly every culture around the world. If the men were not dominant, then the women and men in the culture were equal. Never has a culture been found where women have dominated. In “Society and Sex Roles” by Ernestine Friedl, Friedl supports the previous statement and suggests that “although the degree of masculine authority may vary from one group to the next, males always have more power” (261). Friedl discusses a variety of diverse conditions that determine different degrees of male dominance focusing mainly on the distribution of resources. In The Forest People by Colin Turnbull, Turnbull describes the culture of the BaMbuti while incorporating the evident sex roles among these “people of the forest”. I believe that the sex roles of the BaMbuti depicted by Turnbull definitely follow the pattern that is the basis of Freidl’s arguments about the conditions that determine variations of male dominance. Through examples of different accounts of sex roles of the BaMbuti and by direct quotations made by Turnbull as well as members of the BaMbuti tribe, I intend on describing exactly how the sex roles of the BaMbuti follow the patterns discussed by Freidl. I also aim to depict how although women are a vital part of the BaMbuti culture and attain equality in many areas of the culture, men still obtain a certain degree of dominance.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
In James Thurber’s short stories, the women dominate over the men (La Blanc, Michael and Ira 40). Women no longer want to be inferior to men. In “The Secret Life of Walter Mitty”, Mitty’s wife bosses him around. This suggests she does not respect her husband. Mitty fails to meet his own idea of masculinity, which in return allows the wife to take power (“Men and Masculinity”).
Riddled with a lifetime of experience and the pleasure of a plentiful amount of men, the Wife of Bath shamelessly exploits her sexuality and uses manipulation to gain wealth and power. Her shameless seething is entirely for her own gain and unquestionably confirms the long tradition of anti-feministic literature that presents women as morally corrupt and lustful. The Wife of Bath uses sex as a way to get into her husband's wallets. “So I made them work hard every night to please me, which often made them sigh in frustration. I had each of them wrapped around my little finger so tightly that they were all too happy to buy me nice things and jump for joy whenever I said anything nice to them (because God knows I scolded them often!)”
Indisputably, roles and characteristics of opposite genders have been ubiquitous, since historical evidence proves so – dating back to when the practice of oral tradition was favored over written language. This historical evidence is especially apparent in literature from previous time periods. In these works of literature, men and women often have very different social and economic positions within society. Particular duties, or tasks, are practiced depending on the gender of these individuals. However, in the advancing world we are currently living in, these duties are beginning to intertwine in an effort to allow equal rights amongst opposite genders. This effort to break the sexist barrier, which encompasses our world, has already begun rattling the chains of politicians and the like. However, with the progressions made thus far in retaliation to sexism and unequal gender privileges, the United States of America is heading in a positive direction towards gender equality. Nonetheless, the female gender is perceived as a lesser entity in society while the male gender is dominant and controlling. The masculine individuals in literary works usually govern, or direct the feminine individuals. These characteristics are often evident in various literary works – including “Hills Like White Elephants,” and “A&P” written by Ernest Hemingway and John Updike, respectively. The slow and steady transformation from a sexist society to one that allows inferior genders to perform similar tasks, if not the same as their superior counterparts, may disturb the ideological mindset of figures with authority; however, it provides inferior genders with the opportunity to branch out socially, economically, and politically.