The night was dark, a great hall stood upon the land, next to it was a fen, filled with dark creatures. Out of this fen, came the darkest of them all, Grendel! Inside the hall were Guards, since they figured that no one would dare attack this hall, they slept, having drunk much wine, and feasted on a many a thing. Grendel was quick and agile. Before they knew it, their bones were in his mouth, and their blood upon the floor. Beowulf is the story of Good versus Evil, New versus Old, Christian versus Pagan, and reflects upon a changing time in Europe, a place where the Roman Catholic Church has just arrived, and echos the time it was in. Beowulf has many references to Christian and Pagan religions. It refers to these to as Good and Evil, …show more content…
The king, Hrothgar, is a splendiferous and wise ruler, who is said to have killed a bear with his own hands. One day Hrothgar dreamt of building a great hall, Heorot, in the book it is described as, “‘in the dream I saw a hall that was bigger than hall built since the beginning of the world. The floors shone, and the roofs were gold. There was ivory everywhere, and a throne where a king could sit.’”, “‘And my own brave men shall eat and drink it it. I shall call the hall Heorot.’” In this hall, is too much joy for the monster, living in the fen. This monster goes by, Grendel. Grendel, is the son of Cain, the man from the bible, who killed his brother Abel. Grendel comes and terrorizes Heorot, bringing joy to the worst of the king’s court, Unferth. Unferth is an evil man, with a boil on his neck who believes that Grendel is the best! For example, after the attack he seemed almost, happy, “Unferth nodded. A horrid little look of amusement hovered about his mouth. ‘That’s right. Grendel was here!’” The king’s wife, Wealtheow, represents the Christianity entering the world, for she is wise, wears a blue cloak, and gives
Particularly in chapter 3, Grendel listens as a blind old man, the Shaper, tells the tale of Danish history to Hrothgar. Though what is told is largely fictitious, Grendel cannot help but to feel strangely moved by the brilliance of the Shaper’s story. “Thus I fled, ridiculous hairy creature torn apart by poetry—crawling, whimpering, streaming tears, across the world like a two-headed beast, like mixed-up lamb and kid at the tail of a baffled, indifferent ewe—and I gnashed my teeth and clutched the sides of my head as if to heal the split, but I couldn’t.” (Grendel, John Gardner, pg.44) In this moment, Grendel’s mind is split between what he understands to be true and the truth that is desired. The world is callous and careless, blunt and belligerent; this he knows. However, with the artistic style and formation of the Shaper’s words, he is brought to tears and is captivated by his spiritual and emotional yearnings. Grendel is also overwhelmed with disgust and shame for himself and his vile
Our first character, Grendel, is an exceptionally diverse character. It is implied that in both book and poem, Grendel is a blood-thirsty monster. All Grendel does is go through meadhalls and kill the drunk, often asleep people. But when narrated through the eyes of Grendel, the true nature of this beast is discovered. The author of Grendel entails that Grendel is a depressed and misunderstood monster, restrained to the confinements of his own underwater cave. He is a lot like the monster in the book Frankenstein. Both Grendel and Frankenstein are born with no real purpose to life, going off of what they hear other people say and taking it as the truth. Both monsters, knowing that everyone detests them for being unattractive and different, retaliate by way of murder and mayhem. From the perspective of the people in the stories itself, Grendel is exactly how the narrator in the poem Beowulf makes him out to be. The people, or the thanes, of Hrothgar’s kingdom see Grendel as a demon from hell, representing all that’s evil in the world. He’s a supernatural creature and in this time period anything supernatural that wasn’t human was considered a spirit, a god, evil or, in Grendel...
Upon arrival at the mead hall, Grendel notices the door is much to small for him to enter through it easily. This does not make him happy because it happens everywhere he goes in the little human towns. So he squeezes his shoulders through the small opening and manages to ask the man at the nearest table what was going on. The man, being exhausted from his own celebrations, was to tired to even notice the beast standing over him. Monsters of Grendel's type are not used to be ignored and see it as disrespectful and so do not like to be ignored. Which is why Grendel pulled his head from the doorway and reached his claw in to snatch up unsuspecting man. Everyone else in the room was too busy to even notice the man being lifted from his place behind his drink. With the first man out of the way, Grendel decided to try a different approach. Again, scrunching himself down partway through the door, Grendel looked for someone to tell him what was going on. He cleared his throat and said with a rough, gravelly voice, "Excuse me!" No one noticed. So he said it louder, "Excuse me!" A few heads turned. After a number of astonished gasps, more turned to see. Detecting he was now the center of attention, Grendel asked what they were all doing making so much noise so late at night. The men only stared at him. So he asked more simply and slowly, not knowing if they were intelligent or not, "What are you doing?" The only response this time was an echoed "Get him!" This surprised Grendel because they seemed to say it in unison. He jumped slightly and hit his head on the doorway. He stood up and rubbed his head and knocked over a horse and its cart with his foot.
The reader can interpret and feel the pain, and fear that Grendel endures being put through, as well as the confusion as to why these men are attacking him, when he was only asking for food.
In contrast to the drunken lurching of the others, Unferth comes toward Grendel with speeches and bravery. He is a puffed up as a peacock, proud and ready to die for his king, his people, his ideal. Grendel simply states, “He was one of those.” Grendel sees Unferth with a clear and unbiased mind. He is ridiculous. His exaggerated heroism, his words, even his first move, to scuttle sideways like a crab from thirty feet away, is laughable. Grendle does with him what he does with no other Dane in the story, he talks.
Even if, at first, Grendel seems almost kind, and the reader is pleased with his character, he soon becomes more and more evil, and his actions bring about a feeling of uneasiness, to say the least. Before, the killing of people for no apparent reason disgusted Grendel. However, when he brings Unferth home, he kills the two guards "so I wouldn't be misunderstood" (90). Later, in probably the most disturbing scene of the book, we see how meaningless killing has become to Grendel. He brutally attacks the queen and is determined to kill her.
Grendel appears the night when Beowulf arrives at Heorot. Beowulf wrestles the monster barehanded. He tears off the monster's arm but Grendel escapes. He dies soon afterward at the bottom of his mere, or swamp. Hrothgar rewards Beowulf with a great store of treasures. Another banquet is held for the warriors of both the Geats and the Danes.
The society that he terrorized was happy and always rejoicing. “As now warriors sang of their pleasure/ So Hrothgar’s men lived happily in this hall… (11)”
The poem Beowulf is a renowned story that displays many different surroundings and religious beliefs. Some may believe the story of Beowulf portrays pagan beliefs or customs and others believe that the poem is more in agreement with Christian ethnicity. The author of Beowulf uses both Christian and pagan elements in the poem to define the heroic warrior, Beowulf, and the evil dragons. After reading Beowulf the author clearly shows how Beowulf is a man who is filled with Christian customs and is willing to die and defend the world against evil using the help of God.
Grendel who resided near the swap from the mead hall was agitated by the cheerful sound
Finding humor in mocking those who Grendel is about to messily devour is completely insane but at the same time shows how he had planned this attack and ways to make it humorous to him. By giving Grendel the ability to speak and to let the reader understand his thoughts, Gardner reveal the intelligent monstrous side of Grendel and helps the reader better understand why he must be
Grendel is alone; he can not know God’s love and be comforted. He is an outcast, and the sins of his forefather have fallen upon him. Evil can not stand God being glorified just as the praising of God by the Danes angered Grendel.
Beowulf is an interesting story in that it has a meaning that is firmly rooted in fantasy creatures based in mythical origins while providing insight into religious ideals and practices of the time. It also speaks of tradition and the struggle of man against things perceived as evil. In this tradition especially, Beowulf is an incredible allegory regarding the struggle of good and evil in the Christian tradition.
In the epic poem Beowulf, the struggle between good and evil reveals its omnipresence in even the oldest of tales. The many allusions and symbols throughout the story relate to Christianity and other Pagan beliefs. By looking at them, it becomes apparent that the author of Beowulf believed that the constant war between good and evil is not only fought by the common man but also in the ranks of their highest esteemed rulers and warriors, and even in their dreaded nightmares where monsters lurk and wait for the death of man. Beowulf was written during the budding of Christianity in England, when it was newly forming. In the story there are obvious references to Christian rituals.
Beowulf was written in the time when the society was in the process of converting from Paganism to Christianity. In this epic poem, these two religions come through the actions of its characters. The acceptance of feuds and the courage of war are just a few examples of the Pagan tradition, while the Christian mortalities refrain from the two.